马锋辉，1963年9月出生，浙江浦江人。现为中国美术家协会理事，浙江省文联委员，浙江省美术家协会副主 席，浙江画院特聘画师，国家一级美术师。现任浙江美术馆馆长。

马锋辉画作

 2000年国画家马锋辉《寒香》入选"2000年全国中国画作品展览"并获银奖。

2001年国画家马锋辉"中国书画之乡-浦江书画作品展"(中国美术馆)。

2002年国画家马锋辉《横斜万朵》入选"纪念延安讲话发表60周年《全国美术作品展览》";"水墨印象"全国青年画家作品邀请展(成都);《横斜疏影》获"2002年全国中国画作品展"优秀奖;《荷》入选"中国西部大地情中国画大展"。

2003年国画家马锋辉《墨梅之五》参加《全国中国画画家提名展》获提名奖。

2004年国画家马锋辉《碧无穷》入选《"墨--古典与现代"国际水墨画学术展》(日本);《濡笔风骨》入选"第十届全国美术作品展览"并获优秀奖，参加"第十届全国美术作品展览获奖作品展"(北京)，浙江美术馆收藏。

2005年国画家马锋辉《荷塘清趣》参加"当代中国画名家作品展"，宁波美术馆收藏;《松林图》参加"中国当代水墨艺术邀请展";《凝碧》入选第二届中国北京国际美术双年展序列展(中国中青年艺术家精品展)，中国美术家协会收藏;《傲风》、《康寿》等参加"浙江名家--中国画展览"。

2006年国画家马锋辉《松风》参加"当代中国画百家作品邀请展";《云松之一》、《云松之二》、《雨荷》参加"闲情逸致--中国书画名家作品邀请展"(杭州);《芙蓉秋江》、《墨松之四》、《墨松之五》等参加"2006年度全国当代花鸟画家提名展"(北京)。

2007年国画家马锋辉《风雨秋池》、《秋声》等参加"全国中青年中国画(花鸟)名家优秀作品展(北京);《秋日》、《缤纷》等参加"无法解读的江南--2007年江浙沪水墨艺术家作品 邀请展"(南京、上海、杭州);《耀日》、《无尘》、《松声》、《露气》和《浓翠》等参加"浙江省山水花鸟画名家作品展"(香港)。

2009国画家马锋辉年浙江美协增补孙永、马锋辉为副主席。

2012年国画家马锋辉在"杭州纤维艺术三年展"首次新闻发布会致辞。

陆鹤龄出版;《马锋辉墨荷》、《马锋辉作品集》、《马锋辉水墨画集》、《濡笔风骨·马锋辉水墨艺术》等。

马锋辉画作

 生活是文学艺术的唯一源泉

锋辉认为，当今中国的经济发展和社会发展已经取得了翻天覆地的变化，文化建设的任务和目标随之也发生了深刻的转变。中国整个文化艺术生态结构正迅速与国际接轨，当代艺术元素充满活力，多元化成为当今艺术形态的核心特点。但是《讲话》提出的"人类的社会生活虽是文学艺术的唯一源泉……但是文艺作品中反映出来的生活却可以而且应该比普通的实际生活更高，更强烈，更有集中性，更典型，更理想，因此就更带普遍性"的观点，对文化建设、文艺思想和服务对象的基本立场、方法，以及深入生活与写生创作之间的关联性问题，均从艺术本质与艺术规律的视角，作了精辟的解答。

"人类的社会生活是文学艺术的唯一源泉"，明确了艺术高于生活的本质，提醒我们，虽然处于不同的历史阶段，但是艺术家只有深入生活、表现生活，才能够创作出表现时代精神的艺术作品，才能把握正确的文艺方向。离开了生活，艺术作品便会成为无源之水，无本之木，便会失去生机。

