李恩云，(1928.3—2005.3.26。)河北万全人。擅长中国画。1950年察哈尔省宣化师范毕业。历任宣化市文化馆美术干部，《张家口日报》美术编辑、美术组副组长，张家口地区展览馆美术组组长、副馆长、副教授。
作品《喜接春兰》、《驴》、《驼》、《墨驴图》、《红在农村》、《草原新牧民》等。其中《红在农村》入选第三届全国美展。
李恩云视养育自己的故土为生命和艺术的源泉，他的独特风格也是沿着连环画、年画和中国画的路子自觉演变过来的。经过长期的积累与实践，李恩云在中国画领域创造了一个独特的样式，事实上，独特未必就好，但李恩云的独特是根植在我们这块厚土上的，他的画是有“根”的。他的画风既有厚土般的质朴，又有天籁般诗情画意的审美取向。
然而，在李恩云的创作实践中，也不是一味地再现生活中的具象，而是将复杂的形体解构，再重新组织建构富于艺术新质的水墨形象。齐白石有句界定国画品格高下的名言：“不似则欺世，太似则媚俗”。在似与不似之间，才是中国画艺术创作的最高境界。李恩云就是在似与不似之间，尝试着走过把水墨动物画像与不画像的过程。到了晚年，他更是反其道而行之，在拙的境界里做文章，他笔下的《十驼图》、《五驴图》、《憩》等横幅，都是他超越自我的升华。他能直抒胸臆，将他独特的水墨样式推进到炉火纯青的境界。
在李恩云先生生前的诸多作品中，表现的主题无一例外都是这块热土上常见的生活场景，骆驼和毛驴等动物都是他挥之不去的意象和表现形式。李恩云先生的艺术成就也主要体现在他的水墨骆驼和毛驴上，在同题材作品中，他的水墨骆驼和毛驴已经达到了很高的艺术水准，在中国画这个领域，他创造出属于自己的独特的艺术语言，创作出一个不同凡响的水墨样式。
他在艺术上的选择和表现形式的确立，都是他所熟悉的生活使然，因为他有丰富的生活积累，那些景物和意象在他的创作中便呼之欲出。应该说，李恩云笔下的骆驼和毛驴是张家口这座城市的经济和文化产物，我们地处农耕文化与游牧文化交汇处，骆驼和毛驴成了当时载重的重要工具，也成了我们的朋友。从李恩云所画的骆驼身上，我们读到了当时张库商道的繁华；从他笔下的毛驴身上，我们也能读到庞家堡山区崎岖的山道。当时，那里的农民耕耘在大山里，收获的果实也是从大山里驮出来的，李恩云笔下的毛驴是当时山区农民劳动和生活场景的真实写照，他把驴身上驮东西的驴驮子都画得非常传神。
李恩云先生画驴，完全不同于他人，他把毛驴观察得极其认真仔细，否则毛驴的神情和神态就难以画得那么生动传神。李恩云笔下的毛驴不落俗套，各具神韵个性、憨态可爱，的确是他长期积累、厚积薄发、删繁就简、成竹在胸的结果。他在长期的观察和积累中，谙熟了毛驴的生理结构，他不是如实去再现生活中的毛驴，而是从结构和再造结构出发，以传神的手法去展现驴的灵性和神韵。　
李恩云的画记录着那个时代的精神风貌，他画中的任何道具都是张家口这方热土上真实的生活，他的遗作《赶集》、《群驴图》、《墨驼》、《牧》、《接春羔》等，都是以来自生活的朴素诗情，呼唤着我们对那个时代的记忆。（省美协副主席、市美协主席钱宗飞先生访谈）

Li Enyun, (1928.3, 2005.3.26. ) Heibei perfect person. Be good at China drawing. Examine breathed out Er to save announce to change normal school to graduate 1950. Have successively held the posts of announce to change cadre of art of city culture house, " daily of Zhang Jia mouth " assistant group leader of group of art editor, art, group leader of group of art of exhibition of area of Zhang Jia mouth, deputy curator, associate professor.
Work " happy event receive Chun Lan " , " ass " , " camel " , " Chinese ink ass pursues " , " red in the country " , " prairie new herdsman " etc. Among them " red in the country " selected beauty of the 3rd whole nation is exhibited.
