李一，男，1957年生于山东曲阜，美术学博士。多年在中国艺术研究院从事艺术研究、刊物编辑和研究生教学工作。出版著述多部，曾先后两次在中国美术馆举办书法个展。现任中国艺术研究院研究员、博士生导师、《美术观察》杂志主编。中国美术家协会理事、中国书法家协会理事，中国美术奖评审委员、中国书法兰亭奖评审委员，中央文史馆书画院艺术委员会委员，国家艺术基金评审委员。
中国美术网 09-18 浏览
李一多年从事美术研究，出版有《后现代主义与当代绘画》《中国古代美术批评史纲》
《中西美术批评比较》《八大山人书法》《新中国书法六十年》(合著）等著述，发表论文多篇。任全国艺术科学规划重大课题《中华艺术通史》元代卷主编，《中国美术百科全书》画学著述编主编（合编），国家“十一五”重点出版规划项目《共和国书法大系》总策划、总主编。论文《唐代书论的特色和成就》1997年获中国艺术研究院优秀科研成果奖，专著《中国古代美术批评史纲》2006年获文化部艺术科学优秀科研成果奖，编著《共和国书法大系》2010年获第三届中华优秀出版物提名奖、中国书法兰亭奖。
多年坚持理论研究与实践创作相结合。学生时代即曾在全国大学生书法首届书法竞赛中获奖，多次参加全国书法展览。2005、2013年，中国艺术研究院和中国书法家协会在北京中国美术馆两次主办“李一书法展”，作品被中国美术馆和北京故宫博物院等收藏。
1957年
生于山东曲阜阙里；
1981年
绘画作品《工笔花鸟》获“山东省高等院校师生美术作品展”二等奖；
书法作品在中国书法家协会、团中央主办的“全国大学生首届书法竞赛”获奖；
1984年
加入山东省书法家协会；
1986年
任济宁市青年书法家协会副主席；
1987年
书法作品在日本展出，获日本“朝日新闻”大奖；
参加“新十年书法研讨会”；
1988年
书法作品在“牡丹杯”“海峡杯”“古象杯”等全国书法大赛中获奖；
参加“全国青年首届书学研讨会”；
1989年
加入中国书法家协会；
书法作品入选“全国第四届书法篆刻展览”；
书法作品获“十一届亚运会体育艺术展”一等奖；
1991年
考取中国艺术研究院，攻读硕士学位；
《书法与环境艺术》一文《新华文摘》全文转摘；
为国家重点科研项目《中国美术史》撰写书法章节；
1994年
考取中国艺术研究院，攻读博士学位；
著述《走向何处——后现代主义与当代绘画》由中国社会出版社出版；
1995年
任《中国古代画家画风丛书》副主编（重庆出版社）；
1996年
完成博士论文，获博士学位；
分配至中国艺术研究院美术研究所从事研究工作；
编辑《美术观察》，担任“美术家”栏目主持；
1997年
任中国艺术研究院副研究员；
主持“二十世纪花鸟画学术研讨会”；
应中央美术学院美术史系之邀为该系博士、硕士研究生开设学分课程“中国书画论”；
著述《中华书法》（与齐开义合著）及由广西教育出版社出版；
1998年
任《美术观察》副主编；
任中国艺术研究院美术研究所古代研究室主任、硕士研究生导师；
1999年
任中国艺术研究院美术研究所首届美术学评审委员会副主任；
任中国艺术博览会艺术委员会委员；
2000年
《中国古代美术批评史纲》由黑龙江美术出版社出版；
《中西美术批评比较》由河北美术出版社出版；
2001年
任北京国际艺术博览会艺术总监；
书法作品集《李一楮墨编》由河北美术出版社出版；
编辑父亲诗集《偶成集》；
2002年
“李一书法展”在烟台美术博物馆举行（5月）；
“李一、相力书画展”在青岛美术馆举行（8月）；
2003年
任中国艺术研究院研究员；
任中国艺术研究院书法研究室主任；
任中国美术家协会第二届理论委员会秘书长；
《绘画艺术馆》（与江继兰合著）由广西美术出版社出版；
《文质相辅——李一书法评论集》由香港天一艺术设计公司出版；
《中国书法家全集·八大山人》由河北教育出版社出版；
主编《中国名画家研究丛书》；
主持《美术观察》创刊百期座谈会；
李一先生的作品
李一先生的作品(21张)
2004年
任《中国书法发展纲要》起草小组成员；
为国务院部级领导干部历史文化讲座主讲《书法鉴赏》；
《中国艺术报》开设“李一观察”专栏；
《中国文化报》开设《说书》专栏；
《中国书法家精品集·李一》由河北教育出版社出版；
2005年
当选第五届中国书法家协会理事；
任中国美术长安论坛组委会委员、办公室主任，担任论坛学术主持（西安）；
由中国艺术研究院、中国书法家协会主办的“李一书法展”在中国美术馆举行；
2006年
任中国书法家协会学术委员会委员；
“李一书法展”在江苏昆山侯北人美术馆举行；
2007年
任文化部美术专业高级职称评审委员会委员；
任《共和国书法大系》总主编；
任傅山书法研讨会论文评审委员；
参加中国美协第二届黄山论坛并担任论坛学术主持；
《李一诗草》由中国青年出版社出版；
2008年
任《美术》杂志编委；
2009年
任《美术观察》杂志主编；
任中国美术奖评审委员；
任全国第八届书学讨论会论文评审委员；
任中国美术长安论坛组委会秘书长；
《共和国书法大系》由江西美术出版社出版；
《新中国书法六十年》（与刘宗超合著）由河北美术出版社出版；
《李一书章草书谱》由河北美术出版社出版；
2010年
当选第六届中国书法家协会理事；
