赵原，一作元。生卒不详，中国元末明初画家，入明后因避朱元璋讳而改作原，字善长，号丹林，莒城（今山东莒县）人，一作东平（今属山东）人，寓吴（今江苏苏州）。明太祖洪武（1368-1398）间征至中书令。洪武五年（1372）在昆陵作听松图，此顷被征至京图往贤着功名者像，应对忤旨，被杀。工山水，远师董源，进法王蒙，善用枯笔浓墨。兼能竹石，当时在平江一带负盛誉。作品多作浅绛山水，笔墨圆劲秀逸。亦长于画竹，画法多变，有龙角、凤尾、金错刀之称。有《合溪草堂图》、《晴川送客图》、《溪亭送客图》、《陆羽烹茶图》等传世。

《陆羽烹茶图》元代文物，原属：故宫旧藏文物，现状：台北故宫博物院藏纸本，水墨，纵：27厘米，横：78厘米
       此图绘山水清远,茅檐数座,屋内峨冠博带、倚坐榻上者即为陆羽,前有一童子焙炉烹茶。本幅有作者自题:“陆羽烹茶图”。画面图文并茂,铸造了士大夫烟霞痼疾与泉石膏肓的精神世界,从一个侧面折射了元代的社会思潮。此图山石皴法的侧锋圆转,树点墨法的粗重厚实,无不着意经营,缺少空灵虚旷、自然无为的韵致,特别是湿笔淡墨的运用,还未能打破宋人的陈式。本幅有窥班诗题,还有乾隆皇帝的御题诗。
       图绘远山起伏，水面辽阔，临溪筑有草阁，丛树掩映。阁内一人坐于榻上，当为陆羽，一童子拥炉烹茶。陆羽为唐代学者，闭门著书，不愿为官，以嗜茶闻名，有《茶经》传世。此图表现了文人隐居闲适的生活。远山近坡用披麻皴，皴笔圆转虬曲，颇多侧锋，树法书落，学董巨而有变化。[画师今赵元，东吴谅无双]是当时对赵原绘画的评价。[画师]是对职业画家的称谓，元代职业画家的绘画题材、画风都不同程度地受到文人画家的影响，于此图可见一斑。卷首画家自题[陆羽烹茶图]，卷尾署[赵丹林]，钤[赵]、[赵善长]二印。图中有窥斑等诗题。钤有明项元汴，清梁清标、安岐及清内府鉴藏印。

Zhao Yuan, one for yuan. (Now Juxian) people, one for Dongping (this is a Shandong) people, who lived in the late Ming and early Qing Dynasty, the late Ming and early Ming Dynasty painter, Wu (now Jiangsu Suzhou). Ming Taizu Hongwu (1368-1398) between the sign to the book order. Hongwu five years (1372) in Kunling to listen to Songtu, this are being levied to the Beijing map to the Yin who fame, response disobedience, was killed. Work landscape, Yuan Shi Dong Yuan, into the law Wang Meng, make good use of dry pen thick ink. And can Bamboo, was a negative reputation in Pingjiang area. Works for shallow Jiang landscape, pen and ink round Jin Xiu Yi. Also longer than the painted bamboo, painting changing, there are Long Point, Pteris, the wrong knife known. "Hexi cottage map", "Qingchuan send guest map", "Xiting send guest map", "Lu Yu tea map" and other handed down.
       Former: the National Palace Museum, the status quo: the Taipei Palace Museum possession of paper, ink, vertical: 27 cm, horizontal: 78 cm
       This picture painted landscapes Qingyuan, Maoyan several seats, with the crown E Bo Bo, who sit on the couch is Lu Yu, before a boy roasted tea cooking. This site has the author from the title: "Lu Yu tea map." Screen illustrations, casting the literati and the ghosts of the plague of the world, from one side of the reflection of the social trend of the Yuan Dynasty. This map of the flatter method of lateral flap, the point of the Mexican law of the thick and thick, all without the intention of operating, the lack of ethereal virtual Kuang, natural inaction of the charm, especially the use of wet pen ink, also failed to break the Song Chen . The poem has a glimpse of poetry, as well as Emperor Qianlong's poem.
       Map of the far-ups ups and downs, the vast water, Pro Creek built a grass Pavilion, set off trees. Court, one sitting on the couch, when Lu Yu, a ladle furnace cooking tea. Lu Yu for the Tang Dynasty scholars, closed-door book, do not want to official, known for tea, "Tea" handed down. This figure shows the quiet life of literary seclusion. Near the mountain with Phi Ma Cun, Cun pen to turn Qiu, a lot of side, tree law books, learn Dong giant and change. [This artist Zhao Yuan, Dong Wu unparalleled] was the original painting of Zhao evaluation. [Painter] is the title of professional painter, the painter of the Yuan Dynasty professional painting themes, style are different degrees by the influence of literati painter, can be seen in this figure. Volume of the first artist since [Lu Yu cooking tea map], volume tail [Zhao Danlin], seal [Zhao], [Zhao good long] two Indian. In the figure there are peep spots and other poems. Qian Ming has a clear element of Kaifeng, clear Liang Qingbiao, An Qi and Qing Dynasty House Kam Tibetan.