Li Enyun inspects the native land that fosters his to be life and artistic fountainhead, the way consciousness that his distinctive color also is the traditional Chinese painting in be being mixed along comic, New Year picture evolves come over. The course is accumulated for a long time with practice, li Enyun drew a domain to create a distinctive form in China, in fact, distinctive may not is good, of Dan Lien cloud is an establish distinctly in us on this large tract, his picture is to have " " . His picture wind has large tract already like plain, again the poetics like sounds of nature draws the aesthetic orientaton of meaning.
However, in creation practice of Li Enyun, also not be an elephant in blindly emersion life, see complex body form however, reorganize again build compose to abound the figure of water Chinese ink that art pledges newly. Qi Baishi has a famous remark that limits relative superiority or inferiority of character and morals of traditional Chinese painting: "Do not seem a bully world, too be like a fawn on common " . In be like with do not be like between, just be the highest state that China draws artistic creation. Li Enyun is in namely be like with do not be like between, trying to had taken an animal of water Chinese ink picture and not the process of the picture. Arrived old age, he is to do exactly the opposite more, in the make an issue of in the state of clumsy, of his the wording and purpose of what one writes " 10 camel pursue " , " 5 asses pursue " , " rest " wait for a banner, it is the raising of things to a higher level that he surpasses ego. He can be straight express bosom chest, him style of distinctive water Chinese ink pushs the state of high degree of professional proficiency.
In Mr Li Enyun before one's death in a lot of work, expressional theme does not have one exception is the common life setting on this hot earth, the animal such as camel and donkey is the does not go image of his brandish and expressional form. The artistic achievement of Mr Li Enyun basically also reflects the Shui Moluo camel in him and donkey to go up, in be the same as subject matter work, camel of his water Chinese ink and donkey had reached very high artistic level, this domain is drawn in China, he creates a distinctive artistic language that belongs to his, creation gives a form of outstanding water Chinese ink.
The choice of his artistically and type of watch reveal one's true features stand really, it is the life that he is familiar with makes like that, because he has rich life to accumulate, those scenery and image are in his creation be vividly portrayed. Should say, the camel of Li Enyun the wording and purpose of what one writes and donkey are piece of members of a family the economy of this city and culture production, we are located in Nong Gengwen to change hand in with nomad culture collect place, camel and donkey were become at that time the main tool of carring capacity, also became our friend. On the camel body that paints from Li Enyun, we were read at that time piece what library business is flourishing; From the donkey body of his the wording and purpose of what one writes, we also can read Pang Jiabao a mountainous area cragged mountain line. At that time, the farmer over there is cultivated in Dashanli, the fructification of results also is carried on the back from Dashanli, the donkey of Li Enyun the wording and purpose of what one writes is at that time the true portraiture of labor of a mountainous area peasant and life setting, he draws the asinine a load carried by a pack-animal that the thing carries on the back on asinine body very much lifelike.
Mr Li Enyun draws an ass, be different from other completely, he observes donkey extremely seriously careful, otherwise the expression of donkey and bearing are drawn so racily hard lifelike. The donkey of Li Enyun the wording and purpose of what one writes does not fall convention, condition of each verve individual character, foolish is lovely, it is he is accumulated for a long time really, thick accumulate thin hair, simplify sth by cutting out the superfluous, Cheng Zhu to be in pectoral result. In he is observing for a long time and be being accumulated, know well became ripe the physiology structure of donkey, he is not to go according to the facts the donkey in emersion life, set out from structure and structure of give somebody a new lease on life however, go showing asinine intelligence of animals and verve with the gimmick of lifelike. 　
Li Enyun's picture is recording the mental scene of that times, he draws any medium prop is piece of members of a family the life of this square hot Tushangzhenshi, his posthumous work " go to market " , " group the ass pursues " , " Mo Tuo " , " herd " , " receive spring kid " etc, it is the simple poetics with coming from the life, calling us to be opposite the memory of that times. (the province is beautiful assist vice-chairman, city is beautiful assist interview of chairman Mr Qian Zongfei)