朱松发，(1942.11—)出生于安徽黄山紫云村。10岁时随父母迁往安徽怀宁。

安徽省美术家协会副主席，国家一级美术师，中国画家，毕业于安徽省艺术学院，结业于浙江美术学院，现任安徽省书画院国家一级美术师。中国美术家协会会员，安徽省美术家协会副主席，安徽省政协委员，1993年起享受国务院颁发的特殊津贴，安徽省艺术系高级职称评委会评审委员。

朱松发中国画作品多次入选国内外专业美术大展并获奖，亦为美术馆、博物馆、人民大会堂、国务院紫光阁、中南海等收藏和陈列。作品入载《中国现代美术全集》，国家重点学术报刊《人民日报》、《美术》、杂志、《中国书画报》、《美术报》、《国画家》等均多次介绍和发表其作品。已出版画集多本，曾应邀赴法国、澳大利亚、韩国等举办画展、讲学和艺术参考。其作品《囚歌》、《巢湖渔歌》、《梅花》分别为中国人民革命军事博物馆、南京博物院、毛主席纪念堂收藏。《寒香图》获1988年中华杯中国画大奖赛三等奖。出版有《天南海北》个人写生画集吉林书画苑推荐画家。

作品风格

朱松发崇尚自然，追求率真，作品风格野逸生辣，评论家评其作品：.....在心灵与外物相交的笔墨方式中洋溢着才情，充满着热情与张力，他超越传统的束缚，感受到现代意义的诗情与意味。

 朱松发作品多次参加国内外专业美术大展，并获大奖，同时被美术馆、博物馆、人民大会堂、国务院紫光阁等单位收藏和陈列，作品入载《中国现代美术全集》。《人民日报》、《美术》杂志、《中国书画报》、《美术报》等报刊多次介绍他的业绩，发表其作品，已出版《天南海北》、《朱松发梅花作品集》、《朱松发画集》、《朱松发写生画集》等画集多本。曾应邀赴法国、澳大利亚举办画展、讲学、进行艺术考察。

朱松发先生的作品，以鲜明的个性和阳刚之气立于当今画坛，为世人所瞩目。他“墨海中立定精神”，以甘于寂寞的取艺之道，追求精神境界的高度。他凭着智慧和理性，让生命与艺术同步，以画不惊人誓不休的决心，从事创作。其作品传递出人类关注的价值取向，也反映了当代人的生存状态、情感和精神家园。 权威的美术评论家认为，朱松发是当代徽派绘画的杰出代表，也是当代中国绘画和中国画转型的代表性人物。发的画，远看气势逼人，近看惊心动魄。他继承了中国画的写意精神朱松，强化书写性和金石感，把写意精神推向极至。他的画给人一种倒海翻江的感觉，这是他生命冲动的表现。从他画里就能看到，生命和艺术是同步的，心灵和笔墨是共生的，精神和技术是互动的。他把传统的技法和形式感化于心灵，再以独特的方式表现出来，因而就不再是古人的套路，而是他自己心灵的表露，这是传统向现代转变的必然表现。他之独辟蹊径，是很多人想达到而达不到的境界。这源于他生命的韧性和张力，源于他对现实生活的感悟和提取，源于他对美的敏感和发现，这是他在当代中国画创作中表现出来的一种全新的面貌，所达到的一种艺术成就的概括。

朱松发的画，不同凡俗之处在于，他始终是把内心世界作为一种主题，他画梅花和山水，就把梅花和山水化作自己内心的主题，然后加以表现，这使他达到心游物外，物我两忘的程度。不管画梅花还是画山水，都是他内心境界的一种折射，都是他个人化的表达方式。朱松发的作品之所以能使很多人看后深受感动，就是因为他守望了一种文化精神，而这种文化精神，正是支持中国文化绵延至今的一个重要的结果。

朱松发的焦墨山水是笔情墨趣的交响。大黑大白，大起大落，在当代文化艺术上营造了自己非常独特的风格。从这里也可以见到他对大自然独特的理解，对大自然独特的把握方式，以及他和大自然造化交流的方式。古人画山水往往是静态的，而朱松发先生的焦墨山水是以动态为主的，画面充满深沉感，给我们很强的艺术冲击。这是他在艺术上很成熟的表现。

朱松发笔下的墨梅，是黑白两色的交响，更是一种生命节奏的抽象化。其章法严谨而富于变化，恰似宏篇乐曲的主旋律。梅干枝条盘亘回旋，起伏跌宕，构成画面“绝处逢生”的态势。老梅干如苍岩幽谷，亦如蛟龙翻腾，尽得空灵之气与浑然雄健之美。作品诗、书、画、印互为映照，互为补充，更突出了书卷气与文化意味，还时时透出古雅的韵味，使一幅墨梅成为满载文化信息的鸿篇巨制，耐人寻味。

