胡锡珪(1839-1883)初名文,字三桥,号盘溪外史、红茵生、红茵馆主,室名盘溪小筑、红茵馆。江苏苏州人。布衣,长居吴下。幼习丹青,夙根早慧,涉笔便有韵致。及长,便学诸家之法,于恽寿平、华新罗、李复堂、改七芗用力更多。最善没骨人物,笔墨生动,时罕其匹。光绪年间,与吴江陆廉夫、安吉吴昌硕、同里顾若波、顾西津切磋吴门,诗画唱酬,堪称一时风雅。
吴昌硕盛赞其花卉人物“精细如发而笔锋劲厉”,惜“善病工愁”,天不假年,
中岁而殁。工书画,人物师扬州华新罗、凇江改七芗,用笔秀逸能变,施墨淡而有味,配景松茸而雅,仕女得静娴淑丽之致,于七芗不遑多让。善以阔笔作没骨戏曲人物,上承宋人梁楷、石恪之余绪,下启今人关良、韩羽之新端,水晕墨章,栩栩如生。花卉竹石取法华新罗、恽南田,大写意处参酌兴化李复堂,松秀飘逸,纯以笔胜,墨气流动,奔放淋漓。
《寒江独钓图》扇页,清,胡锡珪绘,金笺,设色,纵17.8cm,横50.3cm。
扇页有自题:“子英五兄大人属胡三桥写寒江独钓图。”钤“三桥”朱文印。
此扇图绘的是唐柳宗元《江雪》诗意:“千山鸟飞绝,万径人踪灭。孤舟蓑笠翁,独钓寒江雪。”作者为了表现下雪的情景,特地在江面、蓑衣、斗笠及竹叶上敷以白粉,白色不仅暗示出雪意,也增强了画面清凉的意境,与垂钓者自得清娱的高逸品格相应。全图用笔一丝不苟,正如吴昌硕所评:其画“精细如发,而笔锋劲厉”。
Hu Xikui (1839-1883) is the first name of the article, the word "three bridges", the history of Panxi, the owner of Hongyinsheng and Hongyingguan, the room name of Panxi Xiaozhu and Hongyingguan. People from Suzhou, Jiangsu Province. Cloth clothes live in Wuxia for a long time. When young people learn Danqing, they are early-witted and have charm when they are involved in writing. As a result, he learned the methods of various schools, and made more efforts in Yun Shouping, Hua Xinluo, Li Futang and Qi Wan. The best boneless person, vivid brush and ink, rare. During Guangxu's reign, he consulted Wumen with Lu Lianfu of Wujiang, Wu Changshuo of Anji, Gu Ruobo and Gu Xijin. His poems and paintings were rewarded with elegance.
Wu Changshuo praised his flower characters as "exquisite and vigorous". He cherished the "good sickness and work worries" and did not have holidays.
He died in his middle age. Calligraphy and painting, the figure teacher Yangzhou Huaxinluo, Oujiang to change Qiqiqian, with the brushwork elegant, light and tasty ink, matching scenery matsutake and elegant, ladies have quiet and graceful, in Qiqian not hesitate to give way. He is good at making boneless opera characters with broad brushwork, inheriting the remaining thoughts of Liang Kai and Shi Ke of the Song Dynasty, and opening up the new end of Guan Liang and Han Yu of today's people, with vivid ink halo. Flowers and bamboo stones are taken from Fahua Xinluo and Yun Nantian. The freehand brushwork refers to Xinghua Li Futang, which is elegant and elegant. It is purely won by writing, and the ink flows freely and freely.
"Hanjiang Lone Fishing Picture" Fan Page, Qing Dynasty, Hu Xibao Painting, Golden Paper, Colour Setting, 17.8cm Vertical, 50.3cm Transverse.
The fan page has its own title: "The fifth elder brother of Ziying belongs to Hu Sanqiao and writes a picture of Han River fishing alone." Jun "Three Bridges" Zhu Wenyin.
This fan depicts the poetry of Tang Liu Zongyuan's Jiangxue: "Thousand mountain birds fly, thousands of paths disappear. The lone boat, Li Weng, fishes alone in the snow of the cold river. In order to show the snowfall, the author specially applied white powder on the river surface, castor clothes, hat and bamboo leaves. White not only implies the snow, but also enhances the cool mood of the picture, which corresponds to the high-quality character of the fisherman's self-pleasure. The whole picture is meticulous with the brush, as Wu Changshuo commented: its paintings are "as fine as hair, and the strongest brush".
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