乔斯.科德罗.比列加斯Cordero, Jose Villegas（1844年8月26日—1921年11月9日），西班牙画家。
他的父亲经营着一个理发店,和他的家人怀疑艺术生涯。但是,在1860年,当他还只有十六岁,他卖掉了他的一个工作在“Exposicion Sevillana”为2000里亚尔。这改变了他的家人的心灵和他是画家的学徒何塞玛丽亚罗梅罗洛佩兹,住在他前两年在医学院招收瓶装水Artes de塞维利亚,在那里他学习了爱德华多·卡诺
的拖鞋商人(1872),沃尔特斯博物馆
1867年,他前往马德里,找到了工作的工作室费德里科•德Madrazo。在那里,他花时间博物馆普拉多电影院,抄袭的作品委拉斯凯兹完美的技术。最后,作品的灵感东方通画家玛丽亚Fortuny,他组织了一次短途旅行摩洛哥.
在1868年底,与金融援助从他的家人,他决定和他的一些朋友访问罗马和花时间在车间爱德华多·罗萨莱斯。在那里,他第一次创建富有地方色彩的作品,这被证明是非常受欢迎的。他也开始画东方通场景基于大量草图他从摩洛哥带回来,并返回简单收集更多的材料。这些类型的绘画的时尚很快就高潮,和他的作品被广泛推广博世y埃尔南德斯画廊。
1877年之后,他经常住在威尼斯设计和生产工作是富有的美国买家感兴趣的。到1887年,他能够建立一个房子,他自己设计的。它很快成为一个上流社会的聚会场所。他也开始接受少量的学生。
女人在窗前(日期未知)
在1878年,西班牙参议院委托他画一个大规模的历史工作主题”赫尔南科尔特斯的采访蒙特苏马”。委员会取消了四年之后,但它激发了他从事一系列的历史画。之后,一位荷兰出版公司接洽几个主要欧洲艺术家产生麦格纳Biblia插图。Villegas委托描绘的预言以赛亚书.
1890年代开始悄悄,但在1896年,他的弟弟里卡多(他也是一位艺术家)淹死后,他掉了一艘船瓜达尔基维尔河.这使他陷入抑郁和他开始的绘画作品教会大自然。两年后,他被任命为主任“学术界诺拉德瓶装水Artes en罗马”。在承认他的工作,在1901年,他被任命为博物馆主任普拉多电影院,放弃他的工作室在罗马和返回马德里。他认为,直到1918年后,主持重大重组。在此期间,他还建立了一个新的肖像画家的美誉。他辞职后由于负面宣传珠宝盗窃博物馆的保安。
His father ran a barbershop, and his family had their doubts about an artistic careerBut, in 1860, when he was still only sixteen, he sold one of his works at the "Exposición Sevillana" for 2,000 Reales. This changed his family's mind and he was apprenticed to the painter José María Romero López, staying with him for two years before enrolling at the Escuela de Bellas Artes de Sevilla, where he studied with Eduardo Cano
In 1867, he travelled to Madrid, where found work in the studios ofFederico de Madrazo. While there, he spent time at the Museo del Prado, copying the works of Velázquez to perfect his technique. Finally, inspired by the works of the Orientalist painter Marià Fortuny, he organized an excursion to Morocco.
Near the end of 1868, with financial assistance from his family, he decided to visit Rome with some of his friendsand spent time in the workshop ofEduardo Rosales. It was there that he created his first costumbrista works, which proved to be very popular. He also began painting Orientalist scenes based on the numerous sketches he brought back from Morocco, and returned there briefly to collect more material. The vogue for these types of paintings was soon at its high point, and his works were widely promoted by the Bosch y Hernández galleries.
After 1877, he often lived in Venice and produced works designed to be of interest to wealthy American buyers. By 1887, he was able to build a house, which he designed himself. It soon became a gathering place for high society. He also began accepting a small number of students.
In 1878, the Spanish Senate commissioned him to paint a large-scale historical work on the subject "Hernán Cortés' interview with Moctezuma". The commission was cancelled four years later, but it inspired him to embark on a series of historical paintings. Later, a Dutch publishing company approached several major European artists to produce illustrations for a Magna Biblia. Villegas was entrusted with depicting the prophecies in the Book of Isaiah.
The 1890s began quietly but, in 1896, his younger brother Ricardo (who was also an artist) drowned after he fell off a boat on the Guadalquivir. This plunged him into depression and he began painting works of an ecclesiasticalnature. Two years later, he was appointed Director of the "Academia española de Bellas Artes en Roma". In 1901, in recognition of his work there, he was named Director of the Museo del Prado; abandoning his studio in Rome and returning to Madrid. He held that post until 1918 and presided over a major reorganization. During that time, he also established a new reputation as a portrait painter. He resigned due to negative publicity following a jewelry theft by one of the museum's guards.
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