王宝生(又名王保生)，后长安画派代表性画家，1942年生于陕西宝鸡市长寿山，1962年毕业于西安美院附中，1967年毕业于西安美术学院，毕业后留校。

王宝生11岁被举荐到西安美院附中学习，早年受教于黄乃源、刘蒙天、罗铭、方济众、石鲁、李可染等老师，1986年--1990年期间，三次婉拒西安美术学院副院长职务，隐居秦岭，致力于纯粹国画艺术研究;1987年与1988年应陕西省文化局邀请先后组建陕西师范大学美术学院与宝鸡文理学院美术系，以及兰州大学艺术院系等，事遂身退，隐居终南山。

其从事国画艺术六十年来，笔墨灵动润泽，意象融通，雅俗共赏。作品多被艺术院校和艺术馆收藏。

艺术风格

王宝生八十年代三次婉拒西安美院副院长院长职务，隐居大秦岭七十二峪，淡泊心志，融入自然生活，从事山水写生及艺术创作，致力于纯粹国画艺术研究。

其从事国画艺术六十年来，足迹遍及祖国山川沟壑。他坚持艺术来源于生活，追求高雅艺术的纯真表达，秉承长安画派艺术技法，同时，又有独特创新，赋予现代国画山水新的灵魂和时代感情。他独树一帜、潜心创作的一幅幅具有生命力的黄塬风情和西部山水作品受到国内外专业藏家的青睐，被誉为:大山深处的黄塬王。

"王宝生的山水画有自己独特的风格，在长安画派各家中独树一帜。"

"黄塬王"

王宝生长期生活工作在基层，由于深受长安画派一手伸向传统，一手伸向生活的精神影响，坚持学习探索中国画数十年。他坚持高雅的传统艺术风格不被现实社会所污染，坚持走专业的国画艺术创作道路。由以表现淳朴厚重的黄土高原文化为主要特征，塑造黄原灵魂，抒发自然情感。他打破传统绘画的历史局限，继承长安画派回归生活本源的传统，赋予传统人文绘画新的灵魂和时代感情，为中国绘画艺术和长安画派的传承开辟了一条崭新的道路，并在长安画派艺术技法的基础上，形成了自己独特的笔墨语言体系。

其表现大西北黄塬地区质朴厚重与雄浑气魄的山水画作品引起国内外学术界的极大关注，其独特的黄塬皴法与黄塬山水画开拓了中国山水画新的审美领域，作品被国内外艺术馆及专业藏家的青睐，被誉为:大山深处的黄塬王。

 王宝生先生从事国画艺术六十年来，其作品笔墨灵动、润泽，意象融通，雅俗共赏。

零、气象正大、厚重、质朴;笔墨灵动、润泽;意象融通;雅俗共赏;

一、意象合一;

二、深厚浑重的造型功底，活化了国画山水风格，予情感艺术化;

三、高视点型拓，画面恢宏大气，富有张力;

四、把西方光学原理引入到国画体系，凸显了国画山水的生命力;

五、独特的皴、泼技术交相辉映，升华了艺术内涵;

六、驾驭淡、焦墨游刃有余，风采各异又和谐统一;

七、静谧、自然、纯粹的表现手法，凸显个人风格;

八、画近于世，惬意而不媚俗。

 1942年出生于宝鸡市长寿山。

1949年绘画天赋被李子青发现，并跟随李子青启蒙学习书法国画。

1956年，因为极具艺术天赋，由李子青推荐给安正中，并由安正中推荐到西安美术学院(美专)附中学习，在附中学习期间勤奋刻苦、出类拔萃，各专业成绩均为年级拔尖，并深受长安画派精神影响。

1962年美院附中毕业，以优秀的成绩和特有的艺术天分(第一名)考入西安美术学院，受教于赵望云、石鲁、罗铭、方济众等诸位老师。

1967年西安美术学院毕业，并留校执教。

其在西安美院附中以及西安美院学习期间创作的所有作品全部被西安美院收藏。

文革后期，调往甘肃美术创作组，进行美术创作。

1986年--1990年期间，西安美术学院(罗铭、陈启南、刘蒙天院长等)先后三次邀请王宝生回西安美院，担任西安美术学院副院长职务，王宝生三次均婉言谢绝了邀请，并从此隐居山野，淡泊心志，融入自然生活，游历山川，从事山水写生及艺术创作，隐居秦岭，致力于纯粹国画艺术研究。

1987年，应陕西省文化局及有关部门邀请，创建陕西师范大学美术学院，后婉拒学院职务，隐居秦岭。

1988年，应有关政府部门邀请，创办宝鸡文理学院艺术系(美术系)。功遂身退，隐居终南山。

90年代，其作品引起学术界极大关注，被国内外媒体及专业藏家誉为:大山深处的黄塬王。

 Wang Baosheng (also known as Wang Baosheng), a representative painter of the post-Chang'an School of Painting, was born in Changshoushan, Baoji City, Shaanxi Province in 1942, graduated from the attached middle school of Xi'an Academy of Fine Arts in 1962, graduated from Xi'an Academy of Fine Arts in 1967, and stayed after graduation.

Wang Baosheng, 11, was recommended to study in the attached middle school of Xi'an Academy of Fine Arts. He was taught by Huang Naiyuan, Liu Mengtian, Luo Ming, Fang Jizhong, Shilu and Li Keran in his early years. From 1986 to 1990, he declined the post of Vice-President of Xi'an Academy of Fine Arts three times and retired to Qinling Mountains to devote himself to the study of pure traditional Chinese painting. At the invitation of the Bureau of Chemical Industry, Shaanxi Normal University College of Fine Arts and Baoji College of Arts and Sciences, and Lanzhou University College of Arts and Sciences were successively set up and retired to Zhongnanshan.

