《梅竹仕女图》

 《明月种树图》立轴，纸本，设色，纵168．5厘米，横86．5厘米。台北故宫博物院藏。

 此图中一个文人把锄倚树而立，似种树疲累正在憩息。他仰头望向夜空，梅花枝头，云开雾散，一轮明月高挂天宇。图中以墨笔写梅干细枝、繁花密萼，用笔纵放。人物用线疏简，面部刻画生动传神，将人物怡然自得、愉悦安详的神情表现的栩栩如生。

《梅竹仕女图》扇页，清，汤禄名绘，金笺，设色，纵17.8cm，横52.5cm。

扇页有自题：“伯符大兄大人雅正。汤禄名。”钤“乐民”半白半朱印。

图绘闺阁女子倚窗赏梅的小景。画家笔墨娴熟，线条婉转流畅，施墨有浓淡变化，设色以雅淡为宗，较好地表现出女子明媚秀雅的神态。女子细眉小眼、瓜子脸以及瘦体溜肩弱不禁风的体态，具有鲜明的时代特征，正是晚清时期仕女画的典型风貌。

 Tang Luming (1804-1874) was a musician, Wujin (now Changzhou, Jiangsu Province) was a man, and he lived in Jinling (now Nanjing).

Tang Yifen's fourth son, Guan Lianghuai salt transport judgment. Good description of characters, silver hook iron painting, Yajin Li Gonglin. The old Xuan Paper is used as a colorful lady for her work. She has a bright and graceful appearance and is the bear in the quiet lady's secluded world. Especially flowers and fruits are good at, beautiful and moist. Poultry and fish dot more freely, the knowledgeable person decides its paintings above Fei Danxu. The year of death is seventy-one.

"Planting Trees in the Moon" vertical axis, paper, color, 168.5 cm vertical, 86.5 cm horizontal. Taipei Palace Museum Collection.

In this picture, a scholar stands with a hoe against a tree, as if he is tired of planting trees. He looked up at the night sky, plum branches, clouds and mists, a bright moon hanging high in the sky. In the picture, the plum stem, twigs and dense calyx are written in ink, and the plum stem is indulged with a pen. Characters use lines to simplify, vividly depict the face, and vividly express the happy, happy and peaceful expression of the characters.

"Plum Bamboo Ladies Picture" Fan Page, Qing Dynasty, Tang Luming Painting, Golden Paper, Colour Setting, 17.8 cm in length and 52.5 cm in transverse.

The fan page has its own title: "Big Brother Bofu Yazheng". Tang Luming." Jun "Yue Min" is half white and half Zhu Yin.

Picture a small view of a lady in a boudoir leaning against a window to admire plums. The painter is skillful in brush and ink, smooth in line, varied in color and elegant in colour design, which better shows the beautiful and elegant manner of women. Women's narrow eyebrows, small eyes, melon-seed face and thin body, slippery shoulder and weak body, with distinct characteristics of the times, is the typical style of women's paintings in the late Qing Dynasty.