尹瘦石，著名书画艺术家。1919年1月12日生于江苏宜兴周铁桥镇。自幼就喜爱书画。

 

1933年入江苏省立宜兴陶瓷职业学校学习陶艺和书法绘画。

 

1938年抗战爆发后流亡武汉，入武昌艺术专科学校。此后倾全力于人物画创作。

 

武汉沦陷后到广西桂林，在那深得著名诗人柳亚子和著名政治家李济深、何香凝等人器重，并经常与文化界人士熊佛西、欧阳予倩、田汉、端木蕻良、陈迩冬、巨赞和叶促寅等切磋艺术;1940年起任广西省立艺术馆美术部研究员。

 

此间创作有《屈原》、《郑成功立海师规取留都图》、《史可法督师扬州图》、《伯夷叔齐》、《巨赞法师像》等。并两次举办个人画展。

 

1944年到重庆，1945年10月国共和谈期间，曾为毛泽东主席作写生肖像，并在与柳亚子合办的《柳诗尹画联展》中展出，受到郭沫若、徐悲鸿、翦伯赞、丰子恺、刘开渠、陈迩冬、陈翔鹤等名家的赞赏。

 

1946年，尹瘦石在周恩来的帮助下到晋察冀边区，任华北联合大学文艺学院教员。1947年随内蒙古文工团从事宣传工作，并主编《内蒙古日报》副刊及《内蒙古画报》。

 

1949年新中国成立后出席首次全国文代会，并当选为全国美协委员。

 

1950年加入中国共产党，同年起先后任内蒙古文联筹委会副主任、内蒙古自治区文教委员会委员和政协委员。

 

1956年当选为中国美协内蒙古分会主席。1957年任北京中国画院副秘书长。

 

1958年，尹瘦石被错划"右派分子"下放黑龙江虎林劳动，后在哈尔滨艺术学院任教。1962年调回北京画院。

 

1980年4月出任北京画院副院长，同年出席第4次文代会，当选为中国美协理事;同年还当选为北京市文联副主席、中国美协北京市分会主席;1981年当选为中国书法家协会常务理事;1988年当选为中国文联执行副主席。

 

1992年将自己毕生创作的代表作及收藏的历代书画、艺术珍品，无偿捐献给家乡。

 

1997年连任中国文联副主席。是第8、9届全国政协委员;1998年4月14日在北京病逝。

 

尹瘦石(1919-1998)，自幼喜爱书画，1933年进江苏省立宜兴陶瓷职业学校习陶艺和书法绘画，1938年抗日战争爆发后流亡武汉，进武昌艺术专科学校。民族危亡激起他强烈的爱国主义思想，此后多年，倾全力于人物画创作，以民族英雄人物及当代杰出爱国人士的形象鼓舞抗敌斗争中的大后方军民。

 

1940年任广西省立艺术馆美术部研究员，创作《屈原》、《郑成功立海师规取留都图》、《史可法督师扬州图》、《伯夷叔齐》、《巨赞法师像》等。

 

在桂林期间深得著名爱国诗人柳亚子和著名政治家李济深、何香凝等前辈的器重，并和著名政治家人士熊佛西、欧阳予倩、田汉、孟超、端木蕻良、陈迩冬、巨赞、叶促寅等日相过从、切磋艺术。1942年和1944年两次在桂林举办个人画展，得到好评。

 

1944年日军侵湘桂，携书画辗转西南经贵阳、遵义到重庆。1945年10月国共和谈期间在重庆为毛泽东作写生肖像，此像和其他进步人士肖像一起在重庆与诗人柳亚子举办的"柳诗尹画联展"中展出，毛泽东为画展题字，此事轰动后方，影响巨大，郭沫若、徐悲鸿、翦伯赞、丰子恺、刘开渠、陈迩冬、陈翔鹤诸名家先后著文刊于《新华日报》、《华西日报》等。

尹瘦石先生中国画作品 毛泽东像

尹瘦石先生中国画作品 毛泽东像

1946年尹瘦石得到周恩来帮助，到达晋察冀边区，任华北大学文艺学院教员。1947年随内蒙古文工团从事宣传，主编《内蒙古自治报》副刊及《内蒙古画报》在北京出席第一次全国文代会，当选为中华全国美协委员。

 

