1916年10月27日，田世光出生于六郎庄一个中农家庭中。田家的祖居是一座古老的庭院，房顶上铺着瓦当滴子，两进的院落，门口原有影壁和上马石，这原是清末一个官员的房子，后辗转卖到田家手里。田世光的先祖于清初逃荒来京，至先生孙辈已六世居住此庄，故先生自题画室曰：“六世老居”。
六郎庄位于昆明湖东岸，明人沈榜《宛署杂记》中记载宛平县西北有北海店，“其旁曰牛栏庄”，即指此地。最初只有8户人家种稻养牛，以后清代修畅春园、颐和园，六郎庄得到发展，庄中不少人在园里当差，慈禧太后每年春天去颐和园，也是必经过六郎庄。清兵入关后，人民为了表达对清朝统治者的反抗情绪把牛栏庄敷演成“六郎庄”，这个名称最早出现是在康熙五十一年(1712年)内务府总管赫奕的奏折上。先生幼年居住过的小狮子胡同东口有一石桩，桩顶镌有狮像，传说这是杨六郎的拴马桩。
六郎庄又名柳浪庄，人们于房前屋后遍植杨柳，明时庄北有“柳浪闻莺”的佳景，与清华园里的“桃堤春晓”相映成趣。这里稻畦千顷，荷塘棋布，每年阳春三月，稻地里自动涌泉，乾隆皇帝曾有诗描绘：“垂柳依依村舍寒，新苗漠漠水田稠。”至于莲藕、荷花、菱角、慈姑、荸荠、杏树、桃树等植物花树更是应有尽有，黄鹏、伯劳、灰喜鹊、秧鸡、鹭鸶、野兔、天鹅、鸳鸯等鸟类也经常栖息在村头田地里。
这美丽的田园风光与淳朴的民风给了田世光以潜移默化的影响，陶冶了他的性情，在他从艺以后，这些带有泥土清香的应时景物，就经常出现在他的笔下。他的画中落款大多是“写于昆明湖畔柳浪庄上”，亦或是“世光写我庄小景”。三四十年代，田世光的工笔花鸟在北平画界就已具声誉，由于他长年潜居田园，淡泊名利，以“柳浪庄人”自居，并以一种积极乐观的人生态度追求着艺术的纯真，这便形成了他的艺术的独特风格。
1933年考入北京京华美术学院中国画系，受教于齐白石等著名画家，曾3次获一等奖。1937年毕业后考入“北平古物陈列所”国画研究馆，任研究员、讲师。在该馆研究8年，主攻宋元画派工笔重彩花鸟画及元宋山水画，奠定了工笔重彩花鸟画的坚实基础。青年时代即在北平画坛享有盛名。
自1938年起，田世光先后在北京京华美术学院、国立北京艺术专科学校、北平国立艺术专科学校及解放后的中央美术学院、中央工艺美术学院任教。是北京画院院/外画师，第一届中国画研究院院务委员，1993年被国务院聘为中央文史研究馆馆员。生前还担任中国美术家协会会员、北京大学艺术研究室顾问、北京工笔重彩学会副会长、中国老年书画研究会顾问、中国书画函授大学名誉教授等职。

双勾重彩技法
田世光出身于大家族，但在全族中以他家的支脉最穷，幼年常遭到家族中有钱人的白眼，使他痛感“富而不仁”的古语，进生同情穷苦人之心，立志要作出一番事业。他自学龄时起即在本村读私塾，喜欢画画，经常用石笔和粉笔在方砖上画小鸡、小鸭、汽车、飞机，还喜欢回燕子和蝴蝶、草虫等。看到别人放
风筝，自己买不起，也只有自己动手绘制。他有一位本家舅舅，曾带他去中央公园(即中山公园)看中国画学研究会举办的展览会，这时他才知道什么是山水、花鸟、人物画，从此便开始用写字的笔、纸画了起来。在中小学读书时，他的美术成绩总是名列前茅的，但以家中经济困难不得不中途掇学，由亲友介绍，去到店铺学徒。