 朱松发的水艺术：鲜明的个性

邵大箴

黄宾虹先生说过，作画难在“自成一格”。囿于传统、为前人规范束缚者，难以自立门户。同样，受流行画风影响而无鲜明个性者，更无独立品格可言。从事绘画创作的人要做到自成一家，必须一有修养，二有悟性，三有胆识。所谓修养，有“画内功”包括绘画知识、技巧、笔墨功力等，还有“画外功”，即包括对社会生活和大自然的体验，以及其他艺术门类的修养。所谓悟性，是对绘画本质和创造原理的体悟，既有长期实践经验积累所形成的“渐悟”，也有与艺术家个人灵性关系更为密切的“顿悟”。至于胆识，是指艺术家的创造勇气与革新精神，那是艺术家不可或缺的品格。我之所以说朱松发在水墨艺术领域有独特的风格面貌，是因为他具备这三方面的条件。他是修养较为全面的艺术家，有扎实的传统功力和文化知识的储备，对传统山水画的艺术奥秘有较深的领会，更善于从大自然中吸收养料，进行有个性的创造。

从某种意义上说，风格是个性的自然流露，是长期实践积累的结果。朱松发出生在黄山紫云村，父亲是黄山有名的石匠。他自幼受徽州文化熏陶，尤受新安画派渐江、汪之瑞、程邃等人影响。他从这些前辈大师中得到最重要的启示是，水墨画创作要讲究品位的纯正。也就是说，从笔墨、章法等技巧到意境创造，要浸润传统文化的精神。但同时他深知，传统又不是一成不变的静态模式，而是变化着、流动着和发展着的结构。朱松发在研究传统的同时，狠狠抓住两个环节强化自己的艺术面貌，一是师造化，即认真地观察和研究自然。刻记着历史变迁痕迹、错落有致的徽州黑瓦白墙的村落，皖南别具特色的“黑”而“湿”的山水，给他以无穷的灵感，成为他反复提炼的艺术素材。二是珍惜和发扬自己的个性。他生性崇尚自然，讲究朴实、率真，追求阳刚之气。这两者的有机结合，形成它艺术风格的基础。

朱松发作画，爱自由挥洒，有豪迈气，但作画步骤审慎、认真。画面布局饱满、大方，予人的第一眼的感觉是气势逼人，同时映入人们眼帘的是他遒劲有力的笔线和浓重的墨色，是他别出心裁的留白和黑白变化。他善于以笔取气，以墨取韵。而他画面上的墨韵有鲜明的特色，那就是他在经意与不经意之间，用枯笔焦墨与水墨淋漓碰撞、交融，使其生发出一种既和谐、又对比的生动意象。他画出了皖南山水的雄健、厚重和苍茫。这里面既含有作者对徽州文化的历史思考，也是出于他个人独特的水墨审美趋向。作为徽派画家，朱松发的中国画豪放不失高雅，呈现出“古为今用”的特点和魅力。这一切都反映出画家心灵的内在节奏、创造的活力和思维指向的现代性。因而，在画家的作品中既有“优游不迫”的洒脱，又有“激越奔放”的活力，它表现出了性情的笔墨与意象符号是最终归宿于画家与造物本体合一的开阔襟怀的。

朱松发的山水画，继承了新安画派的伟大传统，又在传统的天地中，把自己的艺术推向更具现代意义的新阶段，和前人、和当代人拉开了距离，在当今画坛有鲜明的个性面貌，而个性面貌的形成是通往大家的必经之路。 

朱松发的中国画自成门户

孙克

中国画的确不仅仅是温柔敦厚的儒家典范，更不仅仅如某些评者所言，中国画属于阴柔内向的类型，几乎人所共知的是我们的艺术有过汉唐鼎盛时期的雄强博大的气度，浑厚质朴的风格和率真天然的表现，令那个时代的艺术魅力无限。

追求和发扬我们民族曾经有过的雄强、博大、苍莽、浑厚的胸怀气度和艺术风采，追求高峻的风骨和深远的意境，应该是我们当下画家思考的一个命题。改革开放三十年来，我们所处的时代发生了巨大的变化，呼唤水墨雄风，表现时代风骨应该成为当代画家不可推卸的责任。

画家朱松发的作品这些年来一直受到画界的广泛关注，他的画拥有挥洒自如的书写性、苍劲浑沦的金石味，构成画面强烈的华滋浑厚的境界，为人们所称道。朱松发是安徽怀宁人，众所周知，安徽历来文风昌盛，明清以来，书画金石名家迭出，影响深远，形成传统，其中黄宾虹先生的山水画对现代贡献最为深远巨大，他在中国山水画的笔墨精神意蕴方面开拓最深，尤其是在20世纪当西方文化以一种强势姿态被引进，中国画的传统精神遭遇漠视和肢解从而出现价值危机的时候，黄宾虹从史论的高度对其中中华文化的独特性给以阐述和发扬，他的山水画达到了浑厚华滋的境界，是历史时代的高度。朱松发的艺术正是沿着这样的历史沿革，几十年来在时代精神的感召下贴近生活、走向自然，得到了源头活水，同时不断加深对传统的认识，从黄宾虹的艺术中汲取笔墨精髓，他的画意韵深沉、恣肆磅礴，风骨厚重，格调奇崛，是当代山水画名家中，独具面目自成门户的一位。

身处世纪之交，面对中华民族和平崛起的千载机遇，呼唤雄强博大的气度、俊朗挺拔的风骨、卓然独立的精神，应该是当代中国画家们努力追求的艺术风范和重要的高端目标。

Born in Ziyun village, Huangshan, Anhui. At the age of 10, he moved to Huaining, Anhui Province with his parents.

