他把西方艺术手法融入到中国画中，创造了新颖而独特的风格。他的素描和油画则渗入了中国画的笔墨韵味。他的创作题材广泛，山水、花鸟、走兽、人物、历史、神话，无不落笔有神，栩栩如生。他的代表作油画《田横五百士》、《徯我后》、中国画《九方皋》、《愚公移山》等巨幅作品，充满了爱国主义情怀和对劳动人民的同情，表现了人民群众坚韧不拔的毅力和威武不屈的精神，表达了对民族危亡的忧愤和对光明解放的向往。他常画的奔马、雄狮、晨鸡等，给人以生机和力量，表现了令人振奋的积极精神。尤其他的奔马，更是驰誉世界，几近成了“现代中国画”的“象征”和“标志”。

He integrated Western artistic techniques into Chinese painting and created a novel and unique style. His sketches and oil paintings permeate the charm of Chinese painting. His creative themes are extensive, including landscapes, flowers and birds, animals, characters, history and myths, all of which are vivid and vivid. His representative works, such as oil painting Tianheng 500 Shi, Going to Me Hou, Chinese painting Jiufanggao and Yugong Yishan, are full of patriotism and sympathy for the working people, showing the people's perseverance and indomitable spirit, expressing their anxiety about the national peril and their yearning for bright liberation. The galloping horses, lions and morning chickens he often paints give people life and strength, showing an exciting positive spirit. Especially his galloping horse is well-known in the world and has become the "symbol" and "symbol" of "modern Chinese painting".