1933年，17岁的田世光在舅舅的资助下，考入了北平私立京华美术学院中国画系，受到了工笔花鸟画教师赵梦朱和山水画教师吴镜汀、书法篆刻教师于非闇暗诸先生的启蒙教导。先生本喜欢山水画，但选学山水画课的大龄学生较多，教师授课时年小的同学都被挤在外边无法近前，因此先生即转学工笔花鸟，兼学山水画。赵梦朱先生是田世光的花鸟画的启蒙老师，为人平易近人，和蔼可亲，对学生热心教导，是一位修养深厚的没骨花鸟画家。田世光虚心学习，对老师的教导洗耳静听，深刻领会，因此得赵先生赏识。
我国花鸟画成为独立画种，略晚于山水画，它发展于盛唐、五代，迄宋、元之际达到高峰。五代黄荃、黄居寀父子的浓艳富丽的勾勒填色回法和北宋徐荃之孙徐祟嗣的轻淡野趣的没骨画法，遂成为花鸟画的两大脉系。勾勒派工笔花鸟画至明、清两代，受到文人写意画的冲击，至咸、同年间渐成绝响(参见郑午昌先生着《中国画学全史》)。田世光在刻苦学习工笔没骨花鸟的同时尚感不足，那时他常到故宫参观古画，认为古画是重红重绿的，先生就此萌生了光大宋元画派双勾重彩花鸟画技法的宏愿，潜心钻研起来。因为该技法已失传多年，故研究起来非常困难。他认为临摹是承继传统精华的重要手段，就想多看看古代作品。由于个人经济困难，当时故宫博物院门票6角(相当于l/3袋面粉价格)，去不得，参考印品吧，价钱昂贵买不起，只好在废品地摊上买几张背面印有古画照片的过期的故宫台历，贴在旧杂志上进行观摩。他整日揣摹双勾花鸟画法及运笔方法。他临摹过宋人崔白的《竹鸥图》、元人商琦的《杏雨浴禽》、明人吕纪的《草花野禽》、沈周的《鸠声晚雨》。田世光一点点地琢磨，不断领悟宋元勾勒画家精微观察、细致描绘的创作思想和手法，终于掌握了双勾这一传统程式技法，并运用于绘画创作之中。
1938年5月，北平中国画学研究会在中山公园“来今雨轩”举办第十五次成绩展览会，展出了田世光用勾勒法绘制的一幅力作《竹枝伯劳》，画面上疏竹兰草簇拥着两大块山石，枯枝上立着一只栩栩如生的伯劳鸟，整个画面清丽工整，情趣盎然。这幅画的创作，得力于田世光对伯劳鸟的写生，还借鉴了宋代崔白的手法。这幅画被选登在当年出版的、代表当时北平绘画创作水平的《艺林月刊》第102期上，中国画学研究会会长周养庵对此画评价颇高，称之曰：“此法三百年来未有矣”。这对当时年仅22岁的田世光是一个很大的鼓励，他的研究探索得到了社会的承认。《竹枝伯劳》是田世光发表于报刊的第一幅作品，以后他的创作便如江河涌流，他的作品也不断在报刊上发表。从这一年起他开始在国画研究馆教课，次年又在京华美专教课。
新中国成立后，田世光先生在中央美术学院的教学工作中，悉心传授双勾重彩，为濒临失传的传统技法得以普及发扬，作出了突出贡献。令田先生感到欣慰的是，80年代他的一些门人弟子在双勾渲染技法上又溶中国写意画和西方绘画于一炉，用现代审美意识和情趣，画出了花鸟画的新时空和新境界。

田世光的作品早在40年代就广为国内、国际人士收藏。50年代与郭沫若先生合作“百花齐放”大型画册，由郭沫若写诗，田世光作画达72幅，并与齐白石、何香凝、陈半丁等共同创作大幅中国画《和平颂》，为《世界和平大会》献礼。田世光是国内外具有相当影响力的中国画家。许多作品在中国美术馆、人民大会堂、天安门、中南海紫光阁及许多省市的博物馆、美术馆等均有珍藏。他的作品曾多次在日本、英国、美国和法国等许多国家和地区展览和出版，以及一些国家级的博物馆珍藏并获奖。
作品有《英姿万古》(藏于中国美术馆)、《春晖》、《幽谷红妆》、《山雀》等 。曾举办个人画展多次 。出版有：《田世光花鸟画集》、《田世光画集》。
印鉴：公炜、田、田世光、百花齐放、世光、田世光印、花间鸟语、柳浪西园。
邮票名作