这就提出了深入生活和写生的重要性。写生是记录生活、提炼生活、观照时代的最为有效的手段。写生是一种从自然现象到艺术意象，再到艺术形象的过程，是从自然的物理到艺术的学理，从自然的表象向艺术的境象升华的过程，也是通过对自然神态的表现，来表达艺术家情态的过程。因而，写生关注的往往是生活中最生动、最感人、最凝炼的某些事物、某个瞬间或某种形象，因此它最具鲜活的特质，最具强烈的情感，是艺术家对客观事物最直接的感悟与体验，是艺术家形成个性风格的重要因素与路径。写生可以显示出艺术家独立的审美价值。艺术创作要表现人的情感，要赋予作品以文化内涵和时代

马锋辉画作

 笔墨蕴心性

马锋辉让人欣羡多在于他的成事智律。热忱着浙江省美术家协会秘书长的繁冗公务，却未见其殚精竭虑，只是秉持一贯的雅正而进退平常、显隐自如。见缝插针地不耽搁书画，依然未见其宵衣旰食，画秃几捆毛笔、写干几缸墨汁。他与绘画近乎天籁的归依，参学、体悟，既不痴迷哪家守株待兔，也不都"胸有成竹"的随心所欲，因"随欲"非"随意"。他总是兴致勃勃地进行着，博文明理、持志养气，一再的浸入都毫不牵强。时时面对未知，常常生发奇迹，外在之意、内在之神均齐于笔墨。应了陈传席先生的说法:"凡一艺之成，莫不神于好，精于勤，成于悟。"好之爱之是他专学的基础，勤勉使他业

精，颖悟让他有成。

马锋辉出身在浙江的浦江。这个青山绿水、江行风帆、古街老巷、朝雾晚霞的秀美小城水土独丰，文脉悠悠，灵气蒸腾，群英荟萃。近现代，孕育了宋濂、吴茀之、张书旗、张振铎、方增先、吴山明等文化人杰、艺术精英。这方水土的灵风慧雨滋灵养性，无疑，马锋辉系有这方水土的质感和精气神。

马锋辉受过浙江美术学院(现中国美术学院)规范的教育，这条艺术大道上烙印了无数成功的脚印，所有风光景致僚人。作为一个艺术后学，要想有自己的立足点，只有树立新的风姿。马锋辉在前人已完成的地方精采着，在别人已止步的地方开掘着。他不做形式至上理想式微的冒然先锋，勿有极端个人的玄秘色彩或漠视观众不通情理的姿态。一贯地，他遵循着耕耘的逻辑，处变不惊地励志养性，厚道求实，弘意扬格......他与传统根性接壤，参学、意会、融通、执守精要;又与现代主动观照，贴近、体悟、思辩、滤积应对。他不简单地陶醉于随时所遇，粗躁地随性任游，提呈的是砥砺才情、通悟学理、继承开拓的识力和精诚，颖有独到的出典。故他的笔墨和为人基本度越了庸常的尺度，"以我观物"，摒弃和超越世间的烦稚板眼，细致地凝味物我契和的情理可贵，价值地提炼自然、人文的美轮美奂。

作品是艺术家心性的流露。马锋辉的绘画跳开了物以物式的摹景写实，摆脱了文人画的孤傲、拓涩习气，直取个人理想中的诗境本意而鸿开一偶景致，题材似曾相识，画品别样入胜。无论观念意理和视觉形式，凝固着瞬间的永恒。他先有素朴、雅淡、隐逸的风致，借简淡空蒙的墨韵，含蓄的图景，灵动东方的诗境，写意不浊的取向，以寄情荐道。故写荷之脱俗之姿、空灵之气、清雅之韵，凸显其玉璞般的清濯涓净、淡泊清逸。但他质疑一味的含蓄、收敛制约了生命的活力，过度倾心于私淑的浅呤、洒脱的静逸消退了生活的激情。因此，笔下又生出了迥出尘表的浪漫高格。但见群松岸然兀立，形势争耸，纵横开阖，壮气超拔。悟对劲健、豪迈、凝定，生动的意气旷达襟怀。纯然是他落拓宽怀的生态向度，贯通着他的情感厚度、学理深度、心志高度。感应着朴拙、壮阔、雄强，故笔墨恣纵、朴茂苍润、浑厚华滋，气象郁勃，生气满卷，纳向物、我、意、象的浑化无间。"知黑守白"的章法一并灵动着，精气、神力蓄满乾坤。

