《允禧训经图》轴，清，顾铭绘，绢本，设色，纵71.8cm，横63cm。

　　本幅右款署：“顾铭敬画。”钤“顾铭之印”白文印。

　　图绘清康熙皇帝之子允禧课子经书情景。允禧（？—1758年），字谦斋，号紫琼道人，是清世祖玄烨笫二十一子，爵至慎郡王。他为人好客，礼贤下士，亦擅长书画。山水宗“元四家”之一倪瓒，兼工水墨花卉。

　　画面中允禧手拿书卷，正在教习。福晋携子坐在一侧，幼小的儿子并未专心听讲，似是要挣脱母亲之手去追逗堂前嬉闹的小猫，显现出稚童的天真本性。允禧夫妇对此并未露愠色，而是将目光也一齐转向了小猫，反映了他们借教读享受天伦之乐的情景。而捧书侍童及供水侍女之巧妙点缀，更增添了合家团聚之气氛，具有真实而浓郁的生活气息。画中主要人物肖像采用“墨骨法”，富有立体感和写实性；侍从面部则作“单涂法”，较概念化，以此来突出主体，在画法运用上颇具匠心。

 Gu Ming, a painter from Kangxi to Qianlong Dynasty, was born in Jiaxing, Zhejiang Province. His birth and death date is unknown. Painting brushes are unrestrained and unrestrained, especially refined portraits. In the history of painting, it is recorded that he is "artistic portraits, small portraits are wonderful". Emperor Kangxi once "recalled Royal Royal Royal, not only Yao, Mei, Shun and Eye, but also a kind of Taiping Heavenly Son and an image from all over the world, which was depicted from the wrist", "Reproduced all kings and ministers, without failing to reflect the richness and richness of nobility."

"Yunxi Xunjing Tu" axis, Qing Dynasty, Gu Ming Painting, silk, color, vertical 71.8 cm, horizontal 63 cm.

The right section of this picture reads: "Gu Mingjinghua." Jun's "Gu Ming Zhi Yin" in white.

Drawing the scene of Yunxi Classic, the son of Emperor Kangxi in Qing Dynasty. Yun Xi? In 1758, Qianzhai, named Ziqiongdao, was the twenty-one son of Xuan Yejuan, the ancestor of the Qing Dynasty. He is hospitable, corporal Li Xian, also good at painting and calligraphy. Ni Zan, one of the "Four Families of the Yuan Dynasty" of the Landscape Sect, works concurrently in ink and wash flowers.

In the picture, Yunxi is teaching with a scroll in her hand. Fujin and his son sat on one side. The young son did not listen attentively. He seemed to break away from his mother's hand to chase the cat playing in front of the hall, showing the naive nature of the child. The couple did not show their surprise. Instead, they turned their eyes to the kittens, reflecting their enjoyment of kinship through teaching and reading. And the clever ornament of the book-holding waitress and the water-supply waitress adds to the atmosphere of family reunion, with a real and rich flavor of life. The portraits of the main characters in the painting adopt the "ink bone method", which is full of three-dimensional and realistic sense; while the facial attendants make the "single painting method", which is more conceptual, in order to highlight the main body, and are quite ingenious in the application of painting methods.