1964年中国邮政采用田世光绘制的17款牡丹图案发行了志号为特61的牡丹小型张和15枚邮票，该套邮票因绘画艺术高超、印制水平精细和富贵吉祥的内涵广受集邮爱好者追捧，田世光也因此被尊称为“牡丹之父”。在邮票画面中田世光采用工笔画手法，用双勾重彩描绘盛开的牡丹，表现出了牡丹婀娜多姿、雍容华贵的风范，极具艺术价值。邮票采用彩色影写版，精美的印刷使邮票更加色泽鲜亮，层次丰富。1980年牡丹邮票曾被评为“建国三十年最佳邮票”，15枚套票也高达2000多元。
中国邮政在2009年的世界集邮展览上将田世光绘制的牡丹邮票与新发行的牡丹邮票（《国色天香图》小型张）一起开发为《国邮·国花牡丹》大邮票，《国邮·国花牡丹》大邮票首次采用书画高仿工艺，将牡丹邮票放大为高706毫米、宽400毫米的巨幅邮票，并采用传统书画装裱方式将牡丹大邮票装裱成画轴式邮票，牡丹大邮票分为丝绢版和宣纸版两种，分别采用高级传统书画专用丝绢和专用宣纸；为便于保存和长久收
藏，邮票采用防水油墨，对宣纸版还进行了最新的防水技术处理，理论上可以保存数千年。《国邮·国花牡丹》大邮票还是中国第一套采用古画高度仿真工艺制作的国画邮票，兼具书画和邮票双重收藏价值。
《国邮·国花牡丹》大邮票的发行具有特殊意义，受到2009世界邮展国内外集邮专家的高度评价，并作为邮展评审委员会和征集委员会委员专享国礼。

交往徐悲鸿
抗战胜利后，京华美院停办，北平国立艺专没有续聘，先生赋闲在家，物价高涨，生活困顿，只得在琉璃厂各南纸店(如荣宝斋)挂笔单卖画为生。1946年6月底，徐悲鸿先生出任国立北平艺专校长，请著名画家齐白石、吴作人、李可染、李苦禅等到校任教。是时，田世光创作了一幅长1．2丈的《幽谷红妆》图，画面以海棠花为主，并以瀑布、山壁、锦鸡作映衬，这是一幅风格独特的花鸟与山水相结合的巨幅作品。先生这幅画颇多含意：当时山水画
家总认为花鸟画是雕虫小技；再则人传徐悲鸿大师说北平画界没有巨幅作品。田世光虽然没有见过徐先生，但得闻此言却有些不太服气，他想，画得好坏姑且不论，但是画巨幅画我还是可以的。他有意出品这幅画让徐先生看看。先生这幅巨画参加了在中山堂举办的联展。事后艺专李旭英告诉先生说悲鸿校长在《幽谷红妆》前看了好几遍，还打听作者是否一位老先生?过了几个星期，艺专教务科长刘均衡代表大师来家看望先生，并询问可否去艺专教课。均衡建议他去拜访悲鸿先生，田世光认为当时徐先生正与北平某些国画家论战，不必主动去见徐先生。又过了两个星期，艺专注册科长张卫铨来家，说徐大师次日拟登门看望。徐大师为了学生，不惜年长亲自到一个青年画家家里登门聘师，这说明了大师人格之伟大。先生为此非常感动，由衷敬佩大师的为人，第二天便主动去拜望了悲鸿大师，并受聘为艺专讲师。从1947年暑假后，先生一直在艺专(解放后为中央美术学院)授课，由讲师而副教授而教授，至80年代还带过研究生。
这次会面，田世光对悲鸿大师有了很好的印象，认为大师虚怀若谷，非常厚道，对美术界新人关怀备至，有长者之风，令人敬佩之至。关于这次会面，廖静文女士在《徐悲鸿一生》一书中有段叙述，她称田世光是“一位刻意写实的画家，绝非其模拟者可望其项背。”先生和徐悲鸿在后来的交往中，笔墨互有往还。悲鸿大师把自已的作品请世光先生添补合作者有10幅左右，其中一幅《竹外桃花》，就是徐、田二人合作的。题签上写有：“东坡诗意悲鸿、世光合作1943 1950年。”悲鸿大师1943年画竹在先，1950年田世光补画桃花在后。
