孙君泽存世作品，比较可靠的有日本嘉静堂《夏》、《秋》山水立轴一对；东京国立博物馆《雪景山水图》；美国高居翰景元斋《溪边水榭》。日本嘉静堂《夏》、《秋》山水立轴一对，应该还有《春》、《冬》两帧，如此才可以凑成四条一组。这组作品绝肖马远，置之其中，实是很难让人辨别何者为孙何者为马，由此可见孙君泽于马远所下的功夫。据说孙的界画造诣尚胜马一筹，后世浙派一脉中也几乎没有超越者，因此，这反成为辨别孙君泽作品真伪的关键。台北故宫博物院一件《山水人物》，旧传为马远之作，但班宗华依据嘉静堂《夏》、《秋》，断为孙君泽的手笔，特别是“两株松树仿佛是从嘉静堂两轴上各取一株拼合而来”，似也不无道理。

孙君泽《雪景山水图》，东京国立博物馆藏
东京国立博物馆所藏《雪景山水图》虽然依然传承马、夏的风格，但有两点已然不同马、夏：一是，马、夏山水尺幅往往较小，少有大幅作品传世，此件堪称巨幛；一是，“宋代画家通常将他们的主题图像置于近景，而将画面其馀部分留白，意在营造清远之境。”孙君泽“则仅将画面中景留白，远景则是高大的群山。”“这样的画法，是他所模仿的宋代画作品中并不常见的。”这其实也是创新，——对传统的一种突破，体现出时代的元素。于此反观明代浙派的作品，影响自然是有目共睹的：即已然“超越了明代画家所临摹的宋画本身。”所以，以此而言称孙君泽为先浙派的代表人物是恰当而中肯的。台北故宫博物院一件定为“宋佚名《雪景图》”，班宗华将其断为孙君泽的作品，理由是这两件作品有着惊人的相似之处。而这件作品有人也断为明初宫廷画家钟礼，但班宗华还是认为“真正的作者或许更可能是孙君泽”。诚然，此画所传递出来的气息来看，与明初还是略有距离的。故班宗华的解释是：“笔触看来更为随意而未加修饰，仿佛还是一张草图”，则未必令人信服。另外，班宗华还将传为夏圭的《望梅》亦归于孙君泽名下，以其相似性而言，到不无意思。但稍见燥气，树法也与孙君泽略有不同，如果断为明人之作到似乎更为合理。况且，如确为孙君泽手迹，则构图的雷同，反到令人怀疑他的创作能力了。

Sun Junze (birth and death unknown), Yuan painters, living in the 14th century, Hangzhou people. The works of Ma Yuan, Xia Gui, style of work caused by careful, after the Ming Dynasty Zhejiang School of painting has a direct impact on the development. His works are widely found in Japan.
       Sun Junze survived works, more reliable Japanese Jiajingtang "summer", "autumn" vertical axis of a pair of mountains and rivers; Tokyo National Museum "Snow Landscape"; the United States of America highest in the King of Yuanzhai "River waterside." Japan Ka Ting Jing "summer", "Autumn" vertical axis of a pair of mountains and rivers, there should be "spring", "winter" two frames, so can make up a group of four. This group of works must Ma far, home of them, it is difficult to distinguish who is the sun who is a horse, we can see Sun Junze in Ma Yuan's effort. It is said that Sun's painting of the world is still a horse, and the latter is almost no transcendent, so this is the key to distinguish the authenticity of Sun Junze's works. Taipei National Palace Museum a "landscape character", the old pass for the horse far, but the class according to Hua Jing Tang "Summer", "Autumn", cut Sun Junze's handwriting, in particular, "two pine like Two-axis on each one from a stitching ", it seems not unreasonable.