伯纳迪诺.卢伊尼Bernardino Luini（1480年—1532年6月），意大利画家。
Luini出生Runo贝纳迪诺de Scapis,afrazione的Dumenza附近的马焦雷湖。他的生活细节很少。
1500年,他搬到了米兰与他的父亲。根据Lomazzo,他训练下Giovan斯特凡诺斯哥图,虽然对其他人来说他是一个学生Ambrogio Bergognone。在1504 - 1507年他是可能的特雷维索证明,麦当娜和孩子签署Bernardinus Mediolanensis faciebat然而有争议的归因。他的第一个壁画作品圣皮特的麦琪的崇拜Luino(c . 1505)和壁画的宅邸蒙扎大教堂圣杰勒德的画家。
Luini返回米兰,1509年获得委员会的polyptych今天仍然是一个帕多瓦的圣安东尼博物馆波多尔斯基一蹴而就Pezzoli,受到贝纳迪诺ZenaleCantu Polyptych。在1510年代他画壁画的演讲圣玛丽亚Pilastrello Nuova,死去的基督的哀歌圣玛丽亚德拉热播德拉,麦当娜Buonanotte修道院的Chiaravalle,壁画di San Giorgio宫殿(1516)和Certosa迪帕维亚等等。
从1509年到1514年Luini完成别墅Pelucca的壁画Sesto圣乔凡尼(现在的Pinacoteca di布雷拉、米兰)。他最著名的作品之一,他们委托Girolamo早春作物,为谁他也画神话场景在宫殿早春作物(现在柏林Gemaldegalerie和国家美术馆的艺术,华盛顿特区。).
1521年,他前往罗马,在那里他受到了拉斐尔的风格。这是明显Luini进一步壁画的别墅La Pelucca在1520 - 1523年执行,以及其他作品现在在布雷拉。1523年,Luini描绘了一幅polyptych描绘Entrhroned麦当娜和孩子包围着天使与乐器,由父神和粗笨,发现的教堂的圣镍锰合金Legnano.
大约在1525年,他完成了一个系列的壁画圣母的生活圣所和基督的圣玛丽亚一些MiracoliSaronno同年,是由于在桑特'Abbondio counterfacade的壁画科莫。在Saronno,他发现意大利苦杏酒。其他作品从他中叶包括一个神圣家庭博物馆普拉多电影院,两个莎乐美美术博物馆在波士顿和乌菲兹和夫人的肖像艺术的国家美术馆。从1526年开始与孩子和圣徒是处女李Fareham里士满的集合。
1529年Luini完成了他的杰作之一,大激情和受难壁画在圣玛丽亚天使卢加诺,搭配其他作品在同一教堂。1531年,他回到了Saronno避难所添加其他的壁画。在他后来的职业生涯Luini越来越受到达芬奇,显示的圣安妮的Pinacoteca Ambrosiana的圣凯瑟琳赫米蒂奇.
Luini was born as Bernardino de Scapis in Runo, a frazione of Dumenza, near Lake Maggiore. Details of his life are scant.
In 1500 he moved to Milan with his father. According to Lomazzo, he trained under Giovan Stefano Scotto, although for others he was a pupil of Ambrogio Bergognone. In 1504-1507 he was probably in Treviso, as attested by a Madonna with Child signedBernardinus Mediolanensis faciebat which is however of disputed attribution. His first fresco works are an Adoration of the Magi in San Pietro of Luino (c. 1505) and the attributed fresco in the presbytery of Monza Cathedral with St. Gerard of the Painters.
Luini returned in Milan in 1509, receiving a commission for a polyptych from which today remains a St. Anthony of Padua in the Museo Poldi Pezzoli, influenced byBernardino Zenale's Cantù Polyptych. In the 1510s he painted frescoes in the Oratory of Santa Maria Nuova in Pilastrello, a Lamentation of the dead Christ in Santa Maria della Passione, a Madonna della Buonanotte in the Abbey of Chiaravalle, frescoes in San Giorgio di Palazzo (1516) and in the Certosa di Pavia, and others.
From 1509 - 1514 Luini completed the frescoes for Villa Pelucca in Sesto San Giovanni(now in the Pinacoteca di Brera, Milan). One of his best known works, they were commissioned by Girolamo Rabia, for whom he also painted mythological scenes in the Palazzo Rabia (now in the Berlin Gemäldegalerie and the National Gallery of Art, Washington, D.C.).
In 1521 he travelled to Rome, where he was influenced by Raphael's style. This is evident in Luini's further frescoes in the Villa La Pelucca executed in 1520-1523, as well as in other works now at Brera. In 1523, Luini painted a polyptych depicting the Entrhroned Madonna and Child surrounded by Angels with Musical Instruments, and surmounted by God the Father, found in the Basilica of San Magno, Legnano.
Circa 1525 he completed a series of frescoes on the life of the Virgin and Christ for the sanctuary of Santa Maria dei Miracoli in Saronno; to the same year is attributed the fresco in the counterfaçade of Sant'Abbondio in Como. While at Saronno, he discovered amaretto. Other works from his middle period include a Holy Family in the Museo del Prado, two Salome in theMuseum of Fine Arts in Boston and the Uffizi and a Portrait of Lady in the National Gallery of Art. From 1526 is a Virgin with Child and Saints in the Lee Fareham collection of Richmond.
In 1529 Luini completed one of his masterworks, the grand Passion and Crucifixion fresco at Santa Maria degli Angeli inLugano, paired by other works in the same church. In 1531 he returned to the Saronno sanctuary to add other frescoes. In his later career Luini was increasingly influenced by Leonardo, as showed by the St. Anne of the Pinacoteca Ambrosiana and the St. Catherine of the Hermitage.
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