1950年任内蒙古文联筹委会副主任，后任内蒙古自治区文教委员会员、内蒙古政协委员。1956年当选中国美协内蒙古分会主席。1957年任北京中国画院副秘书长。1950年加入中国共产党。1958年被错划为"右派分子"，下放黑龙江虎林劳动，后在哈尔滨艺术学院任教。1962年调回北京画院。

 

1979年出任北京画院副院长，同年出席第四次文代会，当选为中国美协理事;1980年当选为北京市文联画主席、中国美协北京市分会主席;1981年当选中国书法家协会常务理事;1988年出席第五次全国文代会，当选为中国文联执行副主席;1996年出席第六次全国文代会，连任中国文联执行副主席;为中国人民政治协商会议第八、九届委员。

 

1988年，启功先生当选为北京书法家协会名誉主席，在他的郑重提议下，引碑入草开创者李志敏先生当选为北京书法家协会第一副主席兼任评审委员会主任，柳倩、蓝玉崧、谷溪为评审委员会副主任，卜希阳、尹瘦石、吴未淳、欧阳中石、秦公、袁其微、徐焕荣、康殷为评审委员。

 尹瘦石是一位深具爱国主义思想的画家;他的人物画注重以形写神，推动了当时中国人物画的发展。到内蒙工作后，开辟艺术新天地，他的马得益于内蒙古大草原，既有浓郁的草原生活气息，又深含精神的意蕴，他的马是生命的奔流，是跨越时空、冲决一切艰难险阻的精神象:笔下奔马神态生动，气象万千，是继徐悲鸿画马之后具有个人特色而取得较高成就的画家。

 

书法功底深厚，早年涉猎多家，工于小楷，行草书尤所擅长，书法结体深稳，气势宏阔，流畅温润，分行布白，疏密缓急，运斤成风，自成家数。

 

尹瘦石是在国难当头、民族危亡之际，涌现出来的具有爱国主义思想的艺术家。

 

在抗日战争年代，他创作的古代人物画、历史画以及活跃在当时文化、政治舞台上的民族精英的肖像画，都闪烁着民族精神和民族性格的光辉。以史鉴今，鼓舞国人御侮的斗志，凝聚同仇敌忾的精神。

 

他还为爱国的政治家、文化人造像，以画笔记录了一个难忘时代中华群英的风采，成为弥足珍贵的历史文化遗存。

 

1946年，他和诗人柳亚子联合举办"柳诗尹画联展"，毛泽东题写展名，郭沫若、茅盾、沈钧儒、黄炎培等人发表评论;徐悲鸿称赞:"《柳诗尹画联展》是诗人和画家在艰危之际向祖国和人民奉献的一曲悲壮昂扬的战歌。"

 爱做"不必要"事情的画家尹瘦石

 

弘一大师60岁后曾给尹瘦石手书《华严经》:"不为自己求安乐，但愿众生脱离苦 "。尹先生十分珍爱，一直挂在家里，朝吟夕咏，并躬行不怠。开会时与人合住一个房间，尹先生总是主动为其沏好自己带来的昂贵香片茶。

 

其实宾馆房间每日都备有茶，不必自己带来，更没必要带价钱如此高的茶，尤其不必要给别人沏。这些"不必要"原本就是"不必要"一提的，因为没人会怪你。但尹先生每天都认认真真做这些"不必要"做的事。人家过意不去总喝他的好茶，便提前泡好宾馆的茶，仍被他重新换过!其行是否有些"迂"和"傻"呢?

 

尹先生没有午睡习惯，为了不影响同室人午睡，他连呼吸都均细无声，午间作画时竟然不敢拉抽屉取印章。他把240多件画作精品和价值连城的艺术收藏品无偿捐献给了家乡，问他为什么不要酬金，答云:"我是喝太湖水长大的，为家乡人民服务，是我最大愿望，我要酬金作什么呢?"