任中央文史馆书画院艺术委员会委员；
任“中国美术观重庆论坛”组委会主任；
主持第四届北京国际双年展学术研讨会；
《共和国书法大系》获第三届中华优秀出版物提名奖、中国书法兰亭奖；
2011年
任中国美术家协会第三届理论委员会副主任兼秘书长；
任中国书协“三名”(名篇、名家、名作)精品工程提名委员会委员。
任中国画学会理事；
“李一书法展”在威海美术馆举行；
书法作品应邀参加“第十届全国书法展览”；
“墨舞影幻——李一、东方涂钦作品展”在深圳关山月美术馆举行。
《墨舞影幻——李一、东方涂钦作品集》由中国青年出版社出版。
《画沙绪语——李一书法集评》由中国青年出版社出版；
2012年
任国家社科基金艺术学项目评委；
任全国美术馆发展扶持计划项目评审委员；
任全国画院创作研究优秀项目评审委员；
任第八届中国文联文艺理论奖评审委员；
任第四届中国书法兰亭奖评审委员；
任《中国书法》杂志编委；
任中国书法媒体联谊会副会长；
主持中国美协“为中国美术立言——美术理论与文化强国研讨会”；
筹备组织《美术观察》出刊200期活动；
参加纪念中日邦交四十周年中国书法家代表团赴日访问；
曲阜孔子美术馆“李一作品陈列室”对外开放；
《八大山人书法》由江西人民出版社再版；
《李一章草道德经》由河北美术出版社出版；
主编《博士五体书法》，由河北美术出版社出版；
2013年
当选第八届中国美术家协会理事；
任全国美术馆馆藏精品展出季项目评审委员；
任第十届中国艺术节全国优秀美术作品展览评审委员；
任中央文史馆《中华书画家》杂志编委；
由中国艺术研究院和中国书法家协会主办的"艺舟双楫——李一书法展"在中国美术馆开幕 [3] ；
参加“含英咀华——中国当代美术史论家文献墨迹展”（参展作者：李松、邵大箴、郎绍君、薛永年、刘曦林、陈绶祥、邓福星、陈传席、陈履生、李一）；
沈鹏任主编、李一任副主编的《历代书法珍本集成》由山西人民出版社出版；
《艺舟双楫——李一书法展图录》由中国青年出版社出版；
诗集《变鲁集》由中国青年出版社出版；
2014年
任国家艺术基金评委；
任中国美术奖理论奖评审委员；
任全国第十届书学讨论会论文评审委员；
任中国艺术研究院学术（学位）委员会委员；
任《中国画学刊》编委；
主持“建构当代书法评价体系座谈会”；
主持“第十二届全国美展中国画作品展研讨会”；
主持第四届中国美术长安论坛；
主持中国书协“首届敦煌书法论坛”；
主持“翰墨青州高峰论坛”；
《艺舟双楫——李一书法展纪录》印制出版；
《李一自叙》由山西人民出版社出版；
2015年
当选第七届中国书法家协会理事；
任中国文艺评论家协会书法篆刻委员会副秘书长；
任《中国大百科全书》第三版（网络版）美术卷书法学科主编；
任第二次全国重点美术馆评估小组成员；
主持“建构当代中国美术评价体系研讨会”；
主持中央文史馆书画院“翰墨载道——中国书法与儒释道思想研讨会”；
主持南宋书法学术论坛；
主持“当代中国画博士论坛”；
主持中国美术太行论坛；
“高山仰止——历代尊孔诗文书法展”在中国孔子研究院举行；
由中国艺术研究院、中国书法家协会主办的“一以贯之——李一书法展”在浙江美术馆举行；
参加中国艺术研究院导师博士联展；
《李一书迹》由中国青年出版社出版；
《高山仰止——历代尊孔诗文书法展作品集》由中国青年出版社出版；
博导文丛《一画心源》由中国文联出版社出版。
Li Yi, male, born in Qufu, Shandong Province in 1957, Doctor of Fine Arts. He has been engaged in art research, journal editing and postgraduate teaching in China Academy of Art for many years. He has published many works and has held two solo calligraphy exhibitions in the Chinese Art Museum. He is currently a researcher, doctoral supervisor and editor-in-chief of Art Observation magazine of the Chinese Academy of Art. Director of the Chinese Artists Association, Director of the Chinese Calligrapher Association, Judge of the Chinese Art Award, Judge of the Chinese Calligraphy Flange Pavilion Award, Member of the Art Committee of the Calligraphy and Painting Academy of the Central Museum of Culture and History, and Judge of the National Art Fund.
