王敬恒美术作品

王敬恒，又名王易，字季之。成都人，四川美术学院客座教授。杰出的大写意山水、花鸟、人物画家。早年在药店当学，后长期从事教育工作，37岁开始自己学画。花卉师法吴昌硕、任伯年等；山水上溯沈石田、黄公望诸家，并认真研究黄宾虹笔法墨法；后结识画家陈子庄。王敬恒一生远离尘嚣，寂寞耕耘，终于成就个人独特风貌，创作甚丰。1988年在四川省美术展览馆举办“王敬恒先生画展”，2001年在成都现代艺术馆举办“王敬恒画展”。2008年中国美术馆特为其举办《王敬恒艺术暨捐赠作品展》并珍藏其作品一百幅。2011年作品入选《中国美术馆五十年捐赠作品大展》，先后出版有《王敬恒画集》《王敬恒书法集》《王敬恒谈艺录》等。
1927年生于四川省成都商人家庭。
1935年入小学，中学未毕业即进药材行当学徒。
王敬恒在王敬恒艺术暨捐赠作品展开幕式上
王敬恒在王敬恒艺术暨捐赠作品展开幕式上
1945—1948年在四川大学和华西大学旁听，解放后执教直至退休。
1964年开始自己学画，从《芥子园》入手，先花卉，学吴昌硕、任伯年等。后山水:学沈石田、黄公望、吴镇、陈道复、梅清、石涛、石溪、董源、巨然、董其昌等。对以上画家的作品既未见过真迹也无力购买画册，只凭从报刊杂志上搜集到的一些零星的图片、而用心揣想临摹。深入中国传统绘画理论认真研究学习八大、石涛、黄宾虹等大家的笔法墨法。
1974年结识陈子庄。陈极赏识王之学识画才，激励王坚持莫辍，并反复告诫“画贵有自己”。此语对王影响巨大、深远。王终身探索不断，直到去世前还在考虑如何改变画法。
1976年爱妻病故，不久陈子庄亦逝世。王伤痛不已，辍笔一年有余，念及二人厚望才重新振作，继续绘画。
1983年至汶川、马尔康一带游历三月余，与山石林木朝夕相处，心感神交，为日后的大量创作奠定了基础。
1988年在四川美术展览馆举办个人展览，作品120余件，包括花卉、山水、少数人物。之后，谢绝一切活动，重新闭门读书作画。
1991年开始重点探索山水画论，以书法之笔意笔法入画。喜读西方人文书籍，深感自己民族文化之不足，必须吸收西方思想来充实自己的天道观的美学思想，再加退休有余暇常到野外观察自然，又研读了许多西方人如塞尚、凡高、毕加索等等的画册，还从中外民间艺术中广泛吸取养料，从而极大地丰富了自己的艺术语言，个人画风逐渐形成。
1994年一法国友人将其所藏王画二十余幅，在法国图鲁兹市各沙龙及院校展出。随后法国《十字报》记者来华采访王并求画，返国后该记者写长文介绍王并刊载王肖像照片。
1996年该法国友人再次将所藏王画，在图鲁兹联合国教科文组织大楼展出。
2000年参展成都现代艺术馆举办的“世纪之门：1997—1999中国艺术邀请展”，展出山水作品八幅，花鸟作品一幅。
2001年应邀参加第一届成都双年展。接受CCTV“东方时空”栏目专访、上海电视台专访。
2002年被聘为成都画院客座艺术家与批评家。被聘为四川美术学院国画系客座教授。应邀参加上海美术馆“高山流水：当代山水邀请展”
2004年应邀参加“当代中国水墨神韵提名展”并获奖。
2005年应邀参加“第二届成都双年展”。
2006年腿摔断，近一年未能作画。
2007年应邀参加“第三届成都双年展”。重新开始习字和作一点小画。重点读牟宗三、康德、尼采、海德格尔等人著作。
2008年中国美术馆特为王敬恒举办“王敬恒艺术暨捐赠作品展”，并珍藏其作品100幅。
2010年参加四川“花间集花鸟画十人展”。
2011年作品入选《中国美术馆五十年捐赠作品大展》，先后出版有《王敬恒画集》《王敬恒书法集》《王敬恒谈艺录》等。
2012年3月13日凌晨2点，杰出的大写意山水、花鸟、人物画家王敬恒因病在成都逝世，享年85岁。
2012年4月13日遵照王敬恒遗愿，家属向武汉美术馆捐赠王敬恒山水作品十幅。

王敬恒美术作品

Wang Jingheng, also known as Wang Yi, is also known as Jizhi. Chengdu native, visiting professor of Sichuan Academy of fine arts. Outstanding painters of freehand landscapes, flowers and birds, and figures. In his early years, he studied in a drugstore, and later engaged in education for a long time. At the age of 37, he began to learn painting by himself. Flowers learn from Wu Changshuo, Ren Bonian, etc.; go back to Shen Shitian and Huang Gongwang in the mountains and rivers, and carefully study Huang Binhong's brush and ink techniques; later meet painter Chen Zizhuang. Wang Jingheng has been far away from the hustle and bustle all his life, working alone, and finally achieved his unique style and creation. In 1988, "Mr. Wang Jingheng's painting exhibition" was held in Sichuan Art Museum, and in 2001, "Wang Jingheng's painting exhibition" was held in Chengdu Modern Art Museum. In 2008, China National Art Museum held the exhibition of Wang Jingheng's art and donated works and collected 100 of his works. In 2011, his works were selected into the exhibition of works donated by China Art Museum in 50 years, and he has successively published the collection of paintings by Wang Jingheng, the collection of calligraphy by Wang Jingheng, the art record by Wang Jingheng, etc.