 

歌词云:"祝好人一生平安"。也许恰是由于人生途路难得平安，才有如此祝愿，才谱曲频频祝愿罢。

 

好人尹瘦石1957年反"右"中就未逃脱掉劫难。可是每当问及所受的凌辱苦难时，他却总是慢悠悠地向人们描绘长城外无垠的草原、连天的古道、奔腾的马群……

 尹瘦石艺术馆

尹瘦石艺术馆座落在江苏省宜兴市中心，西临碧波浩渺的西氿，南临市体育公园，东连繁华的商业区，交通便捷。

 

尹瘦石艺术馆由著名人士赵朴初题写馆名。

 

馆内景色优美，四季如春，各种常绿植物郁郁葱葱，亭台楼榭，曲径通幽，集江南园林之美和现代化设施于一体，是游人参观学习，赏景休闲的好去处。

 

尹瘦石艺术馆1994年被宜兴市委授予"青少年德育教育基地"，2002年6月被无锡市委授予"无锡市爱国主义教育基地"。

 

艺术馆建筑共有四层，底层陈列尹瘦石的半身铜像、尹老手书曹巫典论及各时期的历史照片。

 

二楼分南北展厅，面积达1000平方米，展厅内装修考究，展柜采用全玻璃主体设计，通透性好。厅内备有大型立式空调三台、CK报警装置、防盗门等安全设施;展厅通风采光和布展设施均达到一流水平;南北两厅共展出书画作品153幅和各个时期文物115件，其中包括尹瘦石自1941年起各个时期创作的代表作，林则徐、朱彝尊、康有为、章太炎、黄宾虹、徐悲鸿、何香凝、黄炎培、柳亚子等60多位名家的手迹以及新石器时代以来至清历代的文物。

 

三楼是库房和尹老的书屋，面积达300多平方米，配套现代化防盗、抽湿设施。

 

尹寿石(画家)

尹寿石(尹希明)，号紫砚斋主人。花鸟画家，兼擅山水、书法。一九四八年生于山东潍坊一书香门第，其父及伯父能书善画，名震乡里，希明先生受家庭熏陶，自幼酷爱绘画，耳孺目染，颇有悟性，又能勤于思索，痴于修研，注重传统与创新，既师古人，亦师造化，数十年来，砚田苦耕，博彩众长，逐渐形成自己独特的艺术风格。

 

尹希明先生的花鸟画创作体裁广泛，构思新妙，意境幽远，格调高雅，设色明艳而不娆俗，用笔沉雄而不浮躁，透射出一种自然、清雅、朴拙、大气的独具个性的鲜明风格。其创作的《荷韵图》气韵生动、笔墨丰富，深受大众喜爱，他创作的一批扇面作品，也受到收藏者的追捧。他的作品多次在全国、省、市举办的诸多美展中入展，并多次获奖，获奖作品曾在中国美术馆、中国历史博物馆等国家级展馆中展出，名录被收入《山东书画家》、《潍坊美术家辞典》等典籍。 现为中国书画家协会会员，中国交通美术家协会会员，山东书画协会会员，山东圣邦美术院潍坊分院理事兼副秘书长，渤海书画院理事。

 Yin Shoushi is a famous artist of calligraphy and painting. Born on January 12, 1919, in Zhoutieqiao Town, Yixing, Jiangsu Province. He has loved painting and calligraphy since childhood.

In 1933, he joined Yixing Ceramic Vocational School in Jiangsu Province to study pottery and calligraphy and painting.

After the outbreak of the Anti-Japanese War in 1938, he went into exile in Wuhan and entered the Wuchang Art College. Since then, he has devoted himself to the creation of figure painting.

After the fall of Wuhan, he went to Guilin, Guangxi, where he was highly regarded by famous poet Liu Yazi and famous politician Li Jishen and He Xiangning. He often consulted with cultural figures Xiong Foxi, Ouyang Yuqian, Tianhan, Duanmu Qiliang, Chen Jiedong, Juzan and Ye Puyin. He became a researcher of the Art Department of Guangxi Provincial Museum of Art in 1940.

The creations here include Quyuan, Zheng Chenggong Lihai Master's Plan to Retain the Capital, Shi Kefa Master Yangzhou Tu, Boyi Shuqi, Juzan Master's Image, etc. And held two solo exhibitions.

From 1944 to Chongqing, during the Kuomintang-Communist peace talks in October 1945, he painted a portrait of Chairman Mao Zedong and displayed it in the joint exhibition of Liu Shiyin Paintings, co-sponsored by Liu Yazi. It was appreciated by Guo Moruo, Xu Beihong, Jian Bozan, Feng Zikai, Liu Kaiqu, Chen Jiedong and Chen Xianghe.

