萨塞塔这个名字一直伴随着他，误，仅自18世纪，但现在通常用于此的艺术家。 萨塞塔的日期和出生地都不得而知。有人说，他出生在锡耶纳虽然也有，他出生在一个假设科尔托纳。他的父亲，乔瓦尼，被称为DA Cartona这可能意味着科尔托纳是艺术家的诞生地。他的绰号的含义萨塞塔是模糊的，并在他的时间的文件不引用，但出现在从十八世纪的来源。

萨塞塔可能是一起训练的艺术家一样贝内代迪Bindo和格雷戈里奥·迪切科，但他把所有他自己的风格。他实现了技术求精的较高水平，知道在佛罗伦萨有才华的画家，如艺术创新的詹蒂莱大法布里亚诺和Masolino。他的作品不同于他的许多同时代锡耶纳的晚期哥特式风格。

他的第一个一定的工作，这原来有他的签名是艺术德拉拉娜祭坛，（1423年至1426年），其中的片段，现在许多公共和私人收藏瓜分。

在雪的圣母祭坛的锡耶纳大教堂是萨塞塔一个著名的佣金，被认为是他的第二个主要的工作。他不仅在与令人信服地塑造自己的形状的自然光灌输他的数字出类拔萃，他也有空间关系，创造凝聚力和令人印象深刻的作品惊人的手感。 从这个角度上，哥特式的影响下，萨塞塔的风格增加其装饰性。该polyptych在科尔托纳（约1437）的圣多米尼克由萨塞塔进行显示的场景从传说中的圣 安东尼住持。他表示通过他的绘画叙事和高超的技巧，以及结合了先进的调色板节奏的成分。

弗朗切斯科迪乔治·E DI'洛伦佐，更好地为Vecchietta，据说是他的徒弟。

他死于肺炎，而装饰承包假设在壁画罗马门锡耶纳。这项工作是由他的学生完成佐野迪彼得罗。

许多人认为，传统和现代元素作为整体，从哥特式的移动到的萨塞塔的融合文艺复兴时期的绘画在锡耶纳的风格。

 The name sassetta has been accompanied by him, miss, only since eighteenth Century, but now usually used for this artist.   sassetta's date and place of birth can make nothing of it all. Some people say that he was born in Siena while there, he was born in a Cortona hypothesis. His father, Giovanni, was called DA Cartona which could mean that Cortona was the birthplace of the artist. The meaning of his nickname sassetta is fuzzy, and in his time the file does not appear in the references, but from eighteenth Century sources.

Sassetta may be training with artists like Baire Dei Di Bindo and Gregorio Dicheco, but he put all his own style. He achieved a high level of technical refinement, know talented painters in Florence, such as the Gentile law and art innovation - Masolino. His works are different from many of his late Siena Gothic style.

His first must work, which turns out to have his signature art de la Lana altar (1423 to 1426), one of the fragments, now many public and private collections to carve up.

In the Cathedral of Siena snow virgin is a famous altar sassetta Commission, is considered to be his second major work. Not only does he excel in convincing his figures with the natural light that shapes his shape, he also has the space to create a cohesive and impressive piece of work. From the perspective of   under the influence of Gothic style, sassetta increased its decorative. The polyptych in Cortona (about 1437) of St. Dominic by sassetta display scenes from the legend of the abbot of St. anthony. He expressed through his painting narrative and superb skills, as well as the combination of the composition of the advanced palette rhythm.

Francesco di George E DI'Lorenzo, better known as Vecchietta, is said to be his apprentice.

He died of pneumonia, while the decoration contractor assumed the mural in Rome, Siena. This work was completed by his pupil with Peter Rowe Yedi.

Many people think that the traditional and modern elements as a whole, from the mobile to the Gothic sassetta fusion Renaissance painting style in Siena.