马锋辉钟情于荷，醉心于松，出世与入世似冰炭同炉，即成为有意义的突破。形式与内容的紧密度，阐释着理想的践履和对经验的新发现，意想达到与观众最大程度的融通。所有笔墨与意向之间，直觉与理性之间，自由与法度之间，被流动的生命气息贯通，因而生机勃勃，富有意蕴、神韵。在这个文化价值嬗变、精神价值低落的年代，他身在行内修为行外，耕耘、思辨、积滤，以笔墨抒写着当下文化的优

渥，高扬着亘古不变的精神，形成了真气弥漫、生动昂扬的独特文本。那气韵生动的丰润墨香，赋予着现实感受、智慧想象、审美理想、人文情怀，深刻意蓄着艺术的归旨。他无滞碍的笃诚和谐出的开阔胸襟、淡定心智，散发着鲜活的气息、纯美的风神......他执著地洞开现实生活.

 Ma Fenghui was born in September 1963 in Pujiang, Zhejiang Province. He is currently the director of China Artists Association, member of Zhejiang Provincial Literature Federation, vice chairman of Zhejiang Artists Association, special artist of Zhejiang Painting Academy, and first-class national artist. He is currently the curator of Zhejiang Art Museum.

In 2000, Chinese painter Ma Fenghui's "Cold Fragrance" was selected as the "2000 National Exhibition of Chinese Painting Works" and won the silver prize.

2001 Chinese painter Ma Fenghui "Township of Chinese Painting and Calligraphy - Pujiang Painting and Calligraphy Exhibition" (China Art Museum).

In 2002, Ma Fenghui, a Chinese painter, was selected as the "National Art Exhibition" to commemorate the 60th anniversary of Yan'an Speech; the "Invitation Exhibition of Ink and Wash Impression" of Young Artists'Works in China (Chengdu); the "Crosswise Shadow" was awarded the "Excellent Prize of the 2002 National Chinese Painting Exhibition"; and the "Lotus" was selected as the "China Western Land Love Chinese Painting Exhibition".

In 2003, Ma Fenghui, a Chinese painter, won the nomination prize in the National Nomination Exhibition of Chinese Painters.

In 2004, Chinese painter Ma Fenghui's Bi Infinite was selected into the International Academic Exhibition of Ink-Classical and Modern Ink Painting (Japan). Moistening Brush Style was selected into the 10th National Art Exhibition and won excellent prizes, and participated in the 10th National Art Exhibition Awarded Works Exhibition (Beijing), Zhejiang Art Museum Collection.

In 2005, Ma Fenghui, a Chinese painter, participated in the Exhibition of Works of Contemporary Chinese Painters, Ningbo Art Museum Collection, Songlin Tu in the Invitation Exhibition of Contemporary Chinese Ink and Wash Art, Ningbi in the Series Exhibition of the Second Beijing International Biennial Art Exhibition (Exhibition of Excellent Works of Chinese Young and Middle-aged Artists), and the Collection of the Chinese Artists Association. "Ao Feng" and "Kang Shou" participated in "Zhejiang Famous Artist - Chinese Painting Exhibition".

In 2006, Ma Fenghui, a Chinese painter, participated in the "Invitation Exhibition of Hundred Contemporary Chinese Painting Works", "One of the Cloud Pines", "Two of the Cloud Pines" and "Rain Lotus" to participate in the "Leisure and Elegance--Invitation Exhibition of Chinese Painters and Calligraphy Works" (Hangzhou); and "Furong Qiujiang", "Fourth of Mosong" and "Five of Mosong" to participate in the "Contemporary Flowers and Birds of China in 2006". Nominated Exhibition of Painters"(Beijing).