He has been engaged in the art of Chinese painting for 60 years. His brush and ink are flexible and moist, his image is melting, and his elegance and popularity are appreciated together. Most of the works are collected by art colleges and galleries.

Style of Art

Wang Baosheng refused the post of vice-president of Xi'an Academy of Fine Arts three times in the 1980s. He lived in the seventy-second valley of the Great Qinling Mountains. He was indifferent to nature, engaged in landscape sketching and artistic creation, and devoted himself to the study of pure traditional Chinese painting art.

He has been engaged in Chinese painting art for 60 years and has traveled all over the mountains and valleys of his motherland. He insisted that art originated from life, pursued the pure expression of elegant art, adhering to the art techniques of Chang'an Painting School, at the same time, he also had unique innovations, which endowed modern Chinese painting with new soul and feelings of the times. His unique and dedicated works of Huangyuan amorous feelings and western landscapes are favored by professional Tibetans at home and abroad, and are known as the King of Huangyuan in the depths of the mountains.

"Wang Baosheng's landscape painting has its own unique style, which is unique among the Chang'an School of Painting. "

"King of Huangyuan"

Wang Bao lived and worked at the grass-roots level during his growing period. He persisted in learning and exploring Chinese painting for decades because of the spiritual influence of Chang'an School of Painting, which extended one hand to tradition and one hand to life. He insisted that the elegant traditional artistic style should not be polluted by the real society, and he insisted on taking the road of professional Chinese painting art creation. By expressing the simple and heavy Loess Plateau culture as the main characteristics, shaping the soul of xanthan and expressing natural feelings. He broke through the historical limitations of traditional painting, inherited the tradition of Chang'an Painting School returning to the source of life, endowed the traditional humanistic painting with new soul and feelings of the times, opened up a brand-new road for the inheritance of Chinese painting art and Chang'an Painting School, and formed his own unique brush and ink language on the basis of Chang'an Painting School's artistic techniques. Speech system.

Its landscape paintings, which express the plain, magnificent and bold spirit of the Huangyuan area in the northwest of China, have attracted great attention from the academic circles at home and abroad. Its unique Huangyuan method and Huangyuan landscape paintings have opened up a new aesthetic field of Chinese landscape paintings. The works are favored by art galleries and professional collectors at home and abroad, and are praised as the King of Huangyuan in the depth of the mountains.

Mr. Wang Baosheng has been engaged in traditional Chinese painting art for 60 years. His works are smart, moist, and full of images. They are both elegant and popular.

Zero, the weather is big, thick and simple; the pen and ink are smart and moist; the image is blended; the elegance and popularity are appreciated together;

1. Integration of images;

Secondly, the deep and heavy modeling skills activate the landscape style of traditional Chinese painting and give it emotional artistry.

Thirdly, the high-view extension, the picture is magnificent and atmospheric, full of tension;

Fourthly, introducing western optical principles into Chinese painting system highlights the vitality of Chinese painting landscape.

Fifth, the unique technology of chafing and splashing reflects each other and sublimates the artistic connotation.

Sixth, control light, Jiao Mo more than a knife, style is different and harmonious unity;

Seventh, quiet, natural and pure expression techniques, highlighting personal style;

8. Painting is close to the world, pleasant but not vulgar.

Born in Changshoushan, Baoji City, 1942.

In 1949, the talent of painting was discovered by Li Ziqing, who followed Li Ziqing's enlightenment to learn French painting and calligraphy.

In 1956, because of his great artistic talent, Li Ziqing recommended him to Anzhengzhong and Anzhengzhong recommended him to the attached middle school of Xi'an Academy of Fine Arts (Academy of Fine Arts). During his study in the attached middle school, he worked hard and excelled. All his professional achievements were top-notch in grade and deeply influenced by the spirit of Chang'an Painting School.

Graduated from the secondary school attached to the Academy of Fine Arts in 1962, he was admitted to Xi'an Academy of Fine Arts with outstanding achievements and unique artistic talent (the first place). He was taught by Zhao Wangyun, Shilu, Luo Ming, Fang Jizhong and other teachers.

In 1967, he graduated from Xi'an Academy of Fine Arts and remained in teaching.

All the works he created during his study in the attached middle school of Xi'an Academy of Fine Arts and Xi'an Academy of Fine Arts were collected by Xi'an Academy of Fine Arts.

In the latter part of the Cultural Revolution, he was transferred to Gansu Art Creation Group for art creation.

From 1986 to 1990, Xi'an Academy of Fine Arts (Luo Ming, Chen Qinan, Liu Mengtian, etc.) invited Wang Baosheng to return to Xi'an Academy of Fine Arts three times to take the post of Vice-President of Xi'an Academy of Fine Arts. Wang Baosheng declined the invitation three times, and from then on he lived in seclusion, indifferent to his ambition, integrated into natural life, traveled mountains and rivers, and engaged in mountain work. Water sketch and artistic creation, living in seclusion in Qinling Mountains, dedicated to pure Chinese painting art research.

In 1987, at the invitation of Shaanxi Cultural Bureau and relevant departments, the Academy of Fine Arts of Shaanxi Normal University was established. After that, it declined the position of the Academy and retired to the Qinling Mountains.

In 1988, at the invitation of relevant government departments, the Department of Art (Department of Fine Arts) of Baoji College of Arts and Sciences was established. Successfully retired and lived in seclusion in Zhongnanshan.

In the 1990s, his works attracted great attention from the academic circles and were praised by the media and professional collectors at home and abroad as the King of Huangyuan in the depths of the mountains.