马晋美术作品

 马晋之父曾为一满清贵族管理马匹，自幼爱画马，曾从清末宫廷画家赵书村学习，因此得见郎世宁作品，遂自学郎氏画法。青年时代於私立法文学学校学习法文，短期任北平司法讲习所录事。后拜金北楼为师，1920年加入中国画学研究会，先后任助教、评议，后转“湖社”，成为职业画家。1951年加入北京中国画研究会，为常务理事。曾随金北楼先生游历江南，得以饱览先生所藏中国历代名画，了解了中国画之源流，加之与画友切磋，画艺大进。1922年开始以画马闻名，取法郎士宁，成为职业画家。齐白石大师在题马晋画马诗中写道：“金家门下多能事，晋也尤能画骨工。追电逐风千里足，无羁时节好行空。”

此后，马晋先后担任过中国画学研究会助教、评议等职。这时期画的《松荫双骏》参加在北京、东京举办的中日绘画联展。上世纪三十年代初画的马，参加了巴拿马赛会，获得荣誉奖状。1938年、1946年在北京中山公园两次举办个人画展。1955年与齐白石、陈半丁、何香凝等人为世界和平大会绘制大幅国画《和平颂》。1956年任北京国画社筹备委员会主任。1957年与陈半丁、于非闇等合画大幅国画《松柏长青》，作为我国庆祝苏联十月革命胜利周年的贺礼。1958年被中央文化部聘为北京中国画院画师。曾任北京市东城区人民代表、北京市东城区政协常委。上世纪五十年代后期、六十年代初期为创作高潮，期间的作品有《秋菊梧桐鸟》、《骏马图》、《孔雀》、《月季小鸟》、《八骏图》、《骏马》等。这些作品分别在北京市和全国性的大型画展中展出，多次在报刊、画册中发表，被北京中国画院、中国美术馆、中南海紫光阁、钓鱼台国宾馆收藏。1962年在北京、1964年在河南又举办了两次个人画展，博得观众的好评。此外，他在风筝制作上也有相当高的造诣，曾在上海美术馆举办马晋风筝观摩展。1970年12月5日在北京逝世。

代表作品有《秋菊梧桐鸟》(藏北京画院)、《八骏图》、《孔雀》等 。马晋是北京画坛传统派里融和中西的画马名家。他取法郎世宁步入画坛之际，正是康有为主张“合中西而成大家者”、“当以郎世宁为太祖”之时。但马晋在金城、陈师曾引导下，不仅广泛学习古代院体画、文人画传统，而且博涉书法篆刻，更能以写生矫正临摹。在三、四十年代其工笔写实画风成熟之日，已开始在绘景中强化中国味。至五、六十年代，他更在马、牛、花鸟画中完善了自成一家的工笔写实风格，推出了工写结合的小写意面目。马晋的工笔写实作品，富於体感和质感，工而不拘，细而不碎，干净漂亮，雅俗共赏，与郎世宁的“甚谨甚细而外露巧密”拉开了距离。他的小写意作品，简赅生动，有笔有墨，写中带工。作品有《猎熊的孩子》、《阿洛夫医生》两书的插图等。三十年代初的一幅马，曾获巴拿马万国博览会荣誉奖状。

出版有：《怎样画马》、《中国近现代名家画集·马晋》、《荣宝斋画谱141——画马部分》、《马晋画选》等。 

马晋美术作品

 Ma Jin's father once managed horses for a nobleman in Manchu and Qing Dynasty. He loved painting horses from his childhood. He learned from Zhao Shucun, a court painter in the late Qing Dynasty. So he saw Lang Shining's works and taught himself Lang's painting techniques. In his youth, he studied French at the Private Legislative Literature School and was a short-term Registrar of the Peiping Judicial Seminar. Later, he joined the Chinese Academy of painting studies in 1920. He served as assistant professor and commentary, then transferred to "Lake Club" and became a professional painter. He joined the Beijing Chinese Painting Research Association in 1951 as executive director. He has traveled to the south of the Yangtze River with Mr. Jin Bei Lou. He has been able to read the famous Chinese paintings of the past dynasties, understand the origin and development of Chinese painting, and discuss with his painting friends and make great progress in painting techniques. In 1922, he took the name of painting horse and took franc as a professional painter. Master Mao wrote in the horse and Jin painting horse poem: "there are many things under Jinjia gate, and Jin also can draw bones. Chasing electricity is a long way to go. It's a good time to be free.

Since then, Ma Jin has served as an assistant and appraiser of the Chinese painting research society. During this period, the "Song Yin Shuang Jun" participated in the joint exhibition of Chinese and Japanese paintings held by the people's Republic of China. The horses painted in the early 30s of last century participated in the competition and received an honorary certificate. In 1938 and 1946, two personal exhibitions were held. In 1955, he and Chen Banding, Ren, et al. Drew large Chinese painting "Ode to peace" for the world peace conference. In 1956, he was appointed director of the Preparatory Committee of the Chinese painting society. In 1957, together with Chen Banding and Yu Feiyin, a large-scale Chinese painting "Pine and Cypress Evergreen" was painted as a celebration of the victory anniversary of the October Revolution of the Soviet Union. In 1958, he was hired by the central culture ministry as the painter of the Chinese Academy of painting. He served as the representative of Beijing Dongcheng District people's Congress and the Standing Committee of Beijing Dongcheng District CPPCC. In the late 1950s and early 1960s, there was a climax of creation, during which works included Autumn Chrysanthemum and Ficus Tree Birds, Jun Ma Tu, Peacock, Rose Birds, Eight Jun Tu, Jun Ma, etc. These works were exhibited in the market and the national large-scale art exhibitions, and were published in newspapers and magazines. In 1962, he held two personal exhibitions in China in 1964 and won praise from the audience. In addition, he also has quite high attainments in kite making. He once held the horse kite kite exhibition in the Museum of fine arts. Died in December 5, 1970.

Representative works include "autumn chrysanthemum Indus bird" (Tibetan painting academy), "eight Jun diagram", "Peacock" and so on. Ma Jin is a famous painter of traditional painting in the traditional Chinese painting circles. When he entered the painting world with Franc Shining, it was Kang Youwei who advocated "combining Chinese and Western to become a great man" and "taking Lang Shining as Taizu". However, under the guidance of Jincheng and Chen Shi, Ma Jin not only extensively studied the traditions of ancient academy body painting and literati painting, but also involved in calligraphy seal carving, and was able to correct copying by sketching. In three and 40s, on the day when its realistic style of painting was mature, it began to strengthen Chinese flavor in painting. In the 1950s and 1960s, he perfected his own realistic style of fine brushwork in horse, cow and flower and bird paintings, and introduced a combination of fine brushwork and freehand brushwork. Ma Jin's meticulous realistic works are full of sense of body and texture. They are fine but not broken. They are clean and beautiful. They are appreciated both elegantly and vulgarly. They are far away from Lang Shining's "very careful and exquisite". His small freehand brushwork is simple and vivid, with pen and ink, and it takes the lead in writing. His works include illustrations of "The Bear Hunter's Child" and "Doctor Alov". A horse at the beginning of 30s was awarded the honorary certificate of the World Expo.

Published are: "how to draw horses", "modern Chinese famous artists collection, Ma Jin", "Rong Bao Zhai painting spectrum 141 - painting horse part", "Ma Jin painting selection" and so on.