Born in 1927 in Chengdu, Sichuan Province.

In 1935, he entered primary school and became an apprentice in medicine industry before graduating from middle school.

Wang Jingheng at the opening ceremony of Wang Jingheng art and donation Exhibition

Wang Jingheng at the opening ceremony of Wang Jingheng art and donation Exhibition

From 1945 to 1948, he attended Sichuan University and West China University, and after liberation, he taught until he retired.

In 1964, I began to learn painting by myself. I started from "Mustard garden", first of all, I studied flowers, Wu Changshuo, Ren Bonian, etc. Houshan: learn from Shen Shitian, Huang Gongwang, Wu Zhen, Chen Daofu, Mei Qing, Shi Tao, Shi Xi, Dong Yuan, Ju ran, Dong Qichang, etc. The works of the above painters have neither seen the original nor been able to buy a picture album. They only try to copy them with their hearts by collecting some sporadic pictures from newspapers and magazines. Go deep into the theory of traditional Chinese painting and study the brushwork and ink methods of the eight great masters, Shi Tao, Huang Binhong, etc.

I met Chen Zizhuang in 1974. Chen Ji appreciated Wang's learning and painting talents, encouraged Wang to insist on not stopping, and repeatedly warned that "painting is precious and has its own". This word has a great and far-reaching influence on Wang. Wang has been exploring all his life, and until his death he was still thinking about how to change his painting.

Chen Zizhuang died shortly after his wife died in 1976. Wang was in great pain. He stopped writing for more than a year. Only when he and his wife had high hopes could they revive and continue painting.

In 1983, I traveled in Wenchuan and malkang for more than three months, getting along with the mountains, rocks and trees day and night, feeling close to each other, which laid a foundation for a large number of creations in the future.

In 1988, he held a personal exhibition in Sichuan Art Museum, with more than 120 works, including flowers, landscapes and a few people. After that, he refused all activities and went back to school and painting.

In 1991, he began to explore the theory of landscape painting and began to draw with the brushwork of calligraphy. I like to read western humanistic books and deeply feel the inadequacy of my national culture. I must absorb western thoughts to enrich my aesthetic thought of the concept of heaven. In addition, I often go to the field to observe nature in my spare time after retirement. I have also studied many Western albums such as Cezanne, van Gogh, Picasso, etc. and extensively absorbed nutrients from Chinese and foreign folk arts, thus greatly enriching my artistic language. , personal painting style gradually formed.

In 1994, a French friend exhibited more than 20 paintings of the king in salons and colleges in Toulouse, France. Then the French reporter from the cross came to China to interview Wang and ask for paintings. After returning to China, the reporter wrote a long article introducing Wang and published photos of Wang's portrait.

In 1996, the French friend once again exhibited his paintings in the UNESCO building in Toulouse.

In 2000, he participated in the "gate of the century: 1997-1999 China Art Invitational Exhibition" held by Chengdu Modern Art Museum, displaying eight landscape works and one flower and bird works.

In 2001, he was invited to participate in the first Chengdu Biennale. Receive an exclusive interview with CCTV's "Oriental time and space" column and Shanghai TV station.

In 2002, he was employed as a guest artist and critic of Chengdu Painting Academy. He was employed as a visiting professor in the Department of traditional Chinese painting of Sichuan Academy of fine arts. Invited to the "high mountains and flowing water: Contemporary Landscape Invitation Exhibition" of Shanghai Art Museum

In 2004, he was invited to participate in the "contemporary Chinese ink verve Nomination Exhibition" and won the prize.

In 2005, he was invited to participate in the second Chengdu Biennale.

He broke his leg in 2006 and failed to draw in the past year.

In 2007, he was invited to attend the third Chengdu Biennale. Start writing again and make a little painting. Focus on Mou Zongsan, Kant, Nietzsche, Heidegger and other works.

In 2008, China Art Museum held "Wang Jingheng art and donated Works Exhibition" for Wang Jingheng, and collected 100 of his works.

In 2010, he participated in the "ten person exhibition of flower and bird paintings among flowers" in Sichuan.

In 2011, his works were selected into the exhibition of works donated by China Art Museum in 50 years, and he has successively published the collection of paintings by Wang Jingheng, the collection of calligraphy by Wang Jingheng, the art record by Wang Jingheng, etc.

At 2 a.m. on March 13, 2012, Wang Jingheng, an outstanding painter of freehand landscapes, flowers and birds, and figures, died of illness in Chengdu at the age of 85.

On April 13, 2012, according to Wang Jingheng's last wish, the family donated ten landscape works of Wang Jingheng to Wuhan Art Museum.