In 1946, with the help of Zhou Enlai, Yin Xiaoshi went to the Shanxi-Chahar-Hebei Border Region and became a faculty member of the College of Arts and Literature of North China United University. In 1947, he was engaged in propaganda work with Inner Mongolia Literary and Cultural Group, and edited supplements of Inner Mongolia Daily and Inner Mongolia Pictorial.

After the founding of New China in 1949, he attended the first National Cultural Congress and was elected a member of the National Association of American Arts.

He joined the Communist Party of China in 1950 and was successively appointed Vice-Chairman of the Preparatory Committee of the Inner Mongolia Cultural Union, member of the Cultural and Educational Committee of the Inner Mongolia Autonomous Region and member of the Political Consultative Conference in the same year.

In 1956, he was elected Chairman of Inner Mongolia Branch of China Association of American Arts. He was appointed Deputy Secretary-General of Beijing Academy of Chinese Painting in 1957.

In 1958, Yin was misclassified as a "rightist" who delegated labor to Hulin, Heilongjiang Province, and later taught at Harbin Institute of Art. In 1962, he was transferred back to Beijing Painting Academy.

In April 1980, he served as Vice President of Beijing Painting Academy, attended the 4th Cultural Congress in the same year, and was elected as Director of the Chinese Association of Arts; in the same year, he was also elected Vice President of the Beijing Federation of Arts and Arts and Chairman of the Beijing Branch of the Chinese Association of Arts; in 1981, he was elected as Executive Director of the Chinese Calligrapher Association; and in 1988, he was elected Executive Vice President of the Chinese Federation of Arts and Arts.

In 1992, he donated his life-long representative works and collections of calligraphy, painting and art treasures to his hometown free of charge.

He was re-elected Vice-Chairman of the Chinese Federation of Literature in 1997. He was a member of the 8th and 9th CPPCC National Committee and died of illness in Beijing on April 14, 1998.

Yin Shoushi (1919-1998), fond of painting and calligraphy since childhood, went to Yixing Ceramic Vocational School in Jiangsu Province in 1933 to study pottery and calligraphy and painting, and exiled to Wuhan after the outbreak of the Anti-Japanese War in 1938, and entered Wuchang Art College. His strong patriotism was aroused by the national peril. For many years afterwards, he devoted himself to the creation of figure paintings to inspire the army and the people in the rear area in the struggle against the enemy with the images of national heroes and contemporary outstanding patriots.

In 1940, he was a researcher of the Fine Arts Department of Guangxi Provincial Museum of Art. He created Quyuan, Zheng Chenggong Lihai Master's Plan to Retain the Capital, Shi Kefa Master Yangzhou Tu, Boyi Shuqi, Juzan Master's Statue and so on.

During his stay in Guilin, Liu Yazi, a famous patriotic poet, and Li Jishen, a famous politician, He Xiangning, were highly respected by his predecessors. He also consulted with famous politicians such as Xiong Foxi, Ouyang Yuqian, Tian Han, Meng Chao, Duanmu Jialiang, Chen Jidong, Juzan and Ye Xueyin. In 1942 and 1944, he held two solo exhibitions in Guilin, which were well received.

In 1944, the Japanese invaded Hunan and Guangxi, and traveled southwest through Guiyang and Zunyi to Chongqing with paintings and calligraphy. During the Kuomintang-Communist peace talks in October 1945, Mao Zedong painted a portrait of Mao Zedong in Chongqing. This portrait and other progressive figures were exhibited in the joint exhibition of Liu Shiyin Painting held in Chongqing with poet Liu Yazi. Mao Zedong wrote the inscription for the exhibition. This event stirred up the rear and had a great impact. Guo Moruo, Xu Beihong, Jianbozan, Feng Zikai, Liu Kaiqu, etc. Chen Lidong and Chen Xianghe have published articles in Xinhua Daily and West China Daily.

Mr. Yin Shoushi's Portrait of Mao Zedong in Chinese Paintings

Mr. Yin Shoushi's Portrait of Mao Zedong in Chinese Paintings

In 1946, with Zhou En's help, Yin Xiaoshi arrived in the Jin-Cha-Ji border area and served as a faculty member of the College of Arts and Literature of North China University. In 1947, he was engaged in propaganda with Inner Mongolia Literature and Works Group. He edited the supplement of Inner Mongolia Autonomous Newspaper and Inner Mongolia Pictorial and attended the first National Cultural Congress in Beijing. He was elected a member of the Chinese National Association of Arts.