师生情谊
抗战前夕，田世光有幸认识了张大千先生，大千先生对他的花鸟画很是欣赏，准备拜门收徒，适值“七七”事变，大千先生去敦煌主持莫高窟的临摹和研究。当抗战胜利，张大千先生再返北平时(1946年春)，田世光正式拜在大风堂门下(指拜在张大千大师门下)。拜师礼在颐和园长廊东头的养云轩举行，田世光向大千先生行了传统式样的三跪九叩的拜师礼。同时拜门的学生还有梁树年、王学敏、俞致贞等
当时，张大千先生就住在养云轩，因为离得近，田世光常去，为先生理纸磨墨，聆听先生的教诲。大千先生留着一缕长髯，作画时像大将上阵似的，袖子一挽，运腕提笔，笔墨到处酣畅淋漓，让人看着真痛快。为了作画，大千先生可以连续工作，废寝忘食。先生后来回忆说，大千先生这种献身艺术的精神深深感染了我们这些门人弟子，从他那里回来，作画都增加了劲头。
大千先生说：“师徒之间如父子”。他经常给学生讲解自己的作画心得，或把刚购得的古画张挂墙上，结合学生习作，讲解作品得失，让学生提问题，他诲人不倦至学生理解了为止，还常指点学生习作的不足之处。张大千还是位美食家，喜欢自己烧菜，当时北平饭馆学习他的香酥鸭作法而称之为张大千鸭。还有一道干烧桂鱼，叫张大千干鱼。他吃炸麻雀，一次可吃80多个，因为伙食太好，学生们住上几天都得回家涮肠子。
大千先生师古不泥古，可将石涛画卷模仿得足以乱真。构图敢破格，善截取，表现出个人独到之处。有的作品从透视比例看是不合理的，虽然画了一个大人，但并不显得山小，这就是画法高于一般人的地方了。他的《风雨归舟》、《庐山图》等，对世光先生后来的山水画创作影响很大。潘絜兹在《田世光画集序言》中写道：“他的山水画也画得极好，只是为花鸟画所掩，被人们忽视罢了”。
大千先生1983年在台湾临终前，把自己新印的画集10余册签名分赠大陆画家。其中给北京画家的有5本：有他朋友李可染、李苦禅，学生胡爽安、田世光和刘力上、俞致贞夫妇。给田世光的这本是台湾国立历史博物馆出版的《张大千书画集》第四集，扉页上用苍劲的笔触题道：“世光贤弟留阅，不得见者三十余年，弟艺事大进，而爰衰老矣，八十五岁叟爰”，表现出对得意门生的器重和期望。据说这是大千先生去世前十几天写的，待田世光等收到这辗转寄来的画册时，大师已作古月余了。

In October 27, 1916, Tian Shiguang was born in a peasant family in liulangzhuang. Tian Jia's ancestral home is an ancient courtyard, with a roof tile drop, two into the courtyard, in front of the original screen and horse stone, it is a house in the late Qing Dynasty officials, after rolling to resell Tian hands. The ancestors of Tian Shiguang in the early Qing Dynasty to flee to Beijing, Mr has lived in this village, grandchildren, so Mr. said: "since the Title VI in the old studio".
