汤哲明山水画作品

 汤哲明，1970年出生于上海，祖籍浙江萧山。2005年毕业中国美术学院美术史系，获博士学位。曾任上海书画出版社副总编辑、副编审。现任教于上海大学美术学院国画系，为硕士生导师。为中国美术家协会会员，美协上海分会会员。致力于山水画创作与中国绘画史研究，著有《多元化的启导》、《国画之江南》等专著，并为大型丛书《中国山水画通鉴》、《中国花鸟画通鉴》副主编。

汤哲明长期致力于山水画创作，他醉心于两宋尤其是北宋山水画的厚重磅礴、包罗万象，树石造型主要师法李郭，取其丰富、精巧；笔墨皴法则李郭之外兼师范宽，取其浑厚、大气；设色一道除传统青绿技法，亦取法现代山水大家谢稚柳、吴湖帆，得谢之精雅，吴之腴润。融会今古，博采众长，使得汤哲明的作品亦古亦今，面貌多样，既有深厚的传统技法根底与浓郁的古典气息，又融入了自身对山水精神、意境的独特感悟。

 汤哲明长期致力于山水画创作，他醉心于两宋尤其是北宋山水画的厚重磅礴、包罗万象，树石造型主要师法李郭，取其丰富、精巧；笔墨皴法则李郭之外兼师范宽，取其浑厚、大气；设色一道除传统青绿技法，亦取法现代山水大家谢稚柳、吴湖帆，得谢之精雅，吴之腴润。融会今古，博采众长，使得汤哲明的作品亦古亦今，面貌多样，既有深厚的传统技法根底与浓郁的古典气息，又融入了自身对山水精神、意境的独特感悟。

 Brief Introduction to Characters

Tang Zheming, born in Shanghai in 1970, was born in Xiaoshan, Zhejiang Province. In 2005, he graduated from the Department of Art History of China Academy of Fine Arts with a doctorate degree. He was deputy editor and editor of Shanghai Painting and Calligraphy Publishing House. He currently teaches in the Department of Traditional Chinese Painting, School of Fine Arts, Shanghai University, and is a tutor of master's degree students. He is a member of China Artists Association and Shanghai Branch of AA. He devotes himself to the creation of landscape paintings and the study of the history of Chinese painting. He has written monographs such as Diversified Enlightenment and Jiangnan of Chinese Painting. He is also the deputy editor of a large series of books, General Inspection of Chinese Landscape Painting and General Inspection of Chinese Flower and Bird Painting.

Tang Zheming devoted himself to the creation of landscape painting for a long time. He was fascinated by the magnificent and all-embracing landscape painting in the Song Dynasty, especially in the Northern Song Dynasty. He mainly used Li Guo as his master in tree and stone sculpting, which was rich and exquisite. Besides Li Guo, the rule of brush and ink, he also used his thick and atmospheric style; besides traditional green techniques, he also adopted modern landscape painting. Everyone Xie Zhiliu and Wu Hufan, thanked for their elegance and Wu Zhirun. Integrating the past and the present, and absorbing all the advantages, Tang Zheming's works are both ancient and modern, with various features. They not only have a deep foundation of traditional techniques and rich classical flavor, but also incorporate his own unique perception of the spirit and artistic conception of mountains and rivers.

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Tang Zheming devoted himself to the creation of landscape painting for a long time. He was fascinated by the magnificent and all-embracing landscape painting in the Song Dynasty, especially in the Northern Song Dynasty. He mainly used Li Guo as his master in tree and stone sculpting, which was rich and exquisite. Besides Li Guo, the rule of brush and ink, he also used his thick and atmospheric style; besides traditional green techniques, he also adopted modern landscape painting. Everyone Xie Zhiliu and Wu Hufan, thanked for their elegance and Wu Zhirun. Integrating the past and the present, and absorbing all the advantages, Tang Zheming's works are both ancient and modern, with various features. They not only have a deep foundation of traditional techniques and rich classical flavor, but also incorporate his own unique perception of the spirit and artistic conception of mountains and rivers.