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物竞天择”之说，故取以为名；字仲诤。出生于农历九月初六日，时近重阳登高，幼时家人呼曰“阿登”，长则以登安为字、号，中年易号为名，并刻“登东皋以舒啸，审容膝之易安”、“登高能赋，安步当车”等闲章寄意。别署登庵、登厂、饮禅、富家山民、耿斋、印农、小章、本翁、无待居士、登叟。所居曰容膝楼、玉梅花庵、物芸斋[1]  青灯籀古庵。祖籍浙江萧山，出生于杭州。1932年加入杭州西泠印社，曾任该社总干事、兼龙渊印社常务监事。解放后，为浙江省文史馆馆员。

篆刻

平生以篆刻一门最为人所称道，从艺时间垂50年，作印二万余方。篆刻以浙派为根底，上下求索，问上溯源周秦两汉，崇占玺、汉铸印、汉凿印，下及西泠八家、邓石如、吴让之、徐三英、黄牧甫诸家、广采博收，体貌多样，在后浙派印人中，以他在继承万面用力最勤，是现代印坛工稳一派的代表人物。沙孟海评价其篆刻“海内外论印者方以韩老为西泠印派之后劲、余乃举述本社前辈，即已示人有继承有发展，不拘一格，各逞专长。登安之学不尖为当今玉严静穆一派之代表”。诗人沈禹钟《印人杂咏》有云：“洗眼西湖老倍明，奏刀常对众山青。正宗爱效琅琊法，穆穆忧存旧典型。”也视韩登安为得篆法正宗的印人。

20世纪60年代西泠印社恢复活动、各地有不少精英加盟西泠印社、印社的整体印风由较为单纯的浙派印风转问印风的多元综合。

专业印人

作为坐镇印社的专业印人，韩登安探索的触角虽然还未收起，但他长期从事浙派印风创作的经历和西泠印人的责任感使他意识到、要把握住篆刻的脉络，重拾浙派在印林的雄风。尽管当时浙派在人才资源还是创作力量上占居着上风，韩登安还是隐约感觉到潜在危机，所以，他一方面把有限的精力投入创作，以细朱文为基点，着力建构带有西泠印社社特色的浙派风范。另一方面，他又分盅精力用于对年轻一代印人的培养，使西泠印社在人才资源上后继有人。在特定时限内，韩登安通过本人的努力，并以可操作性极强的篆刻创作带起了一批人，成为当肘西怜印社驻社成员中的一面旗帜。

篆刻立场

韩登安和他师承的前辈、浙派代表人物王福庵有着差不多的篆刻立场，如“印从书出”，重视篆书和写篆的功底，重视金石意趣的表达，在务求工稳一点上亦颇为接近。但韩登安以西泠印社社员和浙江印人双重身份生活在20世纪50、60年代时，他所要考虑的，可能比他的前辈们要面临更多的课题：艺术的精化和时代的要求，职业的和艺术的等等，有些印人能解决，而有些则很难改易。幸而篆刻在艺术门类里太小太小：只与文字相关，所碰到的也只有简化字一类问题。

 有《续说艾作篆通假》、《明清印篆选录》（末梓）。其身后由西泠印社出版，经其孤子韩经世及弟子余正选编的《韩登安印存》，总括其一生创作的精粹。

韩登安出版过多种印谱，如《登安印存》、《岁华集印谱》、《西泠印社性迹留痕》、《毛主席诗词三十七首》等。其中《毛主席诗词三十七首》是韩登安晚年的作品，20世纪70年代末由上海书画出版社出版，集中反映了韩登安对多字印创作的谋篇、运思、结篆、奏刀、用意方面的匠心，是他平生创作多字印的杰构。《西泠印社胜迹留痕》是韩登安中年时期的代表作，印成于烽火连天的抗战期间。作者撷取西泠印社内各亭台楼阁的名称，勒石篆刻。谱中的每一万印章各具面目，手法多变，极少雷同，显示了深厚的功底和出众的艺术才华。值得一提的是

该谱的边款他十分精美，可与印面相媲美，用锐锋单刀，无论篆、隶、楷、行，均秀润挺劲或精劲周密，显示出作者在艺术上的多方面修养。

data

"Say, survival of the fittest in natural selection so take that name; Zi Zhong zheng. Born in the 6th day of the ninth month of the Chinese lunar calendar, when nearly double ninth young family Hu Yue "Arden", as long as Ann Yideng word, number, name and number of middle-aged easy, engraved "Deng Xiao Shu Dong Gao to trial, knee to an" and "competent people, to send Italy walk rather than ride" chapter. Um, not the Department of Deng Deng drink factory, Zen, rich mountain, Geng Zhai, India, Benweng, agriculture, small chapter to lay an old man without. In the building, said knne jade plum, an [1] lamp in the ancient temple of Zhou Yun zhai. A native of Zhejiang Xiaoshan, was born in Hangzhou. In 1932 to join the Hangzhou Xiling Seal-Engravers'Society, former director general of the agency, and the agency Yuanyin long standing supervisor. After the liberation, Zhejiang province museumlibrarian.