In 2007, Ma Fenghui, a Chinese painter, participated in the National Exhibition of Excellent Works of Young and Middle-aged Chinese Paintings (Flowers and Birds) by Famous Artists (Beijing), "Autumn Day" and "Colorful" in the invitation exhibition of ink and wash artists from Jiangsu, Zhejiang and Shanghai (Nanjing, Shanghai, Hangzhou), "Yaoyi", "Dustless" and "Undecipherable South of the Yangtze River", "2007 Invitation Exhibition of ink and wash artists from Jiangsu, Zhejiang and Shanghai" (Nanjing, Shanghai, Hangzhou).《 Songsheng, Dew and Lucui participated in the exhibition of famous landscape flower and bird painters in Zhejiang Province (Hong Kong).

In 2009, Chinese painter Ma Fenghuinian added Sun Yong and Ma Fenghui as Vice-Chairmen of Zhejiang Art Association.

In 2012, Ma Fenghui, a Chinese painter, delivered a speech at the first press conference of the Hangzhou Triennial of Fiber Art.

Lu Heling publishes Ma Fenghui Mohe, Ma Fenghui Works Collection, Ma Fenghui Ink Painting Collection and Ma Fenghui Ink Art.

Life is the only source of literature and art

Feng Hui believes that today's economic and social development in China has undergone tremendous changes, and the tasks and objectives of cultural construction have also undergone profound changes. The whole cultural and artistic ecological structure of China is rapidly in line with the international standards. Contemporary artistic elements are full of vitality. Diversification has become the core feature of today's art form. But the Speech put forward that "although human social life is the only source of literature and art... However, the life reflected in literary and artistic works can and should be higher, stronger, more centralized, more typical and more ideal than the ordinary real life. Therefore, it has a more universal view, the basic standpoint and method of cultural construction, literary and artistic ideas and service objects, as well as the deep relationship between life and sketch creation. From the perspective of the essence of art and the law of art, all the related questions have been answered incisively.

"Human social life is the only source of literature and art". It clarifies the essence that art is higher than life. It reminds us that although in different historical stages, artists can only create works of art expressing the spirit of the times and grasp the correct direction of literature and art by going deep into life and expressing life. Without life, works of art will become water without source and wood without source will lose vitality.

This raises the importance of going deep into life and sketching. Sketching is the most effective means to record life, refine life and contemplate the times. Sketching is a process from natural phenomena to artistic images, and then to artistic images. It is a process from natural physics to the theory of art, from natural images to artistic images, and also a process of expressing artist's mood through the expression of natural expressions. Therefore, sketching often pays attention to the most vivid, touching and concise things, moments or images in life. Therefore, it has the most vivid characteristics and strong emotions. It is the most direct perception and experience of the objective things of the artist, and it is an important factor and path for the artist to form his personality style. Sketching can show the artist's independent aesthetic value. Artistic creation should express people's emotions and endow works with cultural connotations and times

The Implication of Pen and Ink

Ma Fenghui's admiration lies in his wisdom of doing things. Enthusiasm for the tedious official duties of the Secretary-General of Zhejiang Artists Association, but no effort has been seen, but to uphold the consistent elegance and move forward and backward ordinary, obvious and comfortable. There is no delay in painting and calligraphy when there are stitches and needles in place. There are still no clothes and food for the night. We can draw bald bundles of brushes and dry several cylinders of ink. He is close to the nature of painting, learning and understanding, neither obsessed with which family to wait for rabbits, nor are they all "ready for bamboo" at will, because "free" is not "free". He always carries on vigorously. He is broad-minded, rational, ambitious and energetic. His repeated immersion is not far-fetched. Facing the unknown from time to time, miracles often occur, and both the external meaning and the internal God are equal to the pen and ink. In response to Mr. Chen Chuanxiao's statement: "Every art is accomplished by excellence, diligence and understanding. "Good love is the foundation of his specialty, and diligence makes him work.

