亚伯拉罕所罗门(1823年5月7日——1862年12月19日)是一个英国画家。
(旅行)头等舱-会议(修订版)。最初的版本是在维多利亚时代被认为是有争议的。
的第二个儿子出生的迈耶所罗门,一个里帽子制造商,由他的妻子凯瑟琳,桑蒂斯街,北岸在伦敦东部。他的父亲是第一个犹太人被承认伦敦金融城的自由。两个家族成员除了亚伯拉罕成为艺术家。一个弟弟,西缅所罗门,获得好评拉菲尔前派的画家和展出皇家艺术学院从1858年到1872年,他后来蜡笔画的理想化的头仍受欢迎。一个妹妹,丽贝卡·所罗门皇家学院,展出国内学科和其他地方在1851年至1875年之间,并于1886年11月20日死亡。
十三岁的亚伯拉罕成为学生在布卢姆斯伯里萨斯艺术学院的,并于1838年获得了Isis的银牌社会的艺术从一座雕像。1839年,他被承认的学生皇家艺术学院同年,他收到了从古董的银牌,1843年,另一个用于绘图的生活。
所罗门死于比亚里茨心脏病,在法国,1862年12月19日,当天他当选为皇家艺术学院副教授。他结婚了,1860年5月10日,艾拉,欧内斯特·哈特博士的妹妹,她丈夫幸存下来。
的助手,1842年。油画
他第一次展出作品,拉比解释圣经,在出现英国艺术家协会1840年,第二年他送到英国皇家学院我的祖母和一个场景从先生沃尔特•斯科特的公平的女仆珀斯.这些随访(学院)的一个场景韦克菲尔德的牧师1842年,另一个从克拉布的教区1843年注册,三分之一的Peveril在1845年达到顶峰。早餐桌上,展出,1846年进一步现场牧师的韦克菲尔德1847年,吸引了一些关注。
1848年出现一个球的房间在1760年,1849年,学院教学纪律的粉丝,1711年,这两个照片是杰出的辉煌色彩和服装的仔细研究。诚实是他的贡献的皇家艺术学院展览1850年,和一个尴尬的定位事件奥利弗·戈德史密斯——1851年。1851年,此外,他发送到英国机构丑闻和La娇小Dieppoise。
1852年出现在奥斯卡女店员和一个场景莫里哀的伪君子——吵架珀尔诚征有志之士,Dorine干预,1853年来,菲利斯,从观众。1854年,他发送到学院第一课:会议,第二个类:离别。两人都刻在金属版印刷法威廉•亨利•西蒙斯,标志着一个伟大的进步在所罗门的工作。他们的创意概念和设计在他早期的作品不明显。皇家艺术学院是他的下一个贡献对比1855年,新娘和可疑的财富,1856年等待判决在1857年。最后一个图片大大增加他的人气,但其伴侣,无罪在1859年展出,不成功。都成为c·j·卢卡斯的财产收。,被w·h·西蒙斯雕刻。飞行,Mlle. Blaiz,狮子爱(也刻Simmons)学院;1858年展出了Ici消除,布列塔尼1859年狐狸和葡萄;淹死了!淹死了!;1860年安慰和假想;1861年和1862年失去了发现。在布列塔尼出现在艺术评论家英国的机构在1861年。
他最后的工作,离职的勤奋在比亚里茨,现在在皇家霍洛威学院大学、艾格汉姆。
Born as the second son of Meyer Solomon, a Leghorn hat manufacturer, by his wife Catherine, in Sandys Street, Bishopsgate in east London. His father was one of the first Jews to be admitted to the freedom of the city of London. Two members of the family besides Abraham became artists. A younger brother, Simeon Solomon, acquired much acclaim as a Pre-Raphaelite painter and exhibited at the Royal Academy from 1858 to 1872; his later crayon drawings of idealised heads are still popular. A sister, Rebecca Solomon, exhibited domestic subjects at the Royal Academy and elsewhere between 1851 and 1875, and died on 20 November 1886.
At the age of thirteen Abraham became a pupil in Sass's school of art in Bloomsbury, and in 1838 gained the Isis silver medal at theSociety of Arts for a drawing from a statue. In 1839 he was admitted as a student of the Royal Academy, where he received in the same year a silver medal for drawing from the antique, and in 1843 another for drawing from the life.
Solomon died in Biarritz in France, of heart disease, on 19 December 1862, the same day on which he was elected an Associate of the Royal Academy.He married, on 10 May 1860, Ella, sister of Dr. Ernest Hart; she survived her husband.
His first exhibited work, Rabbi expounding the Scriptures, appeared at the Society of British Artists in 1840, and in the following year he sent to the Royal Academy My Grandmother[3] and a scene from Sir Walter Scott's Fair Maid of Perth. These were followed (at the Academy) by a scene from the Vicar of Wakefield in 1842, another from Crabbe's Parish Register in 1843, and a third from Peveril of the Peak in 1845. The Breakfast Table, exhibited in 1846, and a further scene from the Vicar of Wakefield in 1847, attracted some attention.
In 1848 appeared A Ball Room in the year 1760, and in 1849 the Academy for Instruction in the Discipline of the Fan, 1711, both of which pictures were distinguished by brilliancy of colour and careful study of costume. Too Truthful was his contribution to the exhibition of the Royal Academy in 1850, and An Awkward Position—an incident in the life of Oliver Goldsmith—to that of 1851. In 1851, also, he sent to the British Institution Scandal and La petite Dieppoise.
In 1852 appeared at the Academy The Grisette and a scene from Molière's Tartuffe—the quarrel between Mariane and Valère, where Dorine interferes—and in 1853 Brunetta and Phillis, from the Spectator. In 1854, he sent to the Academy First Class: the Meeting, and 'Second Class: the Parting. Both were engraved in mezzotint by William Henry Simmons, and marked a great advance in Solomon's work. They show an originality of conception and design which is not apparent in his earlier work. His next contributions to the Royal Academy were A Contrast in 1855, The Bride and Doubtful Fortune in 1856, and Waiting for the Verdict in 1857. The last picture greatly increased his popularity; but its companion, Not Guilty, exhibited in 1859, was less successful. Both became the property of C. J. Lucas, esq., and were engraved by W. H. Simmons. The Flight, Mlle. Blaiz, and The Lion in Love (also engraved by Simmons) were exhibited at the academy in 1858; Ici on rase, Brittany and The Fox and the Grapes in 1859; Drowned! Drowned! in 1860; Consolation and Le Malade Imaginaire in 1861; and The Lost Found in 1862. Art Critics in Brittany appeared at the British Institution in 1861.
His last work, Departure of the Diligence at Biarritz, is now at the Royal Holloway College, Egham
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