Seal cutting

From the angle of life one of the most praiseworthy, 50 years for the time down, as India 20000 square. The seal to Zhejiang Based on the quest, ask the origin of Zhou Qin Han Dynasty, Han Chong Zhanxi, incuse, Han chisel India, and Xiling eight, Deng Shiru, Wu Rangzhi, Xu Sanying, Huang Mufu, Guangcaiboshou, physical diversity, in zhe Indian people, with his inheritance in the million face force most frequently that is representative of modern India altar balanced school. Sha Menghai evaluation of the seal "at home and abroad on Printing in Korea after the old king, Yu Naiju sent the Xiling Seal of the society has shown predecessors, inherit development, with various expertise not sticking to formalities. Not for today's board on behalf of the tip of a jade Yan quiet safety science". The poet Shen Yuzhong "India people zayong" cloud: "eye wash West Lake old times, often on the mountain Zoudao. Authentic love Langya law, Mu Mu worry old typical." Han Dengan also considered for authentic Yinren Zhuan method.

In 1960s Xiling Seal-Engravers'Society recovery activities, have a lot around to join the elite Xiling Seal-Engravers' Society, India society overall India wind by more simple zhe Indian wind ask multiple Indian wind.

Professional printing people

As in Indian society of professional printing, Han Dengan explores the tentacles though not away, but he has long been engaged in the creation of zhe Indian wind experience and Xiling Seal people's sense of responsibility so that he should hold the seal to the choroid, regain consciousness, in Zhe Lin's treasures. Even though the Zhejiang in human resources or creative force occupies the upper hand, Han Dengan still feel a potential crisis, so, on one hand he put the limited energy into the creation, with fine Zhu Wen as the starting point, focus on the construction of a Xiling Seal-Engravers'Society agency Zhepai style characteristics. On the other hand, he also cup energy for the training of young generation of Indian people, the Xiling Seal-Engravers'Society in talent resources have qualified successors. Within a certain time, Han Dengan through their own efforts, and with strong operability of the seal creation with a group of people, become a banner printed elbow West flow agency members of the agency in.

Seal position

Han Dengan and his predecessors, from Zhejiang School representative Wang Fuan has about the seal position, such as "printing from the book, and write the seal seal attention skills, pay attention to express interest in stone, so the balanced point also quite close to. But Han Dengan Xiling Seal-Engravers'Society members and Zhejiang Indians double identity life in twentieth Century 50 and 60s, he will consider, may face more than his predecessors to the topic: the art of refinement and the requirements of the times, occupation and art and so on, some Indian people can solve, while others are very difficult gaiyi. Fortunately, in carving arts too small: only correlated with the characters, with only one kind of problem of simplified Chinese characters.

 There is continued as "Ai", "Ming and Qing Zhuan interchangeable printed seal" excerpt (Mo Zi). Behind them by Xiling Seal-Engravers'Society published by the Han and the disciple soliton is selected "Han Dengan" in the printed deposit, the creation of the essence of life.

Han Dengan published a variety of yinpu, such as "Gordon Yincun", an "year of China", "set yinpu Xiling Seal-Engravers'Society trace of traces", "Chairman Mao poetry thirty-seven poems" etc.. The "Chairman Mao poetry thirty-seven poems" is Han Dengan's works, by the end of 1970s Shanghai Art Publishing House, reflects the Han Dengan rules of the print creation thinking, seal, Zoudao, intention of ingenuity, is the creation of his life more than the printed word K. "Xiling Seal-Engravers'Society traces" sites representative of Han Dengan middle age, during the period of war in india. The name of the author to capture the Xiling Seal club as pavilions, terraces and open halls, seal. Each of the ten thousand seals of the spectrum with different colors, varied techniques, very few similar, showing a deep foundation and outstanding artistic talent. It is worth mentioning that

The spectrum of BianKuan he is very beautiful, can be comparable with the printing surface, with Ruifeng pole, a fragrance, no matter, Kai, line, all show run upright or fine fresh and careful, show the author in the art of many accomplishments.