Liulangzhuang is located on the East Bank of Kunming lake, Shen Ming Bang "Wan Department miscellanies" recorded in the store in Beihai Wanping County in the northwest, "said the next Kraal Zhuang, referring to here. Initially only 8 households rice cattle, after the Qing dynasty built changchunyuan, the Summer Palace, liulangzhuang development, a lot of people in the village or in the garden, the Empress Dowager Ci Xi every spring to go to the Summer Palace, but also will pass liulangzhuang. Qingbingruguan, people in order to express the rulers of the Qing Dynasty rebellion. The bullpen "liulangzhuang Zhuang explains" the name first appeared in the Kangxi fifty-one years (1712) nawufu manager Hector Yi of the throne. Mr. young lived in a small lion alley east stone pile, the pile top Juan is like a lion, this is the legend of Yang shuanmazhuang.
Liulangzhuang aka Zhuang people in Fangqianwuhou willow, planted willow, Ming Zhuang Beiyou "Orioles Singing in the Willows" Belle, and Tsinghua Yuan in the peach Chunxiao embankment side by side. Here the rice paddy 1000, lotus Qibu, Yangchun in March every year, rice automatically springs, Emperor Qian Long had a poem: "the weeping willows cottage cold, misty Mizuta young." As for the lotus root, lotus, water chestnut, arrowhead, water chestnut, apricot, peach and other plant trees is everything, Huang Peng, Shrike, Cyanopica, Crake, egrets, hare, swans, ducks and other birds are often perched in the village fields.
This beautiful rural scenery and simple folk gave Tian Shiguang a subtle influence, edify his temperament, in his career, with the earthy when scene, often appear in his works. His paintings are inscribed "on Lake Kunming Orioles village", or "I write King Zhuang guang". In 30s and 40s, Tian Shiguang fine brush flower and bird painting in Peiping had with reputation, because he has hidden home garden, fame, "LIULANG Zhuang people" itself, and in a positive and optimistic attitude towards life in pursuit of pure art, it has formed his unique artistic style.
In 1933 admitted to the Beijing Academy of Fine Arts JINGWAH Chinese painting department, taught by famous artists such as Qi Baishi, who won the first prize 3 times. After graduating in 1937 admitted to the "Beijing Antique Exhibition" Chinese Painting Research Institute, researcher, lecturer. In the museum for 8 years of research, the main Song Yuan painting meticulous painting and landscape painting of Song Yuan, laid a solid foundation for meticulous painting. Youth is renowned in Peking painting.
Since 1938, Tian Shiguang successively in Beijing JINGWAH, Academy of Fine Arts, Beijing national art school, Beijing National Art College and the liberation of the China Central Academy of Fine Arts, central Academy of Fine Arts professor. Is the Beijing art academy / artist, the first Research Institute of Chinese Painting Council members appointed by the State Council in 1993 the Central Research Institute of culture librarian. He also served as a member of Chinese Artists Association of Peking University Art Research Office consultant, vice president of Beijing Association of elderly Chinese meticulous painting and calligraphy research consultant, University professor emeritus Chinese painting and calligraphy correspondence.

Double hook painting techniques
Tian Shiguang was born in a large family, but in all his house to spur the poor, young family was often rich people's eyes, so that he felt "rich and heartless" of the old saying, in sympathy for poor people's hearts, determined to make a career. He has read the private school in the village, love painting, painting chicken duck cars and planes are often used in pencil and chalk on the floor, but also love back to the swallows and butterflies, insects etc.. See other people put
Kite, I can not afford to buy, but also their own hands rendering. He has a family uncle, had taken him to Central Park (Zhongshan Park) at China Painting Research Association held the exhibition, then he will know what is landscape, flowers and birds painting, began to write with a pen and paper to draw up. Reading in the middle school, his artistic achievement is always among the best, but to family economic difficulties and had to leave the school, by their relatives and friends, go to the shop apprentice.
In 1933, 17 year old Tian Shiguang in my uncle's funding, was admitted to the Department of China private Beijing JINGWAH painting by Academy of Fine Arts, fine brushwork flower and bird painting landscape painting teacher Zhao Mengzhu and teacher Wu Jingting, calligraphy teachers in the enlightenment teach Mr. secretly. This love landscape painting, landscape painting class of older but take more students, teachers, small class has been crowded out difficulty, so Mr. transfer and landscape painting flower and bird paintings. Mr. Zhao Mengzhu is Tian Shiguang's painting teacher is amiable and easy of approach, for students eager to teach, courteous and accessible, is a deep cultivation of Mogu painting. Tian Shiguang learn, the teacher teaches silent, deep understanding, so Mr. Zhao appreciated.
