弗朗西斯科.米拉勒Francisco Miralles（1848年4月6日——1901年10月30日），西班牙艺术评论家、历史学家和作家。
他的家庭是参与一些商业企业。他五岁时,他们卖他们的一些兴趣和搬迁到巴塞罗那。1855年,他就读Collegi圣母Valldemia在Mataro私立天主教学校。在那里,他开始乱写画在他的笔记本和确信,他应该成为一名艺术家。当然,他的父母希望他继续家族企业。
在他父亲的办公室见到他之后,画画分类帐和文书工作,他们大发慈悲,在1862年,发现他的工作室雷蒙马蒂Alsina,在那里他学习了好几年。他很快就显示感兴趣人物画,而不是老师的青睐的风景。
当他十八岁的时候,他收到父母的许可(和财政支持)研究在巴黎,在那里他将继续直到1893年,偶尔回家探访时。在他的第一年,他复制的杰作罗浮宫和可能短暂亚历山大Cabanel。他最终有几个小工作室蒙马特和拉菲特街.
他经常在展出沙龙和萨拉削减在巴塞罗那,回家。他也成为著名的艺术品经销商的客户Goupil & Cie,在欧洲和美国吸引富有的买家。这是一种解脱,他的家人,他最初担心他们可能会无限期地支持他。的能力这样做已经妥协,因为他们失去了他们的财富1866年恐慌和失去了更多的偿还他们的债务。事实上,他们最终搬到巴黎,所以他可以帮助支持他们。
他患有慢性支气管炎所以他父母死后(彼此)在一年之内,他决定回到罗那,寻求一种更温和的气候。他的姐姐卡门已经回到几年前,结婚后,他没有亲戚留在巴黎。然而,谣言说他真正原因离开是他的画作的风格。不管什么原因,他在1893年抵达巴塞罗那,他家里很快成为创意社区的聚会场所。他继续在巴黎沙龙展览,但从不重复他早期的成功。帮助他重建自己,他的姐夫,萨尔瓦多安德鲁(一个富裕的制造商和慈善家),获得一个委员会为他装修一个新的私人音乐厅的天花板Liceu.
他从来没有真正得到他母亲的损失。到1898年,卡门已经认真关心他增加隔离和不断恶化的健康状况。萨尔瓦多一致认为应该做点什么,所以他说服产生生活在“塔”,他们旁边的一个小房子,他将有更多的公司,但他的健康状况继续下滑。有一天,他们来参观,发现他躺在他的画架前,死于心脏病。
His family was involved in several businesses enterprises. When he was five, they sold some of their interests and relocated to Barcelona. In 1855, he was enrolled at the new Collegi Maristes Valldemia in Mataró, a private Catholic school. While there, he began to scribble drawings in his notebooks and became convinced that he should be an artist. His parents, naturally, wanted him to continue with the family business.
After seeing him in his father's office, drawing pictures on the ledgers and paperwork, they relented and, in 1862, found him a place in the studios of Ramon Martí Alsina, where he studied for several years. He soon displayed an interest in figure painting, as opposed to his teacher's favored landscapes.
When he turned eigheen, he received parental permission (and financial support) to study in Paris, where he would remain until 1893, with occasional visits home. During his first years there, he copied masterworks at the Louvre and may have worked briefly with Alexandre Cabanel. He eventually had several small studios in Montmartre and on the Rue Laffitte.
He exhibited regularly at the Salon and the Sala Parés, back home in Barcelona. He also became a client of the well-known art dealershipGoupil & Cie,attracting wealthy buyers throughout Europe and America. This was a relief to his family, who had initially been concerned that they might have to support him indefinitely. Their ability to do so had been compromised as they had lost much of their fortune in the Panic of 1866 and were losing more of it as they paid off their debts. In fact, they eventually moved to Paris so he could help support them.
He suffered from chronic bronchitis so, after his parents had died (within a year of each other), he decided to return to Barcelona, seeking a milder climate. His sister Carmen had already returned there years before after her marriage, so he had no relatives left in Paris. Rumors, however, suggested that his real reason for leaving was that his paintings were going out of style. Whatever the reason, he arrived in Barcelona in 1893 and his home soon became a gathering place for the creative community. He continued to exhibit at the Salon in Paris, but never repeated his earlier successes. To help him re-establish himself, his brother-in-law, Salvador Andreu (a wealthy manufacturer and philanthropist), obtained a commission for him to decorate the ceiling of a new private concert hall at the Liceu.
He had never truly gotten over the loss of his mother. By 1898, Carmen had become seriously concerned about his increasing isolation and worsening health. Salvador agreed that something should be done, so he persuaded Miralles to live in "The Towers", a small house next to theirs where he would have more company, but his health continued to decline. One day, they came to visit and found him lying in front of his easel, dead from an apparent heart attack.
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