诗作

【雨后过云公问茶事】

雨洗千山出，氤氲绿满空。开门飞燕子，吹面落花风。

野色行人外，经声流水中。因来问茶事，不觉过云东。

【半塘寺一上人小楼】

何处闻清磬，春云度半塘。茶香连小院，楼影带修廊。

不染莲花净，闲贪佛日长。晚山如有意，飞翠满绳床。

【送汪公珣重游塞上】

才子亦弓裘，重为万里游。颇谙区脱语，未饮月支头。

雪上黄云色，沙中暮角愁。功名少年事，塞草易为秋。

【秋日】

槿花委露渚莲愁，无复红妆荡小舟。浓淡云山堪入画，萧闲门径自宜秋。

当时载酒人如鹤，昨夜吹箫月满楼。鸿雁欲来江欲冷，白苹风起思悠悠。

【无题简洵美】

绿鬟欹堕翠蛾愁，蜡烛高烧花满楼。箫起玉台双引凤，星回银汉一牵牛。

茱萸匣里常藏月，豆蔻枝头不作秋。昨日江枫吹叶紫，横塘无复采莲舟。

【暮归书事】

竹溪萝径自幽清，片片山衣细霭生。薄暮园庐半烟火，高原禾黍正秋晴。

遥看绿酒悬帘卖，未办青钱挂杖行。新月柴门牛背笛，澹云红树总诗情。

子建自楚归过访

湘君庙下鹧鸪啼，芳草王孙去路迷。春水看消巴蜀雪，桃花游遍武陵溪。

朝云梦里江南路，风雨灯前夜半鸡。归到故园秋未老，一尊还唱白铜鞮。

 传世作品有隆庆二年（1568）作《品泉诗意图》，图录于《中国名画》；万历二年（1574）作《松荫观瀑图》轴、十一年(1583)作《云岚松色图》卷现藏故宫博物院；《万松小筑图》轴藏上海博物馆；嘉靖四十年（1561）作《潮满春江图》轴藏镇江市博物馆；万历九年（1581）作《松壑高闲图》轴藏香港虚白斋。

《兰竹石图》扇页，明，居节绘，纸本，墨笔，纵14.6cm，横45cm。

扇页有自题：“居节戏墨。”钤“居士贞”白文印。

　此图自题“戏墨”，当属居节自娱自乐之作。图中兰、竹笔力劲健，不乏灵动。山石以枯笔勾轮廓，干笔皴擦石面，显现出坚实方硬的质感。在秀雅中含有一种凛然难犯的韵味，反映了画如其人。居节是位注重气节的画家，其人品犹如坚硬的石品和清雅自得的兰、竹之品。他曾因刚直不阿的倔强性格，受到织监孙隆的诬陷，但是他无怨无悔，始终以笔墨丹青遣兴抒怀，最后竟以穷死。

《兰图》扇页，明，居节绘，纸本，墨笔，纵16cm，横45cm。

扇页有自题：“居节戏笔。”钤“居仲”白文印。

　图绘一丛幽兰，兰叶左右纷披，兰花上仰下垂，表现出自然天成的意趣。全图以中锋行笔，润泽劲健的笔墨风格极近文徵明，兰叶用笔舒展流畅，穿插有序，疏放得体；兰花隽秀清怡，给人以清高拔俗的美感。画幅正中有今燕题诗，落款：“留别元凯兄北上。今燕写。”今燕本姓赵，名彩姬，字今燕，是位名冠北里的明代南院妓女。由此可见居节的画作被时人喜爱，甚至被妓家作为与友人离别的赠品。

 Jujie (1524-1585), a painter and calligrapher of Ming Dynasty. Zishizhen, a chastity, was named Shanggu, Xichang Yishi, a native of Wuzhou (Jiangsu Province). Less from Wen Zheng Mingyou, books and paintings as disciples into the room. Landscape painting is simple and far-reaching, with the style of Song people. Family-based weaving, which belongs to the Bureau of weaving, was framed by Sun Long, the supervisor of weaving, and was detained to break the family. In his later years, he lived in the southern village of Huqiu, where the houses were numbered, comfortable and desperate. Once he started to write a piece of "She Song Yuanxiu", he made the children easy to cook rice and die of poverty. Later generations cherished his paintings and thought that they could be in harmony with Zhu Lang and Hou Maogong. Neng Poetry is the author of Collection of Herdsmen.

The works handed down from generation to generation include Longqing 2 years (1568), Pingquan Poetry Intention, catalogued in Chinese Paintings; Wanli 2 years (1574), Songyin Guan Waterfall Picture, 11 years (1583), Yunlan Pine Picture, which is now in the Palace Museum; Wansong Xiao Zhu Picture, which is in the Shanghai Museum; Jiajing 40 years (1561), Chao Manchun Jiang Picture, which is in the Zhenjiang Museum; Wanli 9 years (1). 581) Making "Song Sai Gao Leisure Picture" Axis Tibet Hong Kong Xubaizhai.

The works handed down from generation to generation include Longqing 2 years (1568), Pingquan Poetry Intention, catalogued in Chinese Paintings; Wanli 2 years (1574), Songyin Guan Waterfall Picture, 11 years (1583), Yunlan Pine Picture, which is now in the Palace Museum; Wansong Xiao Zhu Picture, which is in the Shanghai Museum; Jiajing 40 years (1561), Chao Manchun Jiang Picture, which is in the Zhenjiang Museum; Wanli 9 years (1). 581) Making "Song Sai Gao Leisure Picture" Axis Tibet Hong Kong Xubaizhai.

"Lan Zhu Shi Tu" fan page, Ming Dynasty, Jujie Painting, paper, ink, 14.6 cm vertical, 45 cm horizontal.

The fan page has its own title: "Jujie Drama Ink". Jun "Jushizhen" white print.

This picture, titled "Drama and Ink", belongs to the work of self-entertainment and self-enjoyment in the Festival of Residence. In the picture, Lan and Bamboo brushes are vigorous and flexible. The stone outlines with dry brushes and rubs the stone surface with dry brushes, showing a solid, square and hard texture. In elegance, there is an awesome charm, which reflects the image of a person. Jujie is a painter who pays attention to integrity. His character is like hard stone and elegant and self-satisfied products of orchid and bamboo. He was once framed by Sun Long, the weaving supervisor, for his upright and stubborn character, but he had no complaints and no regrets. He always expressed his feelings with his pen and ink, and eventually died in poverty.

Lantu Fan Page, Ming Dynasty, Jujie Painting, Paper, Ink, 16cm in length and 45cm in breadth.

The fan page has its own title: "Jujie Drama Pen". Jun "Juzhong" white print.

Picture a clump of orchids, orchid leaves scattered around, orchids hanging up, showing a natural interest. The whole picture is written by a centre-forward, with a moist and vigorous brush and ink style that is very close to the text. The orchid leaves are stretched and fluent with their brushes, interlaced in an orderly manner and laid out appropriately. The orchids are meaningful and delightful, giving people a sense of beauty of elegance and vulgarity. In the middle of the picture, there is a poem inscribed on Yan, which reads: "Say goodbye to Brother Yuankai and go north." Today Yan writes. Yanben is Zhao, Caiji and Jinyan. She is a prostitute in Nanyuan of Ming Dynasty, whose name is Beili. Thus it can be seen that the paintings of Jujie are loved by the people of the time, and even used by prostitutes as gifts for departure from