莱昂奥古斯丁Lhermitte的“拾穗”（1887年，费城艺术博物馆）的现实主义运动和一个狂热的现实主义画家的一部分，Lhermitte描述了在法国工人阶级贫困。从小米，同样的一幅画以非常明显的灵感名，Lhermitte在一系列在沙龙展示作品的目的是及时捕捉到了这一时刻。当他的作品比较小米的，女的连姿势都似乎很相似不相同的。在前台有两个女人弯腰拿起留下的粮食，那些没有加入，可以在后台看到的干草堆栈，该工作和小米的差异比较明显的是，有没有大群人在后台运行。

类似地，虽然在妇女把握在其上的左手的小麦中示出的它们所搜集的一个高速缓存。这是小米的大不相同作为他的表现如何还有一点剩下。Lhermitte显示相当多的过剩。当查看地面，识别单个小麦籽粒是困难的，如果不是不可能的。这可能是工作是多么困难的表示，收集足够的小麦，以保持这些妇女喂养的家庭无尽的任务。大约在同一时间通过Lhermitte这幅作品的出版，在沙龙提出，小米自己的“拾穗”已开始接受公众欣赏。这导致Lhermitte继续法国乡村绘画场景，其中有许多共享相同的名字，“拾穗”。

在个人拾穗者仔细观察，他们每个给定的一些个别的“性格”。而不是米勒的绘画具有朴素流畅的看衣服一样，Lhermitte选择了宽松的拟合衬衫和增加了更多的细节，女人的脸。第二个女人一直垂在她的脸上痛苦的表情，显示了一整天下来深远的努力。虽然米勒的绘画妇女共享相同的特征，在Lhermitte的女性有不同的表现。这两个女人站在各自持有其捆绑，仿佛他们正在采取的小破，而女人在远端有她的手在她的背上，并在她的脸上的加剧样子。这片叶子观众不封闭的感觉，因为它似乎一天刚刚开始，工作一天辛苦的还在前方。

"Leon Augustin Lhermitte" the Gleaner (1887, Philadelphia Museum of Art) part of the Realism Movement and an avid realist painter, Lhermitte described in French working-class poverty. From millet, the same painting with a very clear inspiration, Lhermitte in a series of works in the salon show is designed to capture this moment in time. When his work is more millet, and even women's posture seems to be very similar. At the front desk there are two women bent down to pick up the food left, those who did not join, can be seen in the background of the hay stack, the difference between the work and millet is more obvious that there are no large group of people running in the background.
Similarly, although one of the caches in the left hand of a woman is shown in the left hand of the wheat. This is the millet is not the same as his performance how there is still a little left. Lhermitte shows considerable excess. When looking at the ground, it is difficult, if not impossible, to identify a single wheat grain. It may be difficult to say how much work is done to collect enough wheat to keep these women feeding the family endless tasks. At about the same time by Lhermitte for this piece published in the salon, put forward their own "success", millet has begun to accept the public appreciation. This causes Lhermitte to continue to the French countryside painting scene, many of which share the same name, "the gleaner".
A careful observation on the personal average, some individual character they each given". Instead of Miller's painting with a plain looking dress, Lhermitte opted for a loose fitting shirt and added more detail to the woman's face. The second women had been hanging on her face with a painful expression, which showed a whole day down to a profound effort. Although Miller's paintings share the same characteristics of women, women in Lhermitte have different manifestations. The two women stand in each hold of their bundle as if they were taking a small break, while the woman at the far end had her hand on her back, and the aggravation on her face. This leaves the audience is not closed feeling, because it seems that the day has just begun, work hard day ahead.