梁崎（1909年—1996年），字砺平，号聩叟，别署幽州野老、燕山老民、钝根人等称谓。河北省交河县人，回族。1945年移居天津。是我国著名书画家。生前系中国美术家协会会员、天津画院画师、天津文史馆馆员、广西石涛艺术学会名誉理事等职。梁崎书画兼擅，大写意花鸟、山水、蔬果、人物、走兽无所不能。其指画、指书更独辟蹊径，自成一格，对诗文、画史、画论均有精湛的研究。梁崎的书画格调超逸，用笔雄健老辣，墨色酣畅淋漓，意境古雅幽奇，充满浓厚传统文人的艺术特质，具有强烈的艺术个性和鲜明的民族风格，在当代文人画坛上占有重要的位置。
出版有《梁崎画集》、《梁崎书画作品选》、《梁崎书画集粹》，著有《守研庐画余随笔》。作品多次参加国内外展览，并在各刊物上发表，其作品被国内一些重要场馆及海内外收藏家收藏。
2004年11月，梁崎的女儿梁霄鸾将父亲的人物档案资料捐赠给天津市档案馆。内容有：《梁崎书画作品选》、《梁崎书画集粹》、《荣宝斋画谱——梁崎山水部分》、《泓艺》画册，名人为梁崎画集题词、作序、年表，梁崎个人照片和声像资料等。梁崎档案是研究梁崎艺术生涯的珍贵资料。
梁崎先生尤擅指画。他在用手指作画时，以指代笔，手摸纸绢，铁画银钩，墨彩淋漓，指痕累累，十指连心，意在指先。其指画山水、花鸟、人物无所不能，无所不精。梁崎作指画时，钩勒与题写款识主要用右手小指之指甲、指肚，皴擦点染间或食指、中指、无名指、拇指及手掌。尤其是其右手小指的笔（指）法，更是令人拍案叫绝。这里面还有一个鲜为人知的小小“秘密”。由于梁崎先生常作指画，用功甚勤，其右手小指指肚末端，经常蘸着墨色与纸绢摩擦的缘故，渐渐生出一层厚厚的月强子，屡脱屡生，又由于墨与色的浸蚀、刺激，最终在右手小指的指肚末端长出了一个瘊子（疣）。后几经脱落，其右手小指指肚上竟然形成了一个勺状小“凹”，其以指蘸墨时，此“凹”就形成了一个小小的墨池，用以蓄墨。故其作指画时，勾勒很长的墨线，也不见中断，而是线条流畅，运用自如，墨色饱满，一气呵成。别有一番笔墨情趣。
指画艺术，清初之后多为文人墨戏之作，近代经潘天寿先生的长期研究实践，使指画艺术得到了新的提高和传承。此后，津门深崎先生是这一艺术的集大成者。他可以在不借助任何辅助工具的情况下，以自己的指掌点画墨彩纵横挥洒出各种绘画效果。一花一禽各具姿态，一山一水皆得自然天趣，造型简括大方，纵情放意自然天成，作品古拙别致，磅礴跌宕，尽在法度之中有强烈的艺术感染力。我曾有幸拜读了天津市出版对外贸易公司于83年秋收藏的梁崎先生的12幅指画，均为精心之作，有山水、花鸟。在花鸟作品中，有清辉下的寒香报春、有翠羽枝上的窥视游鱼、有雀踏竹枝上的造境、有巨石古柯的荒山野岭、有曲径水边上的渔樵僧道，纵观整体画作，能够化古创新，意境幽深。在作品水墨点线的表现上，能够清晰的盾出老画师以指甲画出的枝干筋骨，以拇指点画的苔痕，以小手指点画出的雀目，以手掌挥抹的山石层面和粗枝大叶，真是信手拈来，动随心运，不拘破墨、泼墨等传统法式，随心所欲的画出各种效果。较之用毛笔作画尤显得古拙苍劲，沉厚雄浑。梁崎先生在论述指画艺术中指出：“指画虽属小技，画理与笔画同，所不同者只工具和意境耳。学指画者必学好画方可为之。由此可以看出梁崎先生指画艺术产生的魅力源于其笔画深源的功力，而其深厚的笔墨功力又源于其书法、西文的功底，实际上就其指画的艺术魅力而论，他是植根于其深厚的传统书画功和丰富的学识之上的，是区别和高于笔画作品的艺术形式。梁崎先生是在潘天寿大师之后出现的又一位艺术造诣精深、学识丰富的指画大家，在其经历七十年来的笔墨生涯中，终于以百折不挠的精神达到了自己艺术上的最高境界，为社会留下了充满艺术魅力的作品。梁崎先生的指画艺术魅力永存。

Liang Qi  (1909, 1996) , word whetstone is smooth, date deaf old man, fasten arrange secret administrative division is wild Yan Shan is old, old civilian, the appellation such as blunt root person. Heibei saves person of the county that cross a river, the Hui nationality. Emigrant 1945 Tianjin. It is home of our country famous painting and calligraphy. Fasten Rearch Institute of Culture and History of painter of imperial art academy of Chinese artist academician, Tianjin, Tianjin before one's death house member, Guangxi Shi Tao is artistic the duty such as institutional reputation director. Bridge Qi painting and calligraphy holds arrogate to oneself concurrently, great desire painting of flowers and birds in traditional Chinese style, landscape, vegetables and fruits, character, beasts is omnipotent. Its point at, point to a book more develop a new style or a new method of one's own, become one case oneself, all have masterly research to Shi Wen, picture history, picture talking. Unconventionally graceful of style of painting and calligraphy, with the pen powerful old hot, dripping wet of Chinese ink lubricious merry and lively, artistic conception is quaint deep and remote strange, the art that is full of grumous and traditional bookman is idiosyncratic, have strong artistic personality and bright ethical color, important place is had on altar of contemporary bookman picture.