Chinese flower and bird painting became an independent painting, a little later than the landscape painting, its development in Tang Dynasty, Five Dynasties, Song Dynasty, Yuan Dynasty reached its peak. The five generation of Huang Quan, Huang and his son Jucai nuanced splendid outline coloring back method and the Northern Song Dynasty Quanzhi Xu Xu Suisi sun light rustic boneless painting has become the two largest, and the veins of the flower and bird painting. The outline of School of fine brushwork flower and bird painting to the Ming and Qing two generations, by the impact of literati painting freehand brushwork, Xianfeng and Tongzhi to become extinct (see Mr. Zheng Wuchang with "China painting history"). Tian Shiguang study hard and fine brushwork of flower and bird Mogu are short, then he would visit the the Imperial Palace paintings, paintings that is heavy red green, on the initiation of the song and Yuan painting Mr. Everbright double hook flower and bird painting of color vision, dive into it. Because the technique has been lost for many years, so it is very difficult to study. He believes that copying is an important means of inheriting the traditional essence, you want to see more ancient works. Because of economic difficulties, when the Imperial Palace museum tickets 6 angle (equivalent to l/3 flour prices), do not go, reference prints it, can not afford to buy expensive, the Imperial Palace calendar had to scrap the stall to buy a few paintings photos printed on the back of expired, posted in the old watch magazine taben. He was so g double hook flower method and brush method. He copied the song of Cui Bai "," bamboo gull yuan Shang Qi "bird" apricot rain bath and Ming Lu Ji's "flower", Shen Zhou's "wild dove sound late rain". Tian Shiguang a little pondering, continue to comprehend creation thoughts and methods and outline the subtle observation, a detailed description of the painter, finally mastered the double hook of the traditional programming techniques, and applied to painting creation.
In May 1938, Beijing China Painting Research Association held the fifteenth achievement exhibition at the Zhongshan Park exhibition Tian Shiguang Lai Jin Yu Xuan ", used to outline a masterpiece" method to draw bamboo "picture sparse bamboo Shrike, surrounded by two bluegrass chunks of rocks, branches stood a animated pieced the Shrike, and the whole picture neat, interesting. This painting, thanks to Tian Shiguang for the Shrike painting, from the Song Dynasty Cui Bai's technique. This picture was published in the year published, on behalf of Peking was painting the level of "Yilin monthly" on the 102nd phase, China Painting Research Association Zhou Yangan this painting Pingjiapogao, said: "this three hundred years without". This was only 22 years old Tian Shiguang is a great encouragement, his research has been recognized by society. "Bamboo" is the first work of Tian Shiguang Borlaug published in newspapers and magazines, after his creation as the river inrush, his works also continuously published in the newspaper. From this year onwards he began to study painting in the museum to teach the next year at JINGWAH College of fine arts teaching.
After the founding of new China, Mr. Tian Shiguang in China Central Academy of Fine Arts teaching work, to impart double hook color, as the traditional techniques of endangered spread development, made outstanding contributions. Mr. Reida was pleased that in 80s some of his disciples in the double hook rendering techniques and solution Chinese freehand painting and Western painting in a furnace, with modern aesthetic consciousness and interest, draw a new space and new realm of painting.

Tian Shiguang's works as early as 40s on the wide collection of domestic and international people. In 50s to work with Mr. Guo Moruo "large pictures by Guo Moruo, All flowers bloom together." poetry, Tian Shiguang painting up to 72 pieces, and together with Qi Baishi, He Ningxiang and Chen Banding created a substantial Chinese painting "peace song", for the "world peace conference" gift. Tian Shiguang is a Chinese painter with considerable influence both at home and abroad. Many of the works in the China Art Museum, the Great Hall of the people, the Tiananmen, Zhongnanhai, and many provinces and cities have collections of museums and art galleries. His works have been exhibited and published in many countries and regions in Japan, Britain, the United States and France, as well as some national museum collections and awards.
