折叠个人资料：

王易霓，笔名如虹，1985年毕业于鲁迅美术学院，曾任大学教师、《美术大观》执行主编，现为中国美术家协会理事，辽宁省文联委员，辽宁省美术家协会副主席兼秘书长，现为臻纪签约艺术家。

代表作品：

国画《母子情》参加庆祝香港回归10周年“中华情”全球华人大联展；国画《事事清白》、《鱼戏荷》参加由中国文联、中国美协和世界艺术文化振兴协会联合在日本东京主办的“第四届中日美术交流展”；国画《林中野味》参加“第六届国际友好美术交流展”；国画《荷动知鱼来》、《园中情趣》、《迈河弄水一身清》等多幅作品参加国内外大型展览。

王易霓画作

 《中国百杰画家写意画技法举要》简介

中国绘画的悠久历史、优良传统及独特的美学风范，在世界美术发展的大时空中自成体系，占据着不可取代的重要地位。无论其人物、山水、花鸟虫鱼诸画科，还是工笔、写意等技法形式，抑或是勾皴点染、干湿浓淡、虚实疏密等表现手法，历来为举世所瞩目。千百年来大师辈出，珍品累累，灿若星汉。今天，历史长河虽已奔涌到新的千年，高科技、信息产业、WTO、全球经济一体化成为了新的时代的标志性话语，而作为特色传统文化重要一脉的中国绘画，其发展并未随着旧时代的消逝而消逝，反而在越来越趋同的一体化世界潮流中显出了独特的价值、强劲的生命力和远大的市场前景，可谓是方兴未艾。

如何在新的历史条件下，将中国绘画的优良传统继续发扬光大，使中国美术由古典形态向现代形态进一步转换，从而以富于时代感的中国风格、中国气派屹立于世界文化之林，是一个永不过时的课题。而对于中国绘画技法的进一步研究、拓展、丰富、改造，是其中的一个重要环节。鉴于此，决定有针对性地出版此书，以促进中国绘画技法向更高层次的升华。

1997年，中国文联和中国美术家协会联合在全国范围内评选出了一批杰出的中青年国画家，这些画家大多属于专业美术团体，或为美术院校的学术带头人和知名教授，在国内享有相当的声誉。他们的作品代表着近年来中国画探索与发展的新的阶段与较高水准，其中有很多作品在全国性的美术大展中数次获奖，并被海内外美术馆、文史馆等馆所收藏，具有很高的价值。这些优秀作品在创作技法上都带有鲜明的个性化特征，在继承中国画传统的同时，张扬着一种时代精神和锐意进取的创新风貌。如孔维克作品中传统精神与现代意识并驾齐驱，现代性、民间性、稚拙美、装饰美的和谐相糅：姚舜熙作品利用水墨写意画的偶发性特点，独创了一种用冷水或热水冲洗画面的”冲水法”绘画方式；满维起作品淡化近、中、远景的有序铺陈，绘画语言中注入一种接近于平面构成的思考李魁正的”现代没骨画”与”泼绘”作品中，工笔、写意结合，”混撞冲渍法”、“点彩法”及”吹流法”交替运用，进而把西画的光色表现特点纳入中国传统画的色彩布局中：韩书力的白地水墨及黑地水墨作品，计白当黑，知白守黑，力图用墨本身的色阶、色感来解决造型与氛围问题，等等。

由于出版条件的限制，无法将“百杰”及其全部作品和盘托出，暂且先从其中精心筛选出十几位代表着不同风格流派的写意画家，并把他们的宝贵技法及代表作品，推介给大家。虽不能反映出百杰画家的整体成就和风貌，但至少可以达到以一斑窥全豹的目的。从理论与实践的双重角度，研究推介他们的各种技法，使其可贵的创新有裨子广大专业美术工作者及业余美术爱好者，进而推动中国美术的更大发展，这是编著者的由衷愿望。若能如愿，实在是万幸主事！

 国画《母子情》、国画《事事清白》、国画《鱼戏荷》、国画《林中野味》、国画《荷动知鱼来》、国画《园中情趣》、国画《迈河弄水一身清》等

王易霓画作

 国画《事事清白》入选“第四届东亚美术交流展”；《荷动知鱼来》入选“2007日本富山国际水墨画邀请展”；《林中野味》入选“第六届国际友好美术交流展”；《荷兰印象》入选第八届国际友好交流展；《母子情》入选“中华情——迎香港回归十周年全球华人书画世纪大联展”；《藤荫下》入选“际会中原——全国著名画家作品邀请展”；《风和水静》入选第十一届全国美展等等。

