董克俊曾用笔名邹周。自学绘画,1960年开始发表作品 。 现任贵阳市事画院副院长,一级美术师 。 中国美术家协会理事、中国版画家协会常务理事、美协贵州分会副主席、贵阳市美协主席 。 擅长版画,兼作中国画、油画 。
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简介
董克俊(1939—) 重庆人。 擅长版画。
董克俊曾用笔名邹周。自学绘画,1960年开始发表作品 。 现任贵阳市事画院副院长,一级美术师 。 中国美术家协会理事、中国版画家协会常务理事、美协贵州分会副主席、贵阳市美协主席 。 擅长版画,兼作中国画、油画 。 作品《春返苗山》,《山气》(为中国美术馆收藏)以及《雪峰寓言续集》插图等 。 1988年曾在中国美术馆举办个人版画展 。 出版物有《雪峰寓言木刻插图集》、《董克俊版画集》、《董克俊版画新作选集》。
履历
曾在建工局、拖拉机厂当工人。历任贵阳市群众艺术馆美术干部、贵阳市文联 。贵阳书画院副院长。中国美术家协会贵州分会副主席。作品有《春返苗山》、《雪峰寓言木刻插图》、《山气》等。作品曾获全国版画展创作奖,鲁迅版画、贵州省文艺创作一等奖,贵州省版画大展特别奖等多种奖项。作品曾参加中国艺术团赴日、美、法、德、荷、印、韩、新、港、台等国家和地区的展览。还在中国美术馆、美国西雅图、德国漫因兹、法国巴黎等地举办个人画展。作品被海内外多家名馆及名人收藏,《美术》、《中国艺术》等数十种国家级刊物介绍了其作品和艺术成就。
董克俊,1939年出身于重庆市。自幼身体欠佳,在校读书不多,以玩为主,兼修各类文化知识和绘画。1957年家迁至成都,发表第一幅绘画作品。1959年家迁至贵阳。1966年发表第一幅版画。文革期间在红星拖拉机厂当工 人。1974年调入贵阳市群众艺术馆,由工转干,成为专职美术干部。
1980年调入贵阳市文联任美协主席,又担任贵州省美协副主席、第四届、五届中国美协理事、中国版协常务理事、贵州省文联副主席、贵州省政协常委等直至退休。董克俊是八十年代“贵州美术现象”的主要画家,是八十年代中国版画的代表人物。九十年代进入当代水墨画的创作与研究,创建了自已的水墨语言系统与风格,作品影响广泛,为美术界所瞩目。
曾担任第七、八届全国美展、第九届全国版展评委。作品以山地文化生活为背景,在东西方文化交汇中创造了独特的艺术个性和当代绘画风格,是“贵州美术现象”的主要代表画家、出版有四本个人画集,《美术》等数十种刊物介绍了作品和艺术成就。1988年1988年曾在中国美术馆举办个人版画展。出版物有《雪峰寓言木刻插图集》、《董克俊版画集》《董克俊版画新作选集》。贵州电视台拍摄专题片《刻刀下的黑与白》、《贵州人—著名画家董克俊》。 参加过多次大型展览。出访过几十个国家及地区。
个展
1999董克俊艺术展巴黎国际艺术城美术馆
1996“痕迹深度中的精神”——董克俊80年代版画再展成都神州版画博物馆
1993董克俊画展广州美术学院美术馆
1992董克俊版画展曼因兹
1991“原始的现代主义画家”——董克俊版画展西雅图双鹤轩
1988董克俊版画艺术展北京中国美术馆
群展
2007从西南出发广州广东美术馆
2006新世纪中国黑白木刻版画第一回展北京中国美术馆
2005第十七届全国版画作品展览(任评委)贵阳美术馆
2004“世纪风骨”——当代艺术100家展北京世纪坛
第四届深圳国际水墨双年展深圳关山月美术馆
第十届全国美术作品展览(任版画评委)成都四川美术馆
2003新写意水墨画邀请展北京炎黄艺术馆新加坡艺溯廊
“彩墨江山”当代重彩十二人展北京今日美术馆
200276前美术展重庆美术馆
第三届深圳国际水墨双年展深圳关山月美术馆
中国五六十年代版画展广州广东美术馆
2000第二届深圳国际水墨双年展深圳关山月美术馆
1999第九届全国美术作品展览(版画评委)呼和浩特
“互动时代”——长江中下游七省一市中国画邀请展重庆
1998第一届深圳国际水墨双年展深圳关山月美术馆
1994印度国际双年展新德里
1992荷兰国际版画双年展阿姆斯特丹
1991日本——中国现代美术大展东京北京美术馆
贵州省首届版画大展(任评委)贵阳
1990台北——大陆版画家百人展台北北京
第十届全国版画作品展览杭州
1989中国西湖国际版画节双年展杭州
中国现代版画展上海上海美术馆
1987当代著名中青年画家八人展桂林
台北·大陆木刻展台北北京
1986现代中国画展香港
第九届全国版画作品展览哈尔滨黑龙江美术馆
1984中国青年版画家作品展斯德哥尔摩
中国版画邀请展美国诺佛州大学美术馆
文学书籍封面插图展香港
现代中国画展东京
第六届全国美术作品展览北京中国美术馆
1983中国木刻五十年里昴
第八届全国版画作品展览成都四川美术馆
中国版画展广州
“姑苏之秋”中国青年版画邀请展苏州
1981“五月版画会”第三次展桂林
中国美术馆、上海美术馆、深圳画院、广东美术馆、贵阳美术馆、中国文化部、澳大利亚坎培拉国家美术馆、澳大利亚新南威尔士州美术馆、神州版画博物馆、陕西美术馆、江西画院、黑龙江美术馆、中央美术学院、芬兰民俗博物馆、新加坡斯民艺苑。
Dong Kejun (1939 -) from Chongqing. Good at printmaking.
