弗朗西斯科Bacchiacca（1494年—1557年），意大利画家。
Bachiacca出生并在佛罗伦萨洗1494年3月1日和1557年10月5日死在那里。
圣塞巴斯蒂安
至少五Bachiacca属于一个家庭,并可能多达8个艺术家。他父亲桑巴特鲁姆Ubertino di(ca。1446/7 - 1505)是一个金匠,他的哥哥巴特洛维'Ubertino威尔第(又名Baccio 1484 - c.1526/9)是一个画家,和他的弟弟安东尼奥d 'Ubertino威尔第(1499 - 1572)——也叫自己Bachiacca-was绣花机和画家。弗朗西斯科的儿子卡洛迪Francesco威尔第(-1569)画和安东尼奥·桑巴特鲁姆的儿子主席特蕾威尔第(又名Baccino -1600)做绣花机。这一代可能继续产生绘画和刺绣Bachiacca死后,直到威尔第家族熄灭约1600年。
Bachiacca学徒在佩鲁基诺佛罗伦萨的工作室,到1515年开始合作安德列亚•德尔萨托,雅格布Pontormo和弗朗西斯科·Granacci的装饰意大利大箱(胸部),spalliera(壁板),和其他画的卧室家具Pierfrancesco Borgherini和玛格丽塔Acciauoli。 1523年,他又参加了安德列亚•德尔萨托,Franciabigio的装饰和Pontormo Giovanni Benintendi的前厅。 当他建立了声誉作为一个画家的祭坛的台和小柜图片,他最终扩大他的输出包括大型圣坛雕刻,如圣施洗约翰被砍头的,现在在柏林。
1540年,Bachiacca成为艺术家在杜克的法院关于柯西莫•德•美第奇(reg。1537 - 1574年)和公爵夫人埃莉诺的托莱多。在这种能力,Bachiacca同事和同行最重要的佛罗伦萨艺术家的年龄,包括Pontormo,布龙齐诺的,萨尔维亚蒂,Tribolo,Benvenuto Cellini,Baccio Bandinelli和他的亲家,雕刻家Giovanni Battista德尔自己.
Bachiacca的第一个主要委员会是油漆的墙壁和天花板公爵的私人研究植物、动物和一种景观,它是一个重要的证词柯西莫的植物学和自然科学的兴趣。
只有一个签署工作由弗朗西斯科,阳台的装修为公爵夫人和她的孩子们,缩写为基督教的名字,绰号:“法郎。BACHI。FACI。” 他的作品通常包含仔细观察大自然的插图。艺术家的商标包含数字的组合方法和风格,异国情调的服装和其他图案从意大利艺术家和德国和荷兰的打印获得全新的作品。这些世界性的组合表现出最值得称赞的北部和南部欧洲文艺复兴时期的艺术元素,呼吁他彬彬有礼的客户。
摩西的岩石
Bachiacca也让两个系列漫画的挂毯、怪诞中(1545 - 49)个月(1550 - 1553),由新成立的美第奇编织挂毯作品。
宫廷画师,Bachiacca创建圣塞巴斯蒂安在1530年代- 1530年代,在死亡的主题圣塞巴斯蒂安基督教罗马皇帝贵族判处死刑戴克里先。最初这是猜测,面板可以充当一个部分一个祭坛的装饰品。
Bachiacca was born and baptized in Florence on 1 March 1494 and died there on 5 October 1557.
Bachiacca belonged to a family of at least five, and possibly as many as eight artists. His father Ubertino di Bartolomeo (ca. 1446/7-1505) was a goldsmith, his older brother Bartolomeo d'Ubertino Verdi (aka Baccio 1484-c.1526/9) was a painter, and his younger brother Antonio d'Ubertino Verdi (1499–1572)—who also called himself Bachiacca—was both an embroiderer and painter. Francesco's son Carlo di Francesco Verdi (-1569) painted and Antonio's son Bartolomeo d'Antonio Verdi (aka Baccino -1600) worked as an embroiderer. This latter generation probably continued to produce paintings and embroideries after Bachiacca's death and until the Verdi family extinguished about the year 1600.
Bachiacca apprenticed in Perugino's Florentine studio, and by 1515 began to collaborate with Andrea del Sarto, Jacopo Pontormo and Francesco Granacci on the decoration ofcassone (chest), spalliera (wainscot), and other painted furnishings for the bedroom of Pierfrancesco Borgherini and Margherita Acciauoli. In 1523, he again participated with Andrea del Sarto, Franciabigio and Pontormo in the decoration of the antechamber of Giovanni Benintendi. While he established a reputation as a painter of predellas and small cabinet pictures, he eventually expanded his output to include large altarpieces, such as the Beheading of St. John the Baptist, now in Berlin.
In 1540, Bachiacca became an artist at the court of Duke Cosimo I de' Medici (reg. 1537-1574) and Duchess Eleanor of Toledo. In this capacity, Bachiacca was a colleague and peer of the most important Florentine artists of the age, including Pontormo, Bronzino,Francesco Salviati, Tribolo, Benvenuto Cellini, Baccio Bandinelli, and his in-law, the sculptor Giovanni Battista del Tasso.
Bachiacca's first major commission was to paint the walls and ceiling of the duke's private study with plants, animals and a landscape, which remain an important testimony of Cosimo's interest in botany and the natural sciences.
Only one signed work by Francesco is known, the decoration of a Terrace for the duchess and her children, with his abbreviated Christian name and nickname: "FRANC. BACHI. FACI."His works typically contain carefully observed illustrations of nature. The artist's trademark method and style consists of the combination of figures, exotic costumes and other motifs acquired from Italian artists and German and Netherlandish prints into entirely new compositions. These cosmopolitan assemblages exhibited the most praiseworthy elements of both northern and southern European Renaissance art, which appealed to his courtly clientele.
Bachiacca also made cartoons for two series of tapestries, the Grotesque Spalliere(1545–49) and the Months (1550–1553), which were woven by the newly founded Medici tapestry works.
As a court painter, Bachiacca created Saint Sebastian during the 1530s-1540s, on the subject of the death of Saint Sebastian, a Christian nobleman condemned to death by the Roman emperor Diocletian. Originally it was surmised that the panel could have functioned as a section to an altarpiece.
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