曾随中国文联美术代表团赴日参加“第四届东亚美术交流展”；随中国画画世界——中国美术名家代表团赴希腊、尼泊尔、日本、韩国等国家交流。并多次赴、美国、英国、法国、意大利、俄罗斯、日本、韩国等地采风。

出版有《中国艺术家——王易霓》、《中国百杰画家写意画技法举要》，另有多幅作品被《中国文化遗产年鉴》、《美术界》、《美术》杂志、《中国书画报》、《艺术与收藏》、等报刊杂志刊登。

 王易霓选择的绘画素材离生活很近，荷花、鱼、白菜、柿子、松鼠、菊花、荔枝、麻雀、鸡崽儿等，这些常人熟悉的东西经历了历朝历代许多大画家之手，画起来难出新意。但是它们经过王易霓的重新阐释与点染后，仿佛再次获得了新生，被赋予了新的内涵和气蕴。她的作品的命意同她的性格特质十分贴近，和文学也紧密相连，隐喻而抒情，像含苞欲放的鲜花，不由自主。她的绘画从容，优雅，恬静。作品境界既超然脱俗，又带有对自然万物的大爱，别有一番情致。李巍先生这样评价王易霓的画：“由小生命感悟大宇宙的人生艺术情怀。

 Folding personal data:

Wang Yiyi, pen name Ruhong, graduated from Luxun Academy of Fine Arts in 1985. She was a university teacher and executive editor of "Grand View of Fine Arts". Now she is the director of China Artists Association, member of Liaoning Artists Federation, vice-chairman and secretary-general of Liaoning Artists Association, and is a contracted artist of Fanji.

Representative works:

The Chinese painting Mother-Child Affection participated in the global Chinese festival celebrating the 10th anniversary of Hong Kong's return; the Chinese painting "Whiteness of Things" and "Fish Opera Lotus" participated in the "Fourth Sino-Japanese Art Exchange Exhibition" co-sponsored by the Chinese Federation, the Chinese Association of Fine Arts and the World Association for the Revitalization of Art and Culture in Tokyo, Japan; and the Chinese painting "Game in the Woods" parti The 6th International Friendship Art Exchange Exhibition, the Chinese paintings "Load to Know Fish", "Garden Interest", "Maihe Makes Water Clear" and many other works participated in large-scale exhibitions at home and abroad.

A Brief Introduction to the Skills of Chinese Baijie Painters'Freehand Painting

The long history, fine tradition and unique aesthetic style of Chinese painting have formed its own system and occupied an irreplaceable important position in the development of world fine arts. Whether its characters, landscapes, flowers, birds, insects, fish and other painting families, or techniques such as meticulous brushwork, freehand brushwork and other forms of expression, or outline point dyeing, dry and wet thick, empty and dense, etc., has always attracted worldwide attention. For thousands of years, there have been many masters and treasures, brilliant as stars and men. Today, although the long history has surged into the new millennium, the integration of high-tech, information industry, WTO and global economy has become the symbolic discourse of the new era. As an important part of the traditional culture with characteristics, the development of Chinese painting has not disappeared with the passing of the old era, but in an increasingly convergent integrated world. The trend shows unique value, strong vitality and broad market prospects, which can be said to be in the ascendant.

Under the new historical conditions, how to carry forward the fine tradition of Chinese painting and further transform Chinese art from classical form to modern form, so as to stand in the forest of world culture with Chinese style and style full of the sense of the times, is an eternal topic. The further study, expansion, enrichment and transformation of Chinese painting techniques is an important link. In view of this, it was decided to publish this book in order to promote the sublimation of Chinese painting techniques to a higher level.

