仇珠，明代女画家，原籍南直隶太仓，号杜陵内史，仇英之女，自幼聪颖内秀，随父寓居苏州，受环境熏陶，画风继承家父。在吴门女画家中，其画可与文俶媲美。擅画人物、山水、楼阁，长于人物故实和大士像功德画。通晓笔墨之道，作品细密精研，多用工笔重彩，笔意不凡。人物仕女，传神入化、细密艳逸，没有浮躁媚俗之气，衣纹线条刚健流畅，酷类其父。
所画《观音大士像》，慈容端穆，神态妍雅，隐隐透出画外。《着色白衣大士像》，妙相庄严，璎珞上堆粉圆而凸起，仿佛灿烂的珠粒。曾摹李公麟白描《群仙高会图》长卷，人物百余，工细秀逸，题款为“仇珠临第二本”。清代钱大昕跋云：“杜陵内史濡染家学，写洛神飘忽若神，一扫脂粉之态，真女中伯时(李公麟)也。”画迹有《观音像》轴、《青鸟传音图》轴，著录于《式古堂书画汇考》；《琴棋书画图》卷(四段)，图录于《二十家仕女画存》。传世作品有《画唐人诗意图》轴，藏北京故宫博物院。
Qiu Zhu, a female painter of Ming Dynasty, was born in Taicang, Nanzhili, known as Duling's Inner History. Qiu Ying's daughter was smart and beautiful from childhood. She lived in Suzhou with her father and was influenced by the environment. She inherited her father's painting style. Among women painters in Wumen, their paintings are comparable to those of Wen Lu. He is good at drawing figures, landscapes and pavilions, and is good at drawing meritorious and virtuous figures and statues of noble men. Knowing the way of brush and ink, the works are meticulous and meticulous, multi-use meticulous brush and heavy color, and the brushwork is extraordinary. Characters and ladies, vivid, delicate and elegant, no impulsive and vulgar atmosphere, strong and smooth lines, cool like their father.
The Guanyin Master's Statue painted is graceful and graceful, and reveals itself in a subtle way. The Coloured White Master's Statue has a beautiful and solemn appearance. It is like a brilliant pearl on the top of the jar. He once copied Li Gong-lin's white sketch of "The Painting of the High Society of Immortals" in a long volume, with more than 100 characters, exquisite workmanship and elegance, with the title of "The Second Book of Qiu Zhu Ling". Qian Daxin Bayun of the Qing Dynasty said, "Du Ling's internal history is influenced by family studies. He writes that Luo Shen is a God who is vague and flirtatious. He sweeps away all the fat and powder, and the real girl, Boshi (Li Gonglin), is also one of them." The paintings include the Avalokitesvara axis and the Avalokitesvara Avalokitesvara axis, which are recorded in the Collection of Calligraphy and Painting in Style Ancient Hall, the Qinqi Calligraphy and Painting Volume (4 paragraphs), and the Twenty Paintings of Ladies. The works handed down from generation to generation include the axis of "Painting the Intention of Tang Poetry", Tibet, Beijing Palace Museum.
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