Works of "heroic" (all hidden in the Chinese Gallery), "", "Valley" in Springfield, "tit" etc.. Held individual exhibitions several times. The publication of Tian Shiguang: "flower and bird", "Tian Shiguang album".
Seal: public, Wei Tian, Tian Shiguang, Tian Shiguang, India, and All flowers bloom together. sekwang flowers birds, Xiyuan willow.
Famous stamps
In 1964 China postal 17 by Tian Shiguang drawing peony pattern Zhi No. 61 issued peony sheetlet and 15 stamps, the stamps for paintings, printed content and the level of fine auspicious popular with philatelists sought after, the light field is therefore known as "the father of peony". In the stamp picture by means of Tian Shiguang painting, depicting a blooming peony with double hook color, showing the peony elegant style, very pretty and charming, very artistic value. Stamps by color photogravure printing makes stamps more exquisite, bright color, rich layers. In 1980 the peony stamps has been rated as "the thirty best stamp", 15 pieces of the package is as high as 2000 yuan.
Peony stamps and new issue in Tian Shiguang China post drawing World Philatelic Exhibition will in 2009 the peony stamps ("map" national beauty and heavenly fragrance sheetlet) with the development of China Post, as the "national flower peony" large stamp, "China Post", peony flower big stamps first adopted high imitation painting process, will enlarge the huge peony stamps stamps 706 mm high and 400 mm wide, and the traditional way of painting and calligraphy mounting peony stamps will mount into the Huazhou stamps, peony stamps into silk version and paper version of the two, respectively using advanced silk and traditional painting and calligraphy special special paper for facilitating the preservation and long-term collection;
Tibet, stamps with waterproof ink on Xuan paper edition also includes the latest technology of waterproof processing, can theoretically be preserved for thousands of years. "China Post -" big peony flower stamp or China paintings made by the first set of highly simulation process of traditional Chinese painting and calligraphy stamps, both double stamp collection value.
"It is of special significance in post -" big peony flower stamps, highly appraised by the 2009 World Exhibition of domestic and foreign stamps experts, as a member of the Committee and review committee and the Committee for an exclusive country ceremony.

Communication Xu Beihong
After the war, JINGWAH academy closed, Beijing National Art College without reappointment, Mr. idle at home, high prices, a life of hardship, only in the shop (such as Liulichang Nanzhi rongbaozhai) hanging single selling paintings. At the end of June 1946, Mr. Xu Beihong served as the national Beiping art school headmaster, please the famous painter Qi Baishi, Wu Zuoren, Li Keran, Li Kuchan wait for the school to teach. Yes, Tian Shiguang created a length of 1.2 feet in the "Valley" map picture to Begonia flower, and the waterfall, mountain wall, Caragana for authentic this is a huge work flower and landscape style unique combination. Mr. this painting a lot of implications: at that time landscape painting
General think painting is insignificant skill master Xu Beihong said people pass; and Beijing painting without huge work. Although Tian Shiguang has not seen Mr Xu, but this smell is somewhat less convinced, he thought, regardless of good or bad painting, but I can still draw a large picture. He intended to produce the picture for Mr Xu to see. Mr. largepaintings participated in the exhibition hall held in Zhongshan. After school Li Xuying told Mr. President "in the Beihong Valley in" before several times, also ask whether the author of an old gentleman? After a few weeks, the chief representative of art masters to see Mr. Liu Junheng, and asked whether to teach art. The balance suggested that he visit Beihong Mr. Tian Shiguang thought that Mr. Xu is a painter and some in Peiping debate, do not take the initiative to see Mr. xu. After two weeks, the registered chief Zhang Weiquan home, said the next day to visit to master xu. Master Xu to students at a young painter older person to the home to recruit teachers, which shows the great masters of personality. Mr. therefore very touched, sincere admiration for the master, second days will take the initiative to see the Beihong master, and employed as a lecturer in art. From the summer of 1947, has been in Art (after the liberation of the China Central Academy of Fine Arts) taught by the instructor and associate professor and Professor, to 80s with graduate students.
