杨凝式(873年-954年)，字景度，号虚白，华州华阴(今陕西华阴)人。唐末五代时期宰相、书法家，门下侍郎杨涉之子。生于唐懿宗咸通十四年，卒于周世宗显德元年，年八十二岁。(旧五代史作八十五岁；历代名人年谱作卒于显德二年，年八十三岁。此从补疑年录参游宦纪闻年谱)富有文藻，并工颠草，大为时辈所推唐昭宗时，登进士第。梁时，为考员外郎。唐同光初授比部郎中，知制诰。晋时，以礼部尚书致仕，闲居伊洛之间，恣其狂逸，多所抗忤。人高其才，莫之责也汉时，历少传少师。周显德初，为太子太保，卒于洛阳，赠太子太傅。凝式长于歌诗，善于笔札。洛川寺观蓝墙粉壁之上，题记殆偏。时人以其纵诞，有风子之号。
唐昭宗时进士，官秘书郎，后历仕后梁、唐、晋、汉、周五代，官至太子太保，世称"杨少师" 。后周世宗显德元年(954年)，杨凝式去世，年八十二，追赠太子太傅。
杨凝式在书法历史上历来被视为承唐启宋的重要人物。"宋四家"都深受其影响。代表作品有《韭花帖》《卢鸿草堂十志图跋》《神仙起居法》。
他的书法初学欧阳询、颜真卿，后又学习王羲之、王献之，一变唐法，用笔奔放奇逸。无论布白，还是结体，都令人耳目一新。其代表作有《韭花帖》、《卢鸿草堂十志图跋》、《神仙起居法》和《夏热帖》等。
《韭花帖》是他流传于世的代表作，是用行书书写的信礼。内容是叙述午睡醒来，恰逢有人馈赠韭花，非常可口，遂执笔以表示谢意。此帖的字体介于行书和楷书之间，布白舒朗，清秀洒脱，深得王羲之《兰亭集序》的笔意。而《卢鸿草堂十志图跋》则深得颜真卿《祭侄稿》的的神髓，，错落有致，气势开张，以古朴茂雄浑之气扑面而来。狂草《神仙起居法》和《夏热帖》则更加恣肆纵横，变化多端，点化狼藉，线条扭曲不安，一股对时局不平的郁悒之气跃然纸上。《神仙起居法》在草书中，时时夹入一些行书，后人称为"雨夹雪"。
杨凝式生活的时代，正是唐王朝走向灭亡继之以五代战乱的时期。这位才子，势必变为怪才，甚至要以疯子的病相求得免祸存身，而他借以慰藉心灵的书法艺术也自然端庄不起来了。他的表现其精神个性的行书也可以说正是他所遭遇的这个衰乱时代的在他的精神上留下的印痕。
宗师欧阳询与颜真卿而加以纵逸，杨凝式的这些题壁作品一直到北宋时期还可以看到许多，黄庭坚就曾说："余曩至京师，遍观僧壁间杨少师书，无一不造妙入神。"(马宗霍《书林藻鉴》卷八)遗憾的是建筑不能永久保存，他的这些书法妙迹都随着时间的流逝而荡然消失了。而保存下来的纸本墨迹，只有行楷书《韭花帖》、行书《卢鸿草堂十志图跋》、行草书《夏热帖》和草书《神仙起居法》四种和刻帖《新步虚词》等数种。从这些作品看，楷书、行书、草书都有，且风格多有变化。这种变化，一方面显示了他的艺术功力，另一方面也是他佯狂性格的自然流泻。这些帖的内容或者是关于健身养生的，或者是写风花雪月，或者写神仙道士，没有一个是庄重严肃的，何以会如此呢？时世变乱，人间时事不可说，也不值得挂心，所以，他只有到世俗以外的世界里去寻求乐趣了。
人称杨凝式的书法艺术是在唐、宋两代的书法艺术高峰之间架起了一座桥梁。就书法艺术的发展而言，有宋一代，至于此后的学杨凝式者，可以说是代不乏人，但能够得其神髓者却寥寥无几。
Yang Ning Style (873-954), the character scene, the number of empty white, Huayin, Huazhou (now Huayin, Shaanxi Province) people. In the late Tang and Five Dynasties, the prime minister, calligrapher and son of Yang Shi, a waiter at his door. Born in Xiantong, Tang Yizong, in the fourteenth year, and died in the first year of Xiande, Zhou Shizong, at the age of 82. (History of the Old Five Dynasties is eighty-five years old; the chronology of celebrities of past dynasties died in Xiande two years, eighty-three years old. From then on, when Tang Zhaozong was promoted by his generation, he entered the rank of scholar. Liang Shi is an examiner, a foreigner. Tang Tongguang first gave a comparison to the minister, who knew how to control education. In the Jin Dynasty, he became an official by worshipping books in the Ministry of Rites, living idly between Yiluo, indulging in recklessness, and resisting many others. In Han Dynasty, when a man was highly talented, he was not responsible for it. Zhou Xiandechu, who died in Luoyang as Prince Taibao, presented Prince Taifu. Ning style is good at poetry and writing. The inscriptions on the blue wall of Luochuan Temple are far from correct. At that time, people celebrated their birthdays with the name of Fengzi.
When Tang Zhaozong was a scholar, he was the official Secretary Lang, and later he became an official in the Five Dynasties of Liang, Tang, Jin, Han and Zhou dynasties. He was from the official to Taibao, the prince. He was known as "Yang Shaoshi". In the first year of Emperor Shizong's reign (954), Yang Ning died in the eighty-second year of his reign as a gift to Prince Taifu.
Yang Ning Style has always been regarded as an important figure inheriting Tang and Qisong Dynasties in the history of calligraphy. The four families of Song Dynasty were deeply influenced by them. His representative works include "Leek Flower Tie", "Luhong Cao Tang Ten Zhi Tuba" and "Immortal Living Law".
He learned Ouyang Xun and Yan Zhenqing at the beginning of his calligraphy, and then Wang Xizhi and Wang Xianzhi. As a result, he changed the method of Tang Dynasty and used his pen freely and freely. Whether cloth is white or in combination, it is refreshing. His representative works include "Leek Flower Tie", "Luhong Cao Tang Ten Zhi Tuba", "Immortal Living Law" and "Xia Re Tie".
"Leek Tie" is his masterpiece, which is handed down in the world. It is a letter written in running letters. The content is about waking up from a nap. It happened that someone presented leek flowers. It was very delicious. So he wrote a pen to express his gratitude. The typeface of this post is between running script and regular script. It is very beautiful and free, and it is well-known for Wang Xizhi's preface to Lanting Collection. The Ten Zhituba of Luhong Caotang is deeply endowed with the spirit of Yan Zhenqing's "Manuscripts for Remembering Nephews". It is scattered in different places and has an open momentum, and comes to us with a simple and vigorous spirit. Crazy drafting of the "Immortal Living Law" and "Xia Re Tie" is more arbitrary, changing, pointing out the mess, distorted lines and uneasy, a sense of uneven situation on the paper. The Immortal Living Act, which is called "Rain with Snow" by later generations, always contains some running books in its cursive books.
Yang Ning Style has always been regarded as an important figure inheriting Tang and Qisong Dynasties in the history of calligraphy. The four families of the Song Dynasty (Su Shi, Huang Tingjian, Mi Fu and Cai Xiang) were deeply influenced by them.
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