In 1950, he served as Deputy Director of the Preparatory Committee of the Inner Mongolia Cultural Union, and later as a member of the Cultural and Educational Commission of the Inner Mongolia Autonomous Region and member of the Inner Mongolia Political Consultative Conference. In 1956, he was elected Chairman of Inner Mongolia Branch of China Artistic Association. He was appointed Deputy Secretary-General of Beijing Academy of Chinese Painting in 1957. He joined the Communist Party of China in 1950. In 1958, he was misclassified as a "rightist" and assigned to work in Hulin, Heilongjiang Province. He later taught in Harbin Institute of Art. In 1962, he was transferred back to Beijing Painting Academy.

In 1979, he served as Vice President of Beijing Painting Academy, attended the Fourth National Cultural Congress in the same year, and was elected as Director of China Association of Arts; in 1980, he was elected Chairman of Beijing Association of Chinese Painting and Beijing Branch of China Association of Arts; in 1981, he was elected Executive Director of China Calligrapher Association; and in 1988, he attended the Fifth National Cultural Congress and was elected Executive Vice-Chairman of China Association of Chinese Arts. He attended the Sixth National Cultural Congress in 1996 and was re-elected Executive Vice-Chairman of the Chinese Federation of Literature. He was a member of the Eighth and Ninth Sessions of the Chinese People's Political Consultative Conference.

In 1988, Mr. Qigong was elected the honorary chairman of Beijing Calligrapher Association. On his solemn proposal, Mr. Li Zhimin, the founder of Beijing Calligrapher Association, was elected as the first vice-chairman and chairman of the evaluation committee. Liu Qian, Lan Yusong and Guxi were the vice-chairmen of the evaluation committee, and Bu Xiyang, Yin Juanshi, Wu Weichun and Wu Weichun were the Vice-Chairmen of the evaluation committee. Ouyang Zhongshi, Qingong, Yuan Qiwei, Xu Huanrong and Kang Yin are the judges.

Yin Shoushi was a painter with deep patriotism thought. His figure painting focused on depicting spirit in form, which promoted the development of Chinese figure painting at that time. After his work in Inner Mongolia, he opened up a new world of art. His horse benefited from the prairie of Inner Mongolia, which had a strong flavor of life in the grassland and deep spiritual implication. His horse was the rush of life, a spiritual image that transcended time and space and burst all hardships and dangers. Later, painters with personal characteristics achieved higher achievements.

Calligraphy has a deep foundation. In his early years, he dabbled in many schools. He worked in small regular scripts and was especially good at cursive scripts. He has a deep and stable structure, broad momentum, smooth and moist style, and his branches are white, dense and urgent.

Yin Shoushi is a patriotic artist who emerged in the face of national crisis and national crisis.

During the Anti-Japanese War, his ancient figure paintings, historical paintings and portraits of national elites active in the cultural and political arenas at that time all sparkled with the glory of national spirit and personality. Inspire the people's fighting spirit against insults and unite the spirit of the same enemy.

He also portrayed patriotic politicians and culturalists, and recorded the charm of the Chinese elite in an unforgettable era with his paintings, which became a precious historical and cultural relic.

In 1946, he and the poet Liu Yazi jointly held the "Liu Shi Yin Painting Exhibition". Mao Zedong inscribed the title of the exhibition. Guo Moruo, Mao Dun, Shen Junru, Huang Yanpei and others commented on it. Xu Beihong praised it: "Liu Shi Yin Painting Exhibition" as a tragic and vigorous war song dedicated by poets and painters to the motherland and people in times of hardship. "

Yin Shoushi, a painter who likes to do "unnecessary" things

After the age of 60, Master Hongyi once wrote to Yin Slender Shi the Hua Yan Jing: "Don't seek happiness for yourself, I hope all living beings get rid of suffering". Mr. Yin cherishes it very much. He hangs at home all the time, singing and practicing. Mr. Yin always takes the initiative to make his own expensive fragrant tea when he shares a room with others during meetings.

In fact, the hotel rooms are equipped with tea every day, not to bring their own, not to mention the high price of tea, especially not to make it for others. These "unnecessary" are originally "unnecessary", because no one will blame you. But Mr. Yin earnestly does these "unnecessary" things every day. Others carelessly do not always drink his good tea, they make good hotel tea ahead of time, but he still replaced it! Is there some "circuitous" and "silly" way of doing it?

