帕尔马金正日桥(三1480 - 1528年7月),生于雅格布帕尔马也可称为雅格布内格雷蒂,是一位意大利 画家在出生威尼斯学校塞里纳阿尔塔附近的贝加莫。他被称为帕尔马桥在英语(“老帕尔马”在意大利帕尔马金正日桥),以区别于他帕尔马埃尔伯,他的侄孙。
帕尔马金正日桥(三1480 - 1528年7月),生于雅格布帕尔马也可称为雅格布内格雷蒂,是一位意大利 画家在出生威尼斯学校塞里纳阿尔塔附近的贝加莫。他被称为帕尔马桥在英语(“老帕尔马”在意大利帕尔马金正日桥),以区别于他帕尔马埃尔伯,他的侄孙。
当帕尔马在抵达威尼斯在16世纪初,他据说是一个同伴和竞争对手洛伦佐乐透,并在一定程度上的学生提香。[2]他也可以教Bonifazio Pitati和影响乔瓦尼·布丝。帕尔马的早期作品背叛的影响乔瓦尼·贝利尼。
帕尔马的工作表明色彩丰富出众,但他并没有就发明,也不轰轰烈烈制图脱颖而出。
他的画经常拥有自己的(所谓的)女儿维奥兰特,其中提香有人说是迷恋。著名的作品包括帕尔马在的威尼斯教堂6画作组成圣玛丽亚台塑,与圣芭芭拉在中央,下死基督,左,右SS。多米尼克,塞巴斯蒂安,施洗约翰和安东尼。第二个工作是在德累斯顿画廊,代表在露天坐着三姐妹; 它经常被称为三增光。第三个工作,在威尼斯发现于1900年,是应该代表肖像维奥兰特。其他主要的例子是:在最后的晚餐中的国家外国美术展览馆 ; 麦当娜,圣斯特凡在维琴察的教堂; 在主显节,(布雷拉画廊,AC米兰); 在神圣家族与一个年轻的牧羊人(卢浮宫,巴黎),神圣家族与圣凯瑟琳,圣约翰和捐助方和人像自拍(贝利德沃尔,贝尔格莱德),圣斯蒂芬等圣徒,基督和奈恩的寡妇和圣母升天,(Gallerie dell'Accademia美术馆,威尼斯),夫人与琵琶(阿尼克城堡,英国),基督在以马忤斯(皮蒂宫)。
Palma il Vecchio (c. 1480 – July 1528), born Jacopo Palma and also known as Jacopo Negretti, was an Italian painter of the Venetian school born at Serina Alta near Bergamo. He is called Palma Vecchio in English ("Old Palma" in Italian Palma il Vecchio) to distinguish him from Palma Giovane, his great-nephew.[1]
When Palma arrived in Venice early in the 16th century, he reputedly was a companion and competitor of Lorenzo Lotto, and to some extent a pupil of Titian.[2] He may also have taughtBonifazio Pitati and influenced Giovanni Busi. Palma's earlier works betray the influence of Giovanni Bellini.
Palma's work demonstrates superior richness of color, but he did not excel with regard to invention nor vigorous draughtsmanship.
His paintings frequently feature his (so-called) daughter Violante, of whom Titian was said to be enamoured. Famous works by Palma include a composition of six paintings in the Venetian church of Santa Maria Formosa, with St Barbara in the centre, under the dead Christ, and to right and left SS. Dominic, Sebastian, John Baptist and Anthony. A second work is in the Dresden Gallery, representing three sisters seated in the open air; it is frequently named The Three Graces. A third work, discovered in Venice in 1900, is a portrait supposed to represent Violante. Other leading examples are: the Last Supper in the National Gallery for Foreign Art; a Madonna, in the church of Santo Stefano in Vicenza; the Epiphany, (Brera Gallery, Milan); the Holy Family with a young shepherd (Louvre, Paris), The Holy Family with St. Catherine, St. John and Donor and Self Portrait (Beli Dvor, Belgrade ), St Stephen and other Saints, Christ and the Widow of Nain and the Assumption of the Virgin, (Gallerie dell'Accademia, Venice), Lady with a Lute (Alnwick Castle, England) and Christ at Emmaus (Pitti Palace).
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