董欣宾美术作品

董欣宾，生于无锡张泾。82年至江苏省国画院从事山水画创作，并任理论工作室主任。1994年被聘为国家一级美术师。主攻山水，兼工人物、花鸟。擅理论研究，兼及书法、篆刻、诗歌、散文、武术、医学、哲学等。1985年起，完成《中国绘画对偶范畴论》、《中国绘画六法生态论》、《太阳的魔语--人类文化生态学导论》等具有开拓性、体系性的理论著作。先后在中国美术馆、中央美术学院、江苏省美术馆、南京艺术学院举办个展，多次参加国家级、世界级大型艺术展览。台北《雄师美术》曾于1989年出版《董欣宾专辑》，《江苏画刊》、《美术》、《荣宝斋》等期刊多次将其作重点推出。译林出版社于98年出版大型画册《董欣宾画集》。文化部对外展览中心2001年8月于中国美术馆一楼正中圆厅举办《江南好--董欣宾中国画展》，同时出版《董欣宾人物画集稿》、《画呓与印痕》等。
董欣宾上知天文，下知地理，思如泉泻、口若悬河、滔滔不绝、纵横捭阖。集中西古今之成，有严格的中国画本体学研究深度，理法兼备，笔墨恣肆，狂放中表现出至高的精神境界与艺术技巧，继傅抱石之后开创了江苏画派崭新风貌，成为具有流派性影响的一代大家。刘海粟于1985年论其画“能致力于化古为新，所作运线遒挺，有北碑风采；浓墨透光，淡墨生泽，情韵脱俗。”何海霞于1984年说他“大江南北无出于右，二十年后横行天下。”他是新文人画南方画派的领衔人物。他的画是综合了院体画、文人画、民间画以及中西许多学科之精神的审美一元性即本体性绘画。他主张冷抽象、热表现。八十年代他以独步天下的潇洒放达的中锋长线大写意手法建立起强烈的个人风格而名震中国画坛。九十年代上半叶他致力于用墨之创新，用线更为厚重坚实，辅之以泼墨、积墨，画风厚重浑朴。九十年代末至新世纪初，他致力于色彩之创新，以色为墨，以写代泼，于张大千、刘海粟之后又创一格，画风更臻灿烂辉煌。

6岁拜张云耕学习书法，
14岁师从秦古柳，
17岁入南艺附中学习西画。
79年考入南艺，成为刘海粟院长唯一山水画研究生

Be born at having stannic Zhang Jing. To Jiangsu 82 years the imperial art academy that save a country is engaged in a landscape painting creating, hold the post of academic studio head. Was hired to be a country 1994 division of one class art. Main attack landscape, hold worker content, painting of flowers and birds in traditional Chinese style concurrently. Theory of arrogate to oneself studies, hold <> concurrently reach calligraphy, seal cutting, poetry, essay, wushu, medicine, philosophy to wait. Rose 1985, finish " category of Chinese painterly antithesis is talked " , " China draws 6 laws zoology is talked " , " the demon language of the sun- - introduction of human culture ecology " wait for the academic book that has sex of development, system. Save artistic institute of art gallery, Nanjing to hold in Chinese art gallery, central academy of fine arts, Jiangsu early or late exhibit, attend national level, world-class for many times large and artistic exhibition. Taipei " powerful army art " Ceng Yu was published 1989 " special of Dong Xin guest " , " Jiangsu pictorial section of a newspaper " , " art " , " Rong Baozhai " wait for periodical for many times to make its the key roll out. Interpret forest press publishs large an album of paintings at 98 years " Dong Xin guest draws volume " . Culture ministry exhibits a center external in August 2001 at Chinese art gallery round hall is held in the middle of first floor " Changjiang Delta is good- - art exhibition of China of Dong Xin guest " , publish at the same time " collect of picture of character of Dong Xin guest stalks of grain " , " picture talk in one's sleep and moulage " etc.
Astronomy knows on Dong Xin guest, geography knows below, sai Ruquan have diarrhoea, eloquent, dash along, manoeuvre among various political groupings. Gu Jinzhi of collect Chinese and Western is become, strict China draws noumenon to learn to study deepness, manage law has both, writing unrestraineds, supreme mental state and artistic skill are shown in unruly or unrestrained, jiangsu picture was initiated to send brand-new view after afterwards teach holds stone in the arms, make the generation that has genre sex effect everybody. Bang millet is drawn at talking its 1985 " can devote oneself to change Gu Weixin, what make carry Xian Qiuting, have boreal tablet elegant demeanor; Thick Chinese ink is pervious to light, weak Mo Shengze, affection charm is free from vulgarity. " He Haixia said him 1984 " great river north and south is not had stem from right, the world of the infestation after 20 years. " he is new man of letters draw what southern picture sends to present as leading role character. His picture is integrated courtyard style picture, bookman picture, folk painting and Chinese and Western of the spirit of a lot of course aesthetic a yuan of sex namely noumenon sex is painterly. He holds cold abstraction, hot show. 80 time he puts the center that amount to chicly with what be without a rival gimmick of long term and great desire establishs strong individual style and altar of renown epicenter traditional Chinese painting. He devotes oneself to on 90 time half leaf to innovate with Mo Zhi, with the line more massiness is solid, complementary with splash-ink, accumulate Chinese ink, muddy of the massiness that draw wind is plain. 90 time end comes at the beginning of new century, he devotes oneself to the innovation of colour, it is Chinese ink with color, spill in order to write era, at magnify 1000, one case is started again after bang millet, picture wind more attain bright and brilliant.