查尔斯·希勒英文名叫：charles sheeler，是美国画家，同时也是摄影师，为『精确主义』(Precisionism)的代表人物。在30年代，查尔斯·希勒持续发展写实性的画作，但到40年代其画风有了巨大的转变，他开始使用多重视角和大胆非自然的色彩，尽管如此，他仍保持一贯的平顺笔触。
查尔斯·希勒英文名叫：charles sheeler，是美国画家，同时也是摄影师，为『精确主义』(Precisionism)的代表人物。在30年代，查尔斯·希勒持续发展写实性的画作，但到40年代其画风有了巨大的转变，他开始使用多重视角和大胆非自然的色彩，尽管如此，他仍保持一贯的平顺笔触。
早期的生活和事业小查尔斯Rettrew壳体出生在宾夕法尼亚州的费城宾夕法尼亚州的博物馆,参加学院的工业艺术,现在费城艺术大学(),从1900年到1903年,然后宾西法尼亚美术学院,在那里他学习了威廉•梅里特追。他发现早期的成功作为一个画家,展出麦克白画廊在1908年。他的大部分教育是绘画和其他应用艺术。他和其他学生去了意大利。他吸引了中世纪的意大利画家乔托和佛朗西斯等。后来他受到立体派艺术家的作品像毕加索和布拉克，1909年,他去了巴黎,就当的受欢迎程度立体主义飞涨,他受到立体派艺术家如毕加索和布拉克。回到美国,他意识到,他将无法谋生现代主义绘画。相反,他拿起商业摄影,尤其关注建筑主题。他是一个自学成才的摄影师,学习他的贸易五美元巧克力蛋糕。开始的时候,他极大地影响了他的密友叫他们死描绘伟大的机器画,描绘了大光技术。他成为欣赏技术。他的第一个使用的技术是摄影为了支持自己作为一个画家,他自学成才的媒介。他的工作使他杰出的在描述人类进步与现代技术的标志性。
壳体有一个农舍宾夕法尼亚州美国多伊尔斯敦39英里以外的费城。他与老朋友分享它的艺术家莫顿Schamberg(1881 - 1918),他的死亡1918年流感大流行.19世纪他很喜欢家里的火炉,他称之为“同伴”,他的照片的主题。农舍有突出的作用在他的许多照片,包括卧室,厨房和楼梯的镜头。一度援引他称之为“我的修道院。”
壳体上运用这一技术,补充他的摄影作品。他是一个自称讲究精确的人一个术语,强调了他在描述采用线性精度。在他的摄影作品,他的受试者一般物质如机械他被雇佣的福特汽车(f.n:行情)。他们的工厂照片和绘画。
Charles Rettrew Sheeler Jr. was born in Philadelphia, Pennsylvania, attending the Pennsylvania Museum School of Industrial Art, now the University of the Arts (Philadelphia), from 1900 to 1903, and then the Pennsylvania Academy of Fine Arts, where he studied under William Merritt Chase. He found early success as a painter and exhibited at the Macbeth Gallery in 1908. Most of his education was drawing and other applied arts. He went to Italy with other students. Where he was intrigued by the Italian painters of the Middle Ages such as Giotto and Piero della Francesca. Later he was inspired by works of Cubist artists like Picasso and Braque In 1909, he went to Paris, just when the popularity of Cubism was skyrocketing as he was inspired by works of Cubist artists like Picasso and Braque.Returning to the United States, he realized that he would not be able to make a living with Modernistpainting. Instead, he took up commercial photography, focusing particularly on architectural subjects. He was a self-taught photographer, learning his trade on a five dollar Brownie. When starting out, he was dramatically impacted by the death of his close friend named Schamberg who paints great machine paintings that portrays technology in a great light.[3] He became to admire the technology. His first use of technology was photography in order to support himself as a painter, making him self-taught in the medium. His work made him prominent in describing human progress with modern technology iconic.
Sheeler owned a farmhouse in Doylestown, Pennsylvania, about 39 miles outside Philadelphia. He shared it with his longtime friend the artist Morton Schamberg (1881–1918), who died in the influenza epidemic of 1918.[4] He was so fond of the home's 19th century stove that he called it his "companion" and made it a subject of his photographs. The farmhouse serves a prominent role in many of his photographs, including shots of the bedroom and kitchen and stairway. At one point he was quoted as calling it "my cloister."
Sheeler painted using a technique that complemented his photography. He was a self-proclaimed Precisionist, a term that emphasized the linear precision he employed in his depictions. As in his photographic works, his subjects were generally material things such as machinery and structures. He was hired by the Ford Motor Co. to photograph and make paintings of their factories.
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