 Publish have " Liang Qi draws volume " , " work of painting and calligraphy chooses Liang Qi " , " collection of Liang Qi painting and calligraphy " , have " defend grind cottage draws more than essay " . Work enters domestic and international exhibition for many times, publish on each journal, its work by home a few important place and global collector are collected.
In November 2004, the figure record data father donates daughter Liang Xiaoluan of Liang Qi Tianjin city archives. Content has: " work of bridge Qi painting and calligraphy is chosen " , " collection of Liang Qi painting and calligraphy " , " Rong Baozhai a book on the art of drawing or painting -- part of Liang Qi landscape " , " art " an album of paintings, celebrity draws collect epigraph, preface, chronological table for Liang Qi, photograph of bridge Qi individual and acoustic image data. Bridge Qi archives is the valuable data that studies career of bridge Qi art.
Mr Liang Qi blame point at of arrogate to oneself. When he is making a picture with finger, ghostwrite in order to point to, the hand feels paper thin silk, iron picture silver is hooked, dripping wet of Chinese ink colour, again and again pointing to mark, 10 point to even the heart, meaning pointing to first. Landscape of its point at, painting of flowers and birds in traditional Chinese style, character is omnipotent, without place not essence of life. When Liang Qi makes point at, the hook straps the fingernail that basically uses right hand little finger with inscribe inscriptions, point to abdomen, chapped brushs forefinger of occasional of add details to a painting, middle finger, ring finger, big toe and palm. Especially the pen of little finger of its right hand (point to) law, make a person strike the table and shout bravo more. There still is inside this little-known small " secret " . Because Mr Liang Qi often makes point at, diligent very diligent, little finger of its right hand points to abdomen extreme, often dipping in Chinese ink color and the cause that paper thin silk chafes, give birth to a thick month gradually strong child, take off repeatedly be born repeatedly, the dip corrode as a result of Chinese ink and color, exciting, be in finally the extreme pointing to abdomen of right hand little finger grew a wart (verrucous) . Hind after many fall off, little finger of its right hand pointed to to state of a spoon is formed actually on abdomen small " sunken " , its dip in with pointing to when Chinese ink, this " sunken " formed a small Mo Chi, chinese ink of harbour of in order to. Its make friend when point at, draw the outline of very long the line in a carpenter's ink marker, also disappear interrupt, however line is fluent, apply freely, chinese ink scene is full, get sth done without any letup. Do not have writing interest one time.
Point at art, at the beginning of Qing Dynasty later it is what bookman Chinese ink makes fun of to make more, tian Shouxian of latter-day classics Pan's unripe long-term research is carried out, make point at art got rising newly mixing inheritance. After this, the be a comprehensive expression of that deep ferry door Mr Qi is this one art person. He can be in not the circumstance of any auxiliary tools issues have the aid of, with his stipple pointing to a palm Mocai freely brandish asperses an all sorts of painterly effects. Spend one birds to have attitude each, one water all gets one mountain natural day is interesting, modelling brief but comprehensive is easy, as much as one likes puts meaning nature day to become, work ancient clumsy is chic, boundless free and easy, there all is strong artistic appeal in law. I ever had Xing Bai to read Tianjin city to publish 12 point at of Mr Liang Qi that foreign trade company hides at 83 years of autumn harvest, all be make meticulously, have landscape, painting of flowers and birds in traditional Chinese style. In work of painting of flowers and birds in traditional Chinese style, the cold sweet cable that Qing Hui falls spring, have emerald green a peek on the branch swim fish, what sparrow steps Zhu Zhi to go up create the condition, barren mountain that has megalithic coca the way of wild mountain, Yu Qiao's monk that meandering water edge goes up, review whole to be drawn, can change ancient innovation, artistic conception is deep and serene. On the show that chooses a route in work water Chinese ink, can the limb bones and muscles that clear aegis gives old painter to be drawn with fingernail, with the liver mosses mark of big toe stipple, the sparrow that with the pinkie stipple gives looks, with the hill stone level that palmar brandish applies and careless, it is have words really, use the motion that follow a heart, not stick to breaks the traditional rule such as Chinese ink, splash-ink, follow one's inclinations picture gives all sorts of effects. Than make a picture appear especially with brush Gu Zhuo is vigrous, sink thick vigorous and firm. Mr Liang Qi points out in discussing point at art: "Although point at belongs to little ability, picture texture and strokes are the same as, the person that be differred tool and artistic conception ear. The person that learn point at learns a picture to just can do it surely. The charm that can see art of point at of Mr Liang Qi arises from this results from the work force of its strokes deep source, and its deep writing work force results from again its calligraphy, on the west the strength of article, talk with respect to the artistic glamour of its point at actually, he is root over work of Yu Jishen's deep traditional painting and calligraphy and substantial knowledge, it is the artistic form of distinction and work of prep above strokes. Mr Liang Qi is the point at that profound, knowledge abounds another artistic attainment that appear after Pan Tianshou's Great Master everybody, in the quill-driver that in its experience comes to 70 years, reached the highest state on him art with indomitable spirit eventually, stayed to fill the work of artistic glamour for the society. The perpetuation of glamour of point at art of Mr Liang Qi.