At this meeting, Tian Shiguang has made a good impression on the Beihong master, master of thought are very kind, very modest, the new art show the utmost solicitude, the elderly have the wind, admirable to. On this meeting, MS Liao Jingwen has a story in "Xu Beihong's life" in the book, she said Tian Shiguang is "a deliberately realistic painter, is something which is expected to be the simulation." Mr. Xu Beihong and later in the exchanges, mutual exchanges and. The master of their own works Beihong please fill in partnership with Mr. sekwang 10 paintings, including a "bamboo peach", is Xu, Tian two cooperation. That sign reads: "Dongpo poetry Beihong 19431950 years of cooperation, the." Beihong master 1943 bamboo New Year paintings earlier, Tian Shiguang painted in 1950 after the peach blossom.
Friendship between teachers and students
On the eve of the war, Tian Shiguang have met Mr. Zhang Daqian, Mr. Chang for his painting is very appreciate, for whom an apprentice, when "77" incident, Mr. Chang to Dunhuang to preside over the Mogao Grottoes study and copying. When the victory of the war, Mr. Zhang Daqian returned to the North (spring 1946), usually Tian Shiguang in fact a formal worship (referring to worship in Zhang Daqian under the door). Apprentice ceremony held at the the Summer Palace of the east end of the promenade yangyunxuan, Tian Shiguang performed the traditional style of his apprentice ceremony to thrice kneeling and nine times bowing. At the same time the students whom there Liang Shunian, Wang Xuemin, Yu Zhizhen etc.
At that time, Mr. Zhang Daqian lived in yangyunxuan, because the closer, Tian Shiguang used to go, for Mr. Li paper surusumi, listen to the teachings of mr.. Mr. Chang left a long beard, like a painting will go into battle like, sleeves rolled, moving the pen and ink everywhere people looked really happy fully and delightfully. For drawing, Mr. Chang can work continuously, and. Mr. later recalled, Mr. Chang this dedication to the spirit of art deeply affected us these disciples, from where he returned, painting has increased momentum.
Mr. Chang said: "between master and disciples such as father and son". He often gave the students their own painting experience, or just bought the paintings hanging on the wall, with the students, to explain the works of gains and losses, let students ask questions, students to understand so far he is tireless in teaching others, inadequacies also often help students writing. Zhang Daqian was a gourmet cook on my own love, Peking was learning his restaurant Krusty duck approach and called Zhang Daqian duck. There is a Dry-Braised Mandarin Fish, called Zhang Daqian dried fish. He ate Fried Sparrow, one can eat more than and 80 meals, because too good, the students have to come home for a few days - intestines.
His old teachers do not learn, Shi Tao can be enough to spurious imitation picture. Dare to good composition, interception, showing personal originality. Some works from perspective ratio is not reasonable, although painted an adult, but does not appear small mountain, which is drawing more than ordinary people place. His "rain", "Mount Lu boat map" and so on, Mr. Shiguang landscape painting influenced greatly. Pan Xiezi wrote in "Tian Shiguang album" in the preface: "his landscape painting also good, just cover for flower and bird painting, has been neglected".

Mr. Chang in 1983 in Taiwan at the end of his life, his new paintings printed more than 10 copies of signatures to mainland artists. Among them are 5 painters: Li Keran, his friend, Li Kuchan, student, Mr. Liu, Liu and Liu, Mr. and Mrs. Li, the couple of Mr. and Mrs. Li, who were married to the artist of the Beijing by the author of the book, including the author of the book, the author and the author of the book. For this is Tian Shiguang Taiwan National Museum of history, the "book of Zhang Daqian" on the album in fourth, with the vigorous brushwork title on the title page: "the younger brother keep reading, do not see who more than thirty years, and the French into the big brother, eighty-five year old old man in aging men," showing respect for the favourite pupil and expectations. It is said that this is Mr. Chang died ten days ago to write, Tian Shiguang received this was sent to the picture album, the master has been more than Gu Yue.