Li Yiye has been engaged in art research for many years. He has published Postmodernism and Contemporary Painting and Outline of the History of Ancient Chinese Art Criticism.
Comparisons of Chinese and Western Art Criticism, Eight Mountain People's Calligraphy, Sixty Years of New China Calligraphy (Co-authorship) and other works have published many papers. He was the editor-in-chief of Yuan Dynasty volume of General History of Chinese Art, the compiler-in-chief of Painting Works of Encyclopedia of Chinese Fine Arts, and the chief planner and editor-in-chief of the National "Eleventh Five-Year Plan" key publishing project "The Great Series of Calligraphy of the Republic". The paper "The Characteristics and Achievements of Calligraphy in the Tang Dynasty" won the Excellent Research Achievement Award of the Chinese Academy of Art in 1997, the monograph "An Outline of the History of Ancient Chinese Art Criticism" won the Excellent Research Achievement Award of Art and Science of the Ministry of Culture in 2006, and the third Chinese Excellent Publications Nomination Award and the Flange Pavilion Award of Chinese Calligraphy
Over the years, we have adhered to the combination of theoretical research and practical creation. In his student days, he won an award in the first national college calligraphy competition and participated in many national calligraphy exhibitions. In 2005 and 2013, the Chinese Academy of Art and the Chinese Calligrapher Association hosted two "Li Yi Calligraphy Exhibition" at the Beijing Museum of Fine Arts. The works were collected by the Chinese Museum of Art and the Beijing Palace Museum.
1957
Born in Queli, Qufu, Shandong Province;
1981
The painting "Flowers and Birds with Fine Brushwork" won the second prize of "Art Works Exhibition of Teachers and Students in Shandong Colleges and Universities".
Calligraphy works won the prize in the First National College Students Calligraphy Competition sponsored by the Chinese Calligrapher Association and the Central Committee of the League.
1984
Joining Shandong Calligrapher Association;
1986
Vice President of Jining Youth Calligrapher Association;
1987
Calligraphy works were exhibited in Japan and won the Japanese "Asahi News" Award.
Participate in the "New Decade Calligraphy Seminar";
1988
Calligraphy works won prizes in national calligraphy competitions such as Peony Cup, Strait Cup and Ancient Elephant Cup.
Participating in the First National Youth Calligraphy Seminar;
1989
Joining the Chinese Calligrapher Association;
Calligraphy works were selected into the 4th National Calligraphy Seal Carving Exhibition.
Calligraphy works won the first prize of "Sports Art Exhibition of the 11th Asian Games".
1991
He was admitted to the Chinese Academy of Art for a master's degree.
The full text of Xinhua Digest in Calligraphy and Environmental Art is excerpted.
Write calligraphy chapters for the national key scientific research project "History of Chinese Fine Arts";
1994
He was admitted to the Chinese Academy of Art for his Ph.D.
Where to Go: Postmodernism and Contemporary Painting was published by China Social Publishing House.
1995
He was deputy editor of Painting Style Series of Ancient Chinese Painters (Chongqing Publishing House);
1996
Complete doctoral dissertation and obtain doctoral degree.
He was assigned to the Institute of Fine Arts of the Chinese Academy of Art for research work.
Editor of Art Observation, presiding over the column "Artists";
1997
He is an associate researcher of China Academy of Art.
Presided over the "Symposium on Flower and Bird Painting in the Twentieth Century";
At the invitation of the Department of Fine Arts History of the Central Academy of Fine Arts, a credit course "Chinese Calligraphy and Painting Theory" was offered to Ph.D. and M.A. Postgraduates of the Department.
He wrote Chinese Calligraphy (co-authored with Qi Kaiyi) and was published by Guangxi Education Publishing House.
1998
He was deputy editor of Art Observation.
He is the director of the Ancient Research Department of the Institute of Fine Arts of the Chinese Academy of Art and the tutor of postgraduate students.