Jing and Yingwu make him successful.

Ma Fenghui was born in Pujiang, Zhejiang Province. This beautiful town with green hills and green waters, windsurfing rivers, old streets and alleys, morning mist and sunset has abundant soil and water, a long cultural context, and spiritual transpiration. In modern times, Song Lian, Wu Fanzhi, Zhang Shuqi, Zhang Zhenduo, Fang Zengxian, Wu Shanming and other cultural and artistic elites were bred. There is no doubt that Ma Fenghui has the texture and spirit of this land and water.

Ma Fenghui was educated by the Zhejiang Academy of Fine Arts (now the Chinese Academy of Fine Arts), and this art Avenue bears numerous successful footprints, all scenery bureaucrats. As a post-ART learner, if you want to have a foothold, you have to set up a new style. Ma Fenghui is exquisite where his predecessors have accomplished, and excavating where others have stopped. He should not be a bold pioneer with the highest form and the lowest ideals. He should not be extremely personal and mysterious or ignore the unreasonable attitude of the audience. All along, he follows the logic of cultivation, is always inspired, realistic, and carries forward his ideas. He is rooted in the tradition, learning, understanding, accommodation, adherence to the essence; and with modern active observation, close to, understanding, speculation, filter coping. He is not simply intoxicated with the opportunity at any time, rashly arbitrary travel, presented is to sharpen talent, understand theory, inheritance and pioneering insight and sincerity, unique classics. Therefore, his pen and ink and the basic degree of human nature go beyond the mediocre scale, "look at things with me", abandon and surpass the world's naive and rigid eyes, meticulously condensate the sensibility of harmony between things and me, and value the refinement of the beauty of nature and humanity.

Works are the expression of the artist's heart. Ma Fenghui's paintings leap away from the realistic depiction of objects, get rid of the proud and astringent habits of literati paintings, take the original meaning of personal ideal poetry and open up occasional scenery, the theme seems to have known each other, and the style of paintings is fascinating. Regardless of conceptual meaning and visual form, it solidifies the eternity of the moment. First of all, he had simple, elegant and reclusive style, with simple and empty ink rhyme, implicit scenery, smart Oriental poetry, freehand brushwork and non-turbid orientation, in order to recommend. Therefore, the delicate posture, spiritual spirit and elegant rhyme of the lotus highlight its pure and indifferent elegance. However, he questioned the implicit and restrained nature of life. Over-indulgence in the shallow and free leisure of private ladies had dissipated the passion of life. Therefore, a romantic Gog emerged in his works. However, the situation is striking, open and closed vertically and horizontally, and vigorous. Enlightenment is vigorous, heroic, steady, vivid and open-minded. It is simply his ecological dimension of broadening his mind, which runs through his emotional thickness, academic depth and mental height. Feeling simple, magnificent and strong, so the pen and ink is unconstrained, simple and lush, full of vigor and vitality, embracing things, me, imagery and muddy infinite. The rules and regulations of "knowing black and keeping white" are flexible and full of energy and spirit.

Ma Fenghui's love for lotus and his devotion to loosening became a meaningful breakthrough when he was born and joined the WTO. The tightness of form and content explains the ideal practice and the new discovery of experience, and intends to achieve the greatest degree of integration with the audience. All pens, ink and intentions, intuition and reason, freedom and law are connected by the flowing breath of life, so they are vibrant, meaningful and charming. In this era of cultural value change and spiritual value decline, he practiced in his own field and did nothing but cultivate, speculate and accumulate filters, expressing the current cultural excellence in ink and brush.

Ottawa, with its unchanging spirit, has formed a unique text full of true spirit and vivid vigor. The vivid and rich ink fragrance endows with realistic feeling, wisdom imagination, aesthetic ideal and humanistic feelings, and deeply intends the purpose of art. His open mind, calm mind, fresh breath and pure wind and spirit without hindrance and sincerity and harmony... He persistently opens up the real life.