黄均美术作品

黄均，号懋忱，祖籍台湾淡水，生于北京。工笔人物画家、美术教育家。黄均自幼酷爱绘画。1928年加入中国画学研究会，在四存中学肄业后，加入徐世昌（洋军阀总统）主办以金北楼为首的的北京中国画学研究会学画会中名家跻跻，由齐白石、陈半丁、秦仲文、马晋、吴镜汀、徐燕荪、王雪涛等分别授课。最初黄均从徐燕荪习人物画，继而从师陈少梅、刘凌沧，打下了坚实的基础。
1930年，他又拜溥心畲为师，学北宗山水画和书法。
1934年在中国画学研究会毕业后，被聘任为该会助教。
1938年进北平国立艺术专科学校，先后担任助教、讲师。抗日战争胜利后不久，徐悲鸿任该校校长，对黄均很器重，约定他每周必须交两幅新画，徐诚挚地给予指导，并极力倡导国画创新。黄均同徐悲鸿相处八年，在如何推陈出新方面，受益匪浅。
新中国成立后，黄均先后担任中央美术学院讲师、副教授、教授。
1987年2月被聘任为中央文史研究馆馆员。他是中国美术家协会会员、北京古都书画研究院院长、北京工笔重彩画会副会长、中山书画社顾问、东方书画社顾问及中国口岸协会书画研究会顾问。1985年加入北京市台湾民主自治同盟为盟员。
黄均从事绘画艺术和教学迄今70馀年。他善于学习，勤于耕耘，在继承和发扬我国工笔重彩的传统技法，描绘人们所熟悉的历史人物和传说故事方面，取得了卓越的成绩。他又努力探索创新，以传统技法表现当代题材，成就也很可观。他兼善山水、花鸟和界画(画古建筑的绘画，用界尺画出，由此得名)皆有独特风格。在近三十年中，他多画兰竹。这些画既来自对实物的细心观察，又参以元明墨竹、兰草用笔用墨的精髓，疏密适当，浓淡得体、含蓄有致，生机勃勃，给人以美的感受。他说，自学画兰竹以来，已画了一万张。
几十年来，黄均创作了大量年画及单幅画，其代表作中：古典题材的有《文姬辨琴图》、《史湘云醉眠芍药圃》、《琵琶行》、《木兰理妆》、《白居易》、《民族英雄郑成功》等；现代题材的有《英娘试舞》、《心花怒放》、《蝴蝶泉边》、《草原轻骑》等。他的仕女人物画构思巧妙，笔法工整，描绘细腻传神，色调明丽典雅，显示了画家的高度艺术修养。1987年，由中国美术家协会主办，在北京中国美术馆举行了刘凌沧、任率英、黄均工笔古代人物联合画展，赢得了观众的赞叹。黄均举办过个人画展，参加过一些全国重要的画展，《文姬辨琴图》荣获庆祝建国三十周年全国美展二等奖。他还参加了北京工笔重彩画会和纽约东方画廊在纽约合办的《中国工笔重彩画展》。他有不少年画和单页画陆续出版。他的工笔仕女画《杨贵妃》由人民美术出版社作为1995年年历单页印行。此外，他还著有《仕女画研究》、《中国画技法》等。
黄均在创作的同时，从事美术教育工作。他在中央美术学院任课甚多，还要带领学生到工厂、农村体验生活和写生，他言传身教，不辞辛苦，多年如一日，培养了大批绘画人材。黄均一专多能，他常对学生说：“一个画家应该是既会工笔，又会写意，古人云：‘金针度绣、巨刃摩天’，只有掌握了工笔和写意的全能，才能开拓出更广阔的国画领域。”黄均热爱文学，书本和诗篇已成为他左右不离的良伴。他认为生活是创作的源泉，而文学又能使人从生活中探索出绘画的意境，文学和绘画是不可分割的，诗中有画，画中有诗。他经常以此告诫青年学生。他也擅古典诗词，题在画上，使二者相得益彰。