Dong Kejun used his pen name Zou Zhou. Self-taught painting, published in 1960. He is currently Vice President of Guiyang Municipal Academy of Painting and First-Class Artist. Director of China Artists Association, Executive Director of China Printers Association, Vice-Chairman of Guizhou Branch of AA, Chairman of Guiyang AA. He is good at printmaking and is also good at Chinese painting and oil painting. His works include Spring Back to Miaoshan, Mountain Spirit (collected by China Art Museum) and illustrations of Xuefeng Fables Sequel. In 1988, he held a personal Printmaking Exhibition in the Chinese Art Museum. Publications include "Xuefeng Fables Wood Carving Illustrations", "Dong Kejun Printing Collection", "Dong Kejun Printing Collection of New Works".
Curriculum vitae
He was a worker in the Construction Bureau and tractor factory. He has been an art cadre of Guiyang Museum of Mass Art and a Literary Federation of Guiyang City. Vice President of Guiyang Academy of Calligraphy and Painting. Vice Chairman of Guizhou Branch of China Artists Association. His works include Spring Back to Miaoshan, Woodcut Illustrations of Snow Peak Fables, Mountain Gas, etc. His works have won the National Print Exhibition Creation Award, Lu Xun Print, Guizhou Literary and Art Creation First Prize, Guizhou Print Exhibition Special Prize and other awards. His works have participated in exhibitions of Chinese Art Troupe in Japan, the United States, France, Germany, the Netherlands, India, Korea, Singapore, Hong Kong, Taiwan and other countries and regions. He also holds personal exhibitions in China Art Museum, Seattle, Germany Maniz and Paris, France. His works have been collected by many famous museums and celebrities at home and abroad. Dozens of national publications, such as Art and Chinese Art, have introduced his works and artistic achievements.
Dong Kejun was born in Chongqing in 1939. Since childhood, poor health, not much study in school, mainly to play, part-time study of various cultural knowledge and painting. In 1957, he moved to Chengdu and published his first painting. The family moved to Guiyang in 1959. The first printmaking was published in 1966. Worked in Red Star Tractor Factory during the Cultural Revolution. In 1974, he was transferred to the Mass Art Museum of Guiyang City and became a full-time art cadre.
In 1980, he was transferred to Guiyang City as chairman of the Association of Arts, and served as vice-chairman of the Association of Arts of Guizhou Province, the fourth and fifth members of the Association of Arts of China, the executive director of the Chinese Edition Association, the vice-chairman of the Association of Arts of Guizhou Province, and the Standing Committee of the CPPCC of Guizhou Province until retirement. Dong Kejun is the main painter of "Guizhou Art Phenomenon" in the 1980s and the representative figure of Chinese prints in the 1980s. Into the creation and research of contemporary ink painting in the 1990s, the creation of its own ink language system and style, works of wide influence, for the attention of the art community.
He was the judge of the 7th and 8th National Art Exhibition and the 9th National Edition Exhibition. With the background of mountainous cultural life, the works create a unique artistic personality and contemporary painting style in the convergence of eastern and Western cultures. They are the main representative painters of "Guizhou Art Phenomenon". Four collections of personal paintings have been published, and dozens of publications, such as Art, have introduced their works and artistic achievements. In 1988 and 1988, he held a personal Print Exhibition in the Chinese Art Museum. Publications include "Xuefeng Fables Wood Carving Illustrations", "Dong Kejun Printing Collection" and "New Works Selection of Dong Kejun Printing". Guizhou TV shoots feature films "Black and White under the Cutting Knife" and "Guizhou Man - Famous Painter Dong Kejun". He has participated in many large-scale exhibitions. He has visited dozens of countries and regions.
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