In 1997, the Chinese Federation of Literature and the Chinese Artists Association jointly selected a number of outstanding young and middle-aged Chinese painters throughout the country. Most of them belong to professional art groups or are academic leaders and well-known professors of art colleges. They enjoy considerable reputation in China. Their works represent a new stage and a higher level of exploration and development of Chinese painting in recent years. Many of them have won prizes several times in national art exhibitions, and have been collected by museums at home and abroad, such as art galleries, literary and historical museums, with high value. These excellent works have distinct personalized characteristics in their creative techniques. While inheriting the traditional Chinese painting, they display a spirit of the times and an innovative style of enterprising. For example, the traditional spirit and modern consciousness in Kongwei's works go hand in hand, and the harmony of modernity, folk character, naive beauty and decorative beauty blends together: Yao Shunxi's works use the occasional characteristics of ink freehand brushwork to create a "flushing method" of painting with cold water or hot water to flush the picture; Manwei's works desalinate the near, medium and far-reaching. In order to lay out the scenery in an orderly way, a kind of thinking close to the plane composition is injected into the painting language. In Li Kuizheng's works of "modern boneless painting" and "splash painting", Meticulous Brushwork and freehand brushwork are combined, collision and impregnation method, dotting method and "blowing method" are used alternately, thus incorporating the light and color characteristics of Western painting into the color of traditional Chinese painting. In the color layout: Han Shuli's white and black ink works are designed to be white while black, and they try to solve the problems of modelling and atmosphere with the color gradation and color sense of the ink itself, and so on.

Due to the limitation of publishing conditions, it is impossible to present "Baijie" and all its works. For the time being, more than a dozen freehand painters representing different styles and genres are carefully selected from them, and their valuable techniques and representative works are introduced to you. Although it can not reflect the overall achievement and style of Baijie painters, it can at least achieve the purpose of peeping the whole leopard with a single spot. From both theoretical and practical perspectives, it is the author's sincere wish to study and introduce their various techniques so that their valuable innovations can benefit the vast number of professional artists and amateur art lovers, and further promote the greater development of Chinese art. If you can do so, it's really a blessing!

Traditional Chinese paintings such as Mother-Child Affection, Clear Things, Fish Drama and Lotus, Wild Game in the Forest, Lotus Moving and Fish Coming, Garden Interest, Maihe Water Cleaning, etc.

The Chinese painting "Everything Clear" was selected as the "Fourth East Asian Art Exchange Exhibition", "Motivated Fish Come" as the "2007 Benfushan International Invitation Exhibition of Ink and Ink Painting", "Game in the Woods" as the "Sixth International Friendly Art Exchange Exhibition", "The Impression of the Netherlands" as the Eighth International Friendly Exchange Exhibition; and "Mother-Child Affection" as the "Selected Exhibition" Huaqing, the 10th Anniversary of Hong Kong's Return, is a joint exhibition of Chinese Calligraphy and Painting Century. Under the Fujie, it was selected as the "Central Plains of the International Conference - an invitation exhibition of famous painters'works throughout the country". Feng Shui Jing was selected as the 11th National Art Exhibition and so on.

He attended the Fourth East Asian Art Exchange Exhibition in Japan with the Art Delegation of the Chinese Federation of China, and went to Greece, Nepal, Japan, Korea and other countries with the delegation of famous Chinese artists in the world of Chinese painting. And many times to the United States, Britain, France, Italy, Russia, Japan, South Korea and other places to collect wind.

Published "Chinese Artist - Wang Yiyi" and "Summary of Freehand Brushwork Skills of Chinese Baijie Painters", and many other works were published by "Yearbook of Chinese Cultural Heritage", "Art Circle", "Art Magazine", "Chinese Painting and Calligraphy Newspaper", "Art and Collection" and other newspapers and magazines.

Wang Yi-nie's choice of painting materials is very close to life. Lotus, fish, cabbage, persimmon, squirrel, chrysanthemum, litchi, sparrow, chickens and so on. These familiar things have experienced the hands of many great painters in the past dynasties, and it is difficult to create new ideas in painting. But after Wang Yi-yi's reinterpretation and reinvention, they seem to have gained new life again, and have been endowed with new connotation and spirit. The intention of her works is very close to her personality traits, and is closely related to literature. Metaphor and lyricism, like flowers in bud, can not help but blossom. Her paintings are calm, elegant and quiet. The realm of the works is transcendent and free from vulgarity, with great love for all things of nature, and has a special feeling. Mr. Li Wei commented on Wang Yiyi's paintings like this: "The artistic feelings of life in the big universe are reflected by the small life.