1999
He was appointed Deputy Director of the First Fine Arts Review Committee of the Institute of Fine Arts of the Chinese Academy of Art.
He is a member of the Art Committee of China Art Expo.
2000
The Outline of History of Ancient Chinese Art Criticism was published by Heilongjiang Fine Arts Publishing House.
Comparisons of Chinese and Western Art Criticism was published by Hebei Fine Arts Publishing House.
2001
He is the Art Director of Beijing International Art Exposition.
The collection of calligraphy works "Li Yixu Mohist Edition" was published by Hebei Fine Arts Publishing House.
Editing Father's Poetry Collection "Even into a Collection";
2002
"Li Yi Calligraphy Exhibition" was held in Yantai Art Museum (May);
"Li Yi and Xianli Calligraphy and Painting Exhibition" was held in Qingdao Museum of Art (August).
2003
He is a researcher of China Academy of Art.
He was appointed Director of Calligraphy Research Department of China Academy of Art.
He served as Secretary-General of the Second Theoretical Committee of the Chinese Artists Association.
The Museum of Painting Art (co-authored by Jiang Jilan) was published by Guangxi Fine Arts Publishing House.
"Literature and Quality Supplementary - Li Yi's Calligraphy Review Collection" was published by Hong Kong Tianyi Art Design Company.
The Complete Works of Chinese Calligraphers Badashan Ren was published by Hebei Education Publishing House.
Editor-in-chief of "Research Series of Chinese Famous Painters";
He presided over the seminar of the first hundred issues of Art Observation.
Mr. Li Yi's Works
Mr. Li Yi's Works (21)
2004
He was a member of the drafting group of the Outline for the Development of Chinese Calligraphy.
Lecture on Calligraphy Appreciation for the History and Culture Lecture of Leading Cadres at the Ministerial Level of the State Council;
"Li Yiwei" column is set up in China Art Daily.
The Chinese Culture Daily opens a column of Shuoshu.
"Chinese Calligrapher's Excellent Collection Li I" was published by Hebei Education Publishing House.
2005
He was elected the fifth director of the Chinese Calligrapher Association.
He served as member of the Organizing Committee and director of the office of the Chang'an Forum of Chinese Fine Arts, and as academic chairman of the Forum (Xi'an);
The "Li Yi Calligraphy Exhibition" sponsored by the Chinese Academy of Art and the Chinese Calligrapher Association was held in the Chinese Art Museum.
2006
He is a member of the Academic Committee of the Chinese Calligrapher Association.
"Li Yi Calligraphy Exhibition" was held in Houbeiren Art Museum of Kunshan, Jiangsu Province.
2007
He is a member of the Senior Title Assessment Committee of Fine Arts Major of the Ministry of Culture.
He was editor-in-chief of the Great Series of Calligraphy of the Republic.
He is a member of the paper review committee of Fushan Calligraphy Seminar.
He participated in the second Huangshan Forum of China Association of Arts and acted as the academic chairman of the forum.
Li Yishicao was published by China Youth Publishing House.
2008
Editorial Board of Fine Arts Magazine;
2009
Editor-in-chief of Art Observation magazine;
He is a member of the evaluation committee of the Chinese Art Award.
He was a member of the review committee of papers of the 8th National Calligraphy Symposium.
He was Secretary-General of the Organizing Committee of the Chang'an Forum of Chinese Fine Arts.
The Great Series of Calligraphy of the Republic was published by Jiangxi Fine Arts Publishing House.
Sixty Years of New China Calligraphy (co-authored by Liu Zongchao) was published by Hebei Fine Arts Publishing House.
Li Yizhang Cursive Scrolls was published by Hebei Fine Arts Publishing House.
2010
He was elected the sixth director of the Chinese Calligrapher's Association.
He is a member of the Art Committee of the Academy of Calligraphy and Painting of the Central Museum of Culture and History.
Director of the Organizing Committee of the Chongqing Forum on Chinese Art Views;
He presided over the academic seminar of the 4th Beijing International Biennial Exhibition.
"The Great Series of Calligraphy of the Republic" was awarded the Third Nomination Award for Excellent Chinese Publications and the Flange Pavilion Award for Chinese Calligraphy.
2011
He served as Deputy Director and Secretary-General of the Third Theoretical Committee of the Chinese Artists Association.
He is a member of the nominating committee of the "Three Nominating Committees" of the Chinese Book Association for Excellent Works (Famous Articles, Famous Artists and Masterpieces).
He is the director of the Chinese Painting Society.
"Li Yi Calligraphy Exhibition" was held in Weihai Art Museum.
Calligraphy works were invited to participate in the 10th National Calligraphy Exhibition.
"Mohist Dance Phantom-Li
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