让·保罗·劳伦斯（富尔屈埃沃 1838年3月28日- 1921年3月23日巴黎），是法国画家和雕塑家，和法国的最后的主要倡导者之一学术风格。

他的学生莱昂Cogniet和亚历山大必达。强烈的反文书和共和党的，他的工作是经常的历史和宗教题材，通过他试图传达反对君主制和文书压迫的消息。他的博学和技术掌握在他的时间令人赞叹不已，但是在以后的几年他的高度逼真技术，连接到一个戏剧性的场面调度烯现场，来到被一些艺术历史学家过于说教算是。然而最近，他的作品已被重新评估为历史画，画的流派是劳伦斯“一生中下降的一个重要和原始的更新。

劳伦斯受委托画一幅由无数公共工程法兰西第三共和国，包括中钢拱顶巴黎市政厅，对生命的不朽系列圣热纳维耶夫在后殿先贤祠，国宾剧院的装饰天花板，和在杰出公民的大厅图卢兹国会大厦。他还提供了例证奥古斯丁亨利的RécitsDES临时工mérovingiens（“帐目梅罗文加时报”）。

劳伦斯在被高度尊重的老师Académie朱利安，巴黎，并在教授国立高等美术学院在巴黎，在那里他教安德烈Dunoyer德•斯贡札克和乔治·巴比尔。他的两个儿子，保罗·阿尔伯特劳伦斯（1870年至1934年）和让-皮埃尔·劳伦斯（1875年至1932年），两者也成为画家和老师在Académie朱利安。
 

Jean-Paul Laurens (Fourquevaux 28 March 1838 – 23 March 1921 Paris), was a French painter andsculptor, and one of the last major exponents of the French Academic style.

He was a pupil of Léon Cogniet and Alexandre Bida. Strongly anti-clerical and republican, his work was often on historical and religious themes, through which he sought to convey a message of opposition to monarchical and clerical oppression. His erudition and technical mastery were much admired in his time, but in later years his highly realistic technique, coupled to a theatrical mise-en-scène, came to be regarded by some art-historians as overly didactic. More recently, however, his work has been re-evaluated as an important and original renewal of history painting, a genre of painting that was in decline during Laurens' lifetime.

Laurens was commissioned to paint numerous public works by the French Third Republic, including the steel vault of the Paris City Hall, the monumental series on the life of Saint Genevieve in the apse of the Panthéon, the decorated ceiling of the Odéon Theater, and the hall of distinguished citizens at the Toulouse capitol. He also provided illustrations for Augustin Thierry's Récits des temps mérovingiens ("Accounts of Merovingian Times").

Laurens was highly respected teacher at the Académie Julian, Paris, and a professor at the École nationale supérieure des Beaux-Arts in Paris, where he taught André Dunoyer de Segonzac and George Barbier. Two of his sons, Paul Albert Laurens (1870–1934) and Jean-Pierre Laurens (1875–1932), both also became painters and teachers at the Académie Julian.