孙隆，开国忠愍侯孙兴祖之孙，宣德（1426-1435）间入值内廷，曾为“金门侍御”（翰林待诏）。生性颖敏，有仙人风度。工画花鸟，得徐熙、赵昌“没骨图法”，所绘禽鱼草虫不先勾勒定形而直接以色彩点染物象，此一画技可谓另开蹊径，自成一家，丰富了花鸟画传统技法，对后世泼彩写意影响深远。亦擅山水，宗宋代米芾、米友仁父子。从艺活动约在永乐、宣德、正统间，与林良（1416-1480）同时。

 传世作品有《雪禽梅竹图》轴、《芙蓉游鹅图》轴，现藏故宫博物院；《花鸟草虫图》卷藏吉林省博物馆；《花鸟草虫图册》十二页藏上海博物馆；《牡丹图》册页藏辽宁省博物馆。

芙蓉游鹅图

简介：绢本，设色，纵159.3cm，横84.1cm。北京故宫博物院藏。

画图中一狮头大鹅，侧身临溪立于芙蓉花石之下，形态生动，栩栩如生，仿佛似闻其鸣。芙蓉偃斜上伸，仰拶风露，意态雅逸。鹅用勾染法，花用点染法，枯润织浓，掩映相发，挥朴清丽。将勾、染、点有机地融于一体，既潇洒放逸，又秀丽典雅，寄新意于法度之中，得妙理于豪放之外，风格独异。

无款。钤朱文“孙隆图书”、“金门侍御”、“开国忠敏侯孙”三印。

花鸟草虫图册

简介：册页，绢本，纵22.9厘米。上海博物馆藏。

此图册共有十二开，都是以写意的手法，写生花鸟草虫。画中直接以笔着色渲染点画，不见钩勒之笔，简括疏略，挥洒纵横，笔不到而意连，线不写而韵生，设色淡雅，为大写意花鸟画之先声。在此选其中二开，可见其写意草虫花卉的功力。 

《雪禽梅竹图》

绢本，设色，纵116.5cm，横61.2cm。

本幅无款署，钤“开国忠愍侯孙”朱文印。其上有“无竟五十以后所得”收藏印，右下角钤“山阴任氏珍藏”、“振庭古缘”收藏印。

花鸟题材的作品中，表现雪景的并不很多，因为四季中冬季景色最为单调，绘画受到限制。此幅独辟蹊径，画一枝古梅于雪中绽放，引来麻雀在枝头欢叫。几朵幽淡的梅花，几片尚绿的竹叶，几只活泼的小鸟，在冬日萧瑟的雪景中透露出勃勃生意。

 Sun Long, the grandson of Sun Xingzu, the founding loyal marquis, was appointed to the Inner Court between Xuande (1426-1435) and served as "Golden Gate Servant" (Hanlin waited for imperial edict). Gentle and sensitive nature, immortal demeanor. Flowers and birds are painted by Xu Xi and Zhao Chang with "boneless drawing method". The painted birds, fish, grass and insects do not first outline the shape but directly dye the image with color. This painting technique can be described as a new way to create a family of its own, enriching the traditional techniques of flower and bird painting, and has a far-reaching impact on later generations'splashing colors and freehand brushwork. He was also good at landscapes, Mi Fu and Mi Youren's father and son in Zong Song Dynasty. From the artistic activities in Yongle, Xuande, Orthodox, and Lin Liang (1416-1480) at the same time.

The handed down works include the axes of "Snowfowl, Plum and Bamboo Pictures" and "Furong Goose Pictures", which are now in the Palace Museum; Flower, Bird, Grass and Insect Pictures"which are in the Jilin Museum; Flower, Bird, Grass and Insect Pictures which are in the Shanghai Museum on 12 pages; and Peony Pictures which are in the Liaoning Museum.

Furong Goose Picture

Brief Introduction: Silk, colour setting, 159.3 cm in length and 84.1 cm in transverse. Beijing Palace Museum Collection.

In the picture, a lion-headed goose, standing side by side under the hibiscus flower stones, is vivid and lifelike, as if to hear its song. Hibiscus obliquely stretches upward, lifts up the wind and dew, and has elegant and leisurely mood. Goose uses the method of collocation, flower uses the method of dot dyeing, withered and moist weaving, covering each other, playing plain and beautiful. The organic integration of hook, dye and dot is not only handsome and relaxed, but also beautiful and elegant. It puts new ideas into the law, and has unique style and reason besides bold and unconstrained.

No money. Jun Zhuwen's three seals are "Sun Long Books", "Golden Gate Servant to the Emperor" and "Founding Zhongmin Hou Sun".

Flower, Bird, Grass and Worm Atlas

Introduction: Pages, silk, 22.9 cm in length. Shanghai Museum Collection.

This atlas has twelve openings, all of which are freehand sketches of flowers, birds, grass and insects. In the painting, the brush is directly colored to render the dotted paintings, but the hook-and-tie brush is not seen. It is simple and straightforward, sprinkles vertically and horizontally, unexpectedly connected with the brush, the line is not written but rhymed, and the color is light and elegant, which is the forerunner of freehand flower-and-bird painting. In this selection of two open, we can see its freehand brushwork of grass, insects and flowers.

"Snowbird Plum and Bamboo Picture"

Silk, coloured, 116.5 cm in length and 61.2 cm in breadth.

There is no money department in this picture. Zhu Wenyin, the founder of the People's Republic, is loyal to Hou Sun. It has a collection seal of "Wu Jing 50 years later" and a collection seal of "Shanyin Ren's Collection" and "Zhenting Ancient Margin" in the lower right corner.

Among the works on flowers and birds, there are not many snow scenes, because winter scenery is the most monotonous in the four seasons, and painting is limited. This unique painting depicts an ancient plum blooming in the snow, which attracts sparrows to cheer on the branches. Several faint plum blossoms, several green bamboo leaves, and several lively birds reveal thriving business in the bleak winter snow.