Mr. Yin has no habit of taking a nap. In order not to interfere with his roommate's nap, he even breathes quietly. He dares not draw a drawer to get his seal at noon. He donated more than 240 works of fine paintings and valuable art collections to his home town for free. He asked him why he didn't pay a reward. He answered, "I grew up drinking Taihu Lake and serving the people of my hometown is my greatest wish. What should I do with the reward?"

The Lyric cloud: "I wish good people a safe life." Perhaps it is precisely because the road of life is rare and safe that such wishes can be compiled frequently.

The good man Yin Juanshi did not escape the disaster in his anti-Right campaign in 1957. But whenever asked about the humiliation and suffering, he always described to people the boundless grassland outside the Great Wall, the ancient roads for days, the galloping horses...

Yin Thinshi Art Museum

Yin Slender Stone Art Museum is located in the center of Yixing City, Jiangsu Province. It is located in the west of Bibo vast west fence, in the south of the city sports park, and in the east of the busy business district. The transportation is convenient.

Yin Shoushi Museum of Art is inscribed by Zhao Puchu, a famous figure.

The Museum has beautiful scenery, spring-like seasons, lush evergreen plants, pavilions, pavilions and pavilions, winding paths, and modern facilities. It is a good place for visitors to study and enjoy the scenery.

Yin Shoushi Art Museum was awarded "Youth Moral Education Base" by Yixing Municipal Committee in 1994 and "Wuxi Patriotic Education Base" by Wuxi Municipal Committee in June 2002.

There are four floors in the building of the Museum of Art. On the ground floor, bronze busts of Yin's thin stone are displayed, as well as historical photographs of various periods in Yin's calligraphy of Cao's sorcery.

The second floor is divided into North and South exhibition halls, with an area of 1000 square meters. The exhibition hall is well decorated. The exhibition cabinet is designed with all glass body and has good permeability. There are three large vertical air conditioners, CK alarm devices, anti-theft doors and other safety facilities in the hall; the ventilation, lighting and exhibition facilities in the exhibition hall have reached the first-class level; 153 paintings and calligraphy works and 115 cultural relics of different periods have been exhibited in the two halls, including Yin Mingshi's representative works created in different periods since 1941, Lin Zexu, Zhu Yizun and Kang. There are handwriting of more than 60 famous writers such as Wei, Zhang Taiyan, Huang Binhong, Xu Beihong, He Xiangning, Huang Yanpei, Liu Yazi, and cultural relics from the Neolithic Age to the Qing Dynasty.

The third floor is the warehouse and Yin Lao's bookstore, covering an area of more than 300 square meters, with modern anti-theft and dehumidification facilities.

Yin Shoushi (Painter)

Yin Shoushi (Yin Ximing), the owner of Purple Inkstone Studio. Flower and bird painters are good at landscape and calligraphy. Born in Weifang, Shandong Province, in 1948, his father and uncle were good at painting and calligraphy. In the famous earthquake town, Mr. Ximing was influenced by his family. He loved painting from childhood. He was very perceptive. He was also diligent in thinking, studying and focusing on tradition and innovation. He was a teacher of both ancients and creation. For decades, he worked hard in Yantian. Gambling has gradually formed its own unique artistic style.

Mr. Yin Ximing's flower-and-bird paintings have a wide range of genres, novel conception, remote artistic conception, elegant style, bright colors but not vulgar, and strong but not impetuous brush, which transmits a natural, elegant, simple, atmospheric unique and distinct style of personality. His "Lotus Rhyme Picture" is vivid, rich in brush and ink, and is loved by the public. A number of fan works created by him are also sought after by collectors. His works have been exhibited in many national, provincial and municipal art exhibitions, and won many awards. The awarded works have been exhibited in the National Exhibition Museum of China Art Museum, Chinese History Museum and other national-level museums. The catalogue has been included in Shandong Painters and Calligraphers, Weifang Artists Dictionary and other classics. Now he is a member of the Chinese Calligrapher and Painter Association, the Chinese Traffic Artists Association, the Shandong Calligraphy and Painting Association, the director and deputy secretary-general of Weifang Branch of Shandong Shengbang Academy of Fine Arts, and the director of Bohai Academy of Calligraphy and Painting.