《圆信像》轴，明崇祯十六年（1643年），张琦绘，绢本，设色，纵129.7cm，横78.8cm。

　　此图绘僧人圆信坐像。本幅左侧中部款署：“癸未冬日，绣水弟子张琦敬写。”下钤“张琦之印”、“玉可氏”印2方。上诗堂有圆信自题像赞，款署：“癸未冬八日自赞，示西堂、形山、径山，七十三青狮翁注。”画与题为同一年，据考此癸未当为明崇祯十六年（1643年）。

　　图中所绘是圆信大师73岁时像，大师身着赭色僧服，披红色袈裟，右手执拂尘，左手自然地置于腹部，端坐椅上。披发微髭，相貌清癯，面部轮廓清晰，凹凸感强烈，用色与墨渲染，几乎没有线条的痕迹，表现得极为传神。在“波臣派”创始人曾鲸的作品中一般只注重人物面部的细微刻画，而在此幅波臣派画家的作品中，服饰道具等都表现得非常精细，可见张琦在绘画方面的深厚功力。

 The author, Zhang Qi (the year of birth and death is unknown), mainly took part in the late Ming and early Qing Dynasties. He was also a Jade Ke, a native of Jiaxing, Zhejiang Province. Being good at portrait painting and passing on Zeng whale law, he is an important member of the Bochen School. There are few works handed down from generation to generation. At present, there are only two axes in China, namely, the "Round Letter Image" collected by the Palace Museum and the "Shang You Tu" collected by the Shanghai Museum in cooperation with Xiang Shengmo. As the monk Huang Bizong brought Zhang Qi's portrait painting into Japan, the "Bochen School" painting was introduced into the country, which had a certain impact on the style of Japanese portrait painting.

The axis of Yuanxin Image, 1643 in Chongzhen, Ming Dynasty, is painted by Zhang Qi, silk and colored, 129.7cm in length and 78.8cm in breadth.

This picture shows the Buddhist monk Yuanxin sitting image. The middle section on the left side of this picture reads: "Before winter, embroidered disciple Zhang Qijing wrote." Xiajun's "Zhang Qi's Seal" and "Yukeshi" seals are printed on two sides. There are Yuanxin's self-inscribed praise in Shangshitang, and the Department of Section: "On the eighth day of the winter before the end of the Gong Dynasty, we praise ourselves; on the eighth day of the winter, we show Xitang, Xingshan, Jingshan, and seventy-three annotations by the green lion Weng." The painting and the title are the same year, according to which Gui was not regarded as the 16th year of Chongzhen in the Ming Dynasty (1643).

The picture shows Master Yuanxin at the age of 73, dressed in ochre monk's clothes, wearing red robes, holding the dust in his right hand, naturally placing his left hand in his abdomen and sitting in a chair. Hair shawl, clear appearance, clear facial contour, strong concave and convex feeling, with color and ink rendering, almost no trace of lines, very vivid performance. In the works of Zeng Whale, the founder of the Bochen School, only the subtle depiction of the characters'faces is generally emphasized. In this work of the Bochen School painters, clothing and props are all very fine, which shows Zhang Qi's deep skill in painting.