Vice chairman of Anhui Artists Association, national first-class artist, Chinese painter, graduated from Anhui Academy of art, graduated from Zhejiang Academy of fine arts, now national first-class artist of Anhui Academy of calligraphy and painting. Member of China Artists Association, vice chairman of Anhui Artists Association, member of Anhui CPPCC, enjoying special allowance issued by the State Council since 1993, member of the evaluation committee for senior titles of Anhui art department.

Zhu Songfa's works of Chinese painting have been selected into professional art exhibitions at home and abroad for many times and won awards. They are also collected and displayed in art museums, museums, the Great Hall of the people, Ziguangge under the State Council, Zhongnanhai, etc. His works are included in the complete works of modern Chinese art, and his works have been introduced and published many times in the national key academic newspapers, such as people's daily, art, magazine, Chinese painting and calligraphy newspaper, art newspaper, national painter, etc. He has published many collections of paintings and has been invited to France, Australia, South Korea and other countries to hold exhibitions, lectures and art references. His works "prison song", "Chaohu Fishing Song" and "plum blossom" are collected by the Military Museum of the Chinese people's revolution, Nanjing Museum and Chairman Mao's Memorial Hall respectively. "The painting of cold fragrance" won the third prize of the 1988 China Cup Chinese painting Grand Prix. He has published a collection of personal sketching works, recommended by Jilin painting and calligraphy garden.

Zhu Songfa advocates nature, pursues simplicity, and the style of his works is wild, easy and hot. Critics comment on his works:... In the way of writing and ink, which intersects the mind and foreign objects, he is full of talent, enthusiasm and tension. He transcends the shackles of tradition and feels the poetic feeling and meaning of modern significance.

Zhu Songfa's works have participated in many professional art exhibitions at home and abroad and won awards. At the same time, they are collected and displayed by Art Museum, museum, Great Hall of the people, Ziguangge of the State Council and other units. His works are included in the complete works of modern Chinese art. People's daily, art magazine, China painting and calligraphy newspaper, art newspaper and other newspapers have introduced his achievements and published his works for many times. They have published many collections of paintings, such as tiannanhaibei, zhusongfa plum blossom collection, zhusongfa painting collection, zhusongfa sketching collection and so on. He has been invited to France and Australia to hold art exhibitions, lectures and artistic investigations.

Mr. Zhu Songfa's works, with a distinct personality and masculinity, stand in the current painting world and attract the attention of the world. He "set up the spirit in the sea of ink" and pursued the height of spiritual realm with the way of art which is willing to be lonely. With wisdom and reason, he keeps his life in step with art, and works with the determination to draw without surprise. His works convey the value orientation of human concern, and also reflect the living state, emotion and spiritual home of contemporary people. According to the authoritative art critics, Zhu Songfa is not only the outstanding representative of contemporary Hui painting, but also the representative of contemporary Chinese painting and the transformation of Chinese painting. The painting of hair is breathtaking from the distance and breathtaking from the near. He inherited the freehand spirit of Chinese painting Zhu song, strengthened the writing and the sense of gold and stone, and pushed the freehand spirit to the extreme. His paintings give people a feeling of overturning the sea and rivers, which is the expression of his life impulse. From his paintings, we can see that life and art are synchronous, mind and ink are symbiotic, and spirit and technology are interactive. He influenced the traditional techniques and forms in his mind, and then expressed them in a unique way. Therefore, he was no longer a routine of the ancients, but a manifestation of his own mind, which was an inevitable manifestation of the transformation from tradition to modern. His unique way is a realm that many people want to reach but can't. This is due to the tenacity and tension of his life, his perception and extraction of real life, his sensitivity and discovery of beauty, which is a new face and a summary of his artistic achievements in Contemporary Chinese painting creation.

Zhu Songfa's painting is different from the common in that he always takes the inner world as a theme. When he paints plum blossom and landscape, he transforms them into his inner theme, and then displays them, which makes him reach the level of forgetting both things and things outside of his mind. No matter painting plum blossom or landscape, it is a reflection of his inner realm, and it is his personal expression way. The reason why Zhu Songfa's works can make many people deeply moved after watching is that he has watched a kind of cultural spirit, which is an important result of supporting Chinese culture.

Zhu Songfa's landscape of Jiaomo is a symphony of feelings and interests. Big black, big white, big ups and downs, in the contemporary culture and art to create their own very unique style. From here, we can see his unique understanding of nature, his unique way of grasping nature, and his way of communication with nature. The ancient landscape paintings are usually static, while Zhu Songfa's landscape paintings are mainly dynamic. The paintings are full of deep feeling, which gives us a strong artistic impact. This is his mature performance in art.