比赛在卡比托利欧山塔西可能工作在一个时间利沃诺，以及在佛罗伦萨。在他的追随者或学生在利沃诺被认为是彼得Ciafferi。[1]在他在佛罗伦萨逗留人们认为是他被任命为厨房在大公的罪犯厨房从一些不明罪。然而，他被允许自由走动在船上，而不是拉的桨。更重要的是，他能够油漆和借鉴厨房，并由此提供与从中来执行他的海景和港口，船舶和钓鱼的场景图像充足的材料。

关于他的艺术的形成，塔西据说一直的学生保罗艳，从其身上得出了一些他的海洋图像。后来他在罗马曾与奥拉齐奥蒂莱斯基，谁画人物，由被委托后保罗五世。

考虑角度的掌握和幻觉建筑装饰的一个好画家，塔西在几位罗马的宫殿，包括奎里纳勒（1611年至1612年）中，Rospigliosi和多里亚潘菲利（1637年）。

在罗马，塔西还担任主（从1625年4月），法国画家克劳德·洛兰。塔西聘请罗兰磨他的颜色和做所有的家务。

虽然更好地称为壁画的画家，塔西也涂一些油画，其中包括前所罗门示巴女王的到达（1610角）和入境Taddeo巴贝里尼从波波罗门（1632）。他影响Leonaert BRAMER。

The game could work in a time of Livorno at the Capitoline Hill in Florence and Tahiti. Among his followers or student at Livorno is thought to be Peter Ciafferi. [1] in his sojourn in Florence is believed to be the kitchen where he was appointed in the kitchen of the Archduke of the crime from some unknown. However, he was allowed to move freely on the boat instead of pulling the oars. What's more, he was able to paint and draw from the kitchen, and thus provide plenty of material with which to perform the image of his sea view and harbor, ships and fishing scenes.
On the formation of his art, the student is said to have been Paul Yan, from the body that some of his marine image. Later in Rome he worked with Orazio Siti Lessky, who was commissioned by the painting, after Paul v.
Consider a good painter angle grasp and illusion of architectural decoration, Tahiti in several Rome palace, including Kui (1611 to 1612) in the nal, Rospigliosi and Doria Pamphili (1637).
In Rome, Tahiti also served as the main (from April 1625), French painter Claude Loran. The hired Roland grind his color and do all the housework.
Although better known as fresco painter Taxihe also painted a number of paintings, including Solomon before the arrival of the queen of Sheba (C. 1610) and the entry of Taddeo Barberini from Bobo Solomon (1632). He affects BRAMER Leonaert.