黄均美术作品

Date diligent sinceres feeling, fresh water of ancestral home Taiwan, be born at Beijing. Educationist of painter of character of traditional Chinese realistic painting characterized by fine brushwork and close attention to detail, art.
Huang Jun from a child loves brushwork. The traditional Chinese painting in was being joined 1928 learns seminar, be in 4 after putting middle school study in school, join Xu Shichang (foreign warlord president) the traditional Chinese painting in sponsors what head with Jin Beilou Beijing learns seminar to learn to draw a person of academic or artistic distinction in the meeting to ascend, divide into equal parts of You Qibai stone, Chen Banding, Qin Zhongwen, Ma Jin, Wu Jingting, Xu Yansun, Wang Xuetao does not give lessons. Original Huang Jun reviews from Xu Yansun the character is drawn, then from Ling Cang of division Chen Shaomei, Liu, laid solid foundation.
1930, he does obeisance to Pu Xinshe to be division again, learn landscape painting of boreal an administrative unit in Xizang and calligraphy.
In China the picture learned seminar 1934 after graduation, be met for this by appoint to a position assistant.
Made the same score national and artistic schools into north 1938, hold the position of assistant, instructor early or late. After the War of Resistance Against Japan wins before long, xu Beihong assumes this officer president, to Huang Jun very regard highly, agree he must make two new pictures every week, xu Cheng offers guidance sinceringly, propose innovation of traditional Chinese painting to the utmost. Huang Jun gets along 8 years with Xu Beihong, be in how respect of get rid of the stale and bring forth the fresh, benefit a lot.
After new China holds water, huangjun holds the position of instructor of the academy of fine arts central, associate professor, professor early or late.
Feburary 1987 by the member that appoint to a position is central literary history to study house house. He is traditional Chinese realistic painting characterized by fine brushwork and close attention to detail of dean of academy of painting and calligraphy of ancient capital of Chinese artist academician, Beijing, Beijing the picture that weigh colour is met seminar of painting and calligraphy of adviser of company of adviser of company of painting and calligraphy of vice-chairman, Zhongshan, Oriental painting and calligraphy and Chinese port association is advisory.
Huang Jun is engaged in painterly art and education heretofore 70 Yu year. He is good at learning, diligent Yu Gengyun, in the traditional ability way that accede and develops our country traditional Chinese realistic painting characterized by fine brushwork and close attention to detail to weigh colour, represent the historical character with people familiar place and fabulous story side, gained remarkable success. He explores innovation hard again, behave contemporary subject matter with traditional ability law, success is very considerable also. He holds landscape of be apt to, painting of flowers and birds in traditional Chinese style and bound picture concurrently (picture ancient architectural is painterly, with ungraduated ruler the picture goes out, get a name from this) all have distinctive color. In nearly 30 years, he draws Lan Zhu more. These pictures come from the attentive observation to objective already, join the marrow that uses Chinese ink with the pen with Yuan Mingmo bamboo, fragrant throughwort again, density is proper, decent, reservation has shade send, vibrant, give a person the feeling with the United States. He says, since self-study draws Lan Zhu, already drew 10 thousand pieces.
Come a few years, huang Jun produced a large number of New Year picture and single width picture, in its masterpiece: Of classic subject matter have " musical instrument of Wen Ji differentiate pursues " , " garden of peony of Shi Xiangyun drunk Mian " , " the lute goes " , " lily magnolia manages makeup " , " Bai Juyi " , " ethical hero Zheng Chenggong " etc; Of contemporary theme have " flower woman tries dance " , " be elated " , " butterfly coin side " , " the prairie rides gently " etc. Conception of his picture of character of traditional Chinese painting of beautiful women is clever, calligraphy or drawing carefully and nearly, depict exquisite lifelike, tonal bright and beautiful is elegant, the high skill that demonstrated a painter is cultural. 1987, sponsor by Chinese artist association, character of ancient time of traditional Chinese realistic painting characterized by fine brushwork and close attention to detail of Liu Ling Cang, Ren Lvying, Huang Jun was held to combine art exhibition in Beijing China art gallery, won an audience gasp in admiration. Huang Jun has held individual art exhibition, had entered a few throughout the countries' important art exhibition, " musical instrument of differentiate of article female singer pursues " have the honor to win celebrate found a state 30 years countrywide beauty exhibits second-class award. He still attended Beijing traditional Chinese realistic painting characterized by fine brushwork and close attention to detail to weigh colour to draw meeting and gallery of new York east to be in new York joint " art exhibition of heavy colour of Chinese traditional Chinese realistic painting characterized by fine brushwork and close attention to detail " . He has many New Year picture and single page picture to be published in succession. Traditional Chinese painting of beautiful women of his traditional Chinese realistic painting characterized by fine brushwork and close attention to detail is drawn " Yang Guifei " serve as by people art publishing house a calendar with the whole year printed on one sheet is weak 1995 page print and distribute. In addition,
While Huang Jun is being created, be engaged in art teaching the job. His centrally academy of fine arts assumes a tax very much, guide a student to experience the life and paint from life to factory, country even, he teachs by personal example as well as verbal instrution, put oneself out of the way, be like a day for years, fostered large quantities of painterly talents. Huang Jun expert in one thing and good at many, he often says to the student: "A painter should be to be met already traditional Chinese realistic painting characterized by fine brushwork and close attention to detail, meet again enjoyable, the ancients cloud: ' acupuncture needle spends skyscraping of embroider, gigantic blade ' , mastered traditional Chinese realistic painting characterized by fine brushwork and close attention to detail and enjoyable all-round only, ability develops a field of wider traditional Chinese painting. " Huang Jun has deep love for literature, book and poem already became the fine partner that his left and right sides does not leave. He thinks the life is the fountainhead of creation, and the artistic conception that literature can make the person explores a brushwork from inside the life again, literature and brushwork are impartible cut, there is a picture in the poem, there is a verse in the picture. He often admonishs with this young student. He also arrogate to oneself is classic poetic word, the problem is on the picture, make both bring out the best in each other.