埃米尔·亨利·伯纳德(1868年4月28日——1941年4月16日)是一个法国人后印象派画家和作家,他的大部分著名的工作是在年轻的时候做的。
在法国里尔埃米尔·亨利·伯纳德出生在1868年。在他的年轻妹妹生病,埃米尔无法接受父母的关注;因此他住在他的祖母,谁拥有一个洗衣在里尔,雇佣超过二十人。她是他的艺术的最大支持者之一。1878年全家搬到了巴黎,埃米尔Sainte-Barbe参加了学院。
他开始了他的研究艺术学院Decoratifs。1884年,加入了工作室Cormon他尝试了印象主义和点彩派和和的艺术家路易Anquetin和Henri de图卢兹。在被悬挂在美术学院的“显示表达倾向在他的画中”,他参观了布列塔尼步行,迷恋的传统和景观。
1886年8月,伯纳德·高更在见面阿旺桥。在这个简短的会议,他们交换了一些关于艺术,但期待再次见面。伯纳德说,回顾这段时间,“我自己的人才已经发育完全。”他认为,他的风格发挥了相当大的一部分在高更的成熟风格的发展。
伯纳德在海边度过了1887年9月,他画La Grandmere祖母的肖像。他继续与其他画家高更和开始说好的事情。伯纳德回到巴黎,出席Academie朱利安,会见了梵高,我们已经声明他的作品印象深刻,发现餐厅的工作与梵高、Anquetin,大道克里希和图卢兹的工作。梵高叫Petit-Boulevard学院。
一年后,伯纳德·阿旺桥的脚,看到高更。他们的友谊和艺术关系迅速发展壮大。此时伯纳德已经开发了许多理论关于他的作品和他想要的。他说“(找到)一种艺术的欲望的最极端的简单性和可访问所有,这样就不会实践其个性,但集体…”高更印象深刻伯纳德用言语表达他的想法的能力。
1888年是历史上重要的一年现代艺术。从10月23日到12月23日保罗高更和文森特·梵高工作在一起阿尔勒。高更带来了他的新风格阿旺桥为在布道后视力:雅各与天使摔跤,一个强大的视觉象征他的工作已经9月向梵高草图。
For a timeline, see Émile Bernard chronology.
Education
He began his studies at the École des Arts Décoratifs. In 1884, joined the Atelier Cormon where he experimented with impressionism and pointillism and befriended fellow artists Louis Anquetin and Henri de Toulouse-Lautrec. After being suspended from the École des Beaux-Arts for "showing expressive tendencies in his paintings", he touredBrittany on foot, where he was enamored by the tradition and landscape.
In August 1886, Bernard met Gauguin in Pont-Aven. In this brief meeting, they exchanged little about art, but looked forward to meeting again. Bernard said, looking back on that time, that "my own talent was already fully developed." He believed that his style did play a considerable part in the development of Gauguin's mature style.
Bernard spent September 1887 at the coast, where he painted La Grandmère, a portrait of his grandmother. He continued talking with other painters and started saying good things about Gauguin. Bernard went back to Paris, attended Académie Julian, [2] met with van Gogh, who as we already stated was impressed by his work, found a restaurant to show the work alongside van Gogh, Anquetin, and Toulouse-Lautrec's work at the Avenue Clichy. Van Gogh called the group the School of Petit-Boulevard.
One year later, Bernard set out for Pont-Aven by foot and saw Gauguin. Their friendship and artistic relationship grew strong quickly. By this time Bernard had developed many theories about his artwork and what he wanted it to be. He stated that he had "a desire to [find] an art that would be of the most extreme simplicity and that would be accessible to all, so as not to practice its individuality, but collectively…" Gauguin was impressed by Bernard's ability to verbalize his ideas.
1888 was a seminal year in the history of Modern art. From 23 October until 23 December Paul Gauguin and Vincent van Goghworked together in Arles. Gauguin had brought his new style from Pont-Aven exemplified in Vision after the Sermon: Jacob Wrestling with the Angel, a powerful work of visual symbolism of which he had already sent a sketch to van Gogh in September.
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