柳遇，〔清〕字仙期，江苏吴县(今苏州)人，生卒年不详。善人物写真，山水树石、界画楼台精密巧瞻，无不佳妙。所写人物精密生动，神态刻画极其自然，能把山水与人物有机结合，布以界画楼阁栏廊，并点缀幽花细草以及玩物器皿，色色佳妙，实不亚于仇英。宋荦抚吴时，曾延其摹南唐顾闳中《韩熙载夜宴图》卷及所画《东坡与佛印谈禅像》，均为艺林称赏。传世作品有康熙三十五年(1696)作《兰雪堂图》卷，卷后有宋荦、尤侗等题诗；四十年作《微雨锄瓜图》卷，为宋荦之子宋致写像，现藏南京博物院；三十九年作《宋致静听松风图》轴，柳遇写照，王翚补图，藏故宫博物院；《罂粟图》轴图录于《中国历代名画集》。另有雍正二年作《花卉册》，著录于《十百斋书画录》。康熙十三年(1674)作《胡渭小像》卷(胡渭，字朏明，号东樵，浙江德清人)藏吉林省博物馆。 

 Liu Yue, the year of birth and death is unknown. It took place in Wuxian County (now from Suzhou, Jiangsu Province) during the period of Kangxi (1662-1722). Artistic figure portraits are delicate, vivid and delicate. It is believed that the painting skills are no less than Qiu Ying. He once copied Han Xizai's Banquet Picture by Gu Yongzhong of the Southern Tang Dynasty, which was appreciated by all at that time.

The figure in the painting is Mr. Xianyan, wearing a straw hat, holding a hoe in his right hand and stroking his beard in his left hand. The author describes the characters by white sketch. The brushwork is meticulous, the straw hat texture is clear and clear, and it is extremely delicate. The characters are realistic, the details are well depicted, the beard is fine and vivid and elegant. Clothing pattern is the traditional willow leaf drawing, moving with the wind, and blending with the scenery. Characters next to the twigs curling, leaves dancing, stones with dry brush sketch, slightly covered with hemp, showing a texture, melon and vine spread, a leisure scene.

Liu Yue, a native of Wuxian County (now Suzhou) in Jiangsu Province, was born and died in the immortal period of Qing Dynasty. Character portrayal, landscape, trees and stones, boundary painting terrace precise and skillful look, are all wonderful. The characters are precise, vivid and natural. They can organically combine mountains and rivers with characters. They can be painted with boundaries, pavilions and galleries, and decorated with delicate flowers and grass, as well as plaything utensils. They are as beautiful in color as Qiu Ying. When Song Shen Fu Wu, he once reproduced Han Xizai's Banquet Picture by Gu Yunzhong of the Southern Tang Dynasty and his painting Dongpo and Buddha Yin Talking about Zen Images, which were all praised by artists. The works handed down from generation to generation include Kangxi's Thirty-Five Years (1696) Lanxuetang Picture, followed by poems by Song Bu and You Dong; 40 Years'Picture of Rain and Cucumber Hoeing, which portrays Song Bu's son, Song Zhijing, now in Nanjing Museum; 39 Years' Picture of Song Zhijing Listening to Song Feng, Liu Yu's portrayal, Wang Fei's supplementary picture, Tibetan Palace Museum; The Axis Picture of Poppy Picture is recorded in the Collection of Famous Paintings of Chinese Dynasties. 。 In addition, Yongzheng's two-year work Flower Book is recorded in the Book of Paintings and Calligraphy in the Hundred Studio. In the thirteenth year of Kangxi (1674), he wrote the volume Hu Wei Xiaoxiang (Hu Wei, Zhengming, No. Dongqiao, Deqing people of Zhejiang) in the Jilin Museum of Tibet.