石恪，生卒年不详，五代末宋初画家。字子专，成都郫县（今属四川省郫县）人。他为人古怪、滑稽玩世，敢于冲破传统，以强劲狂放的笔势，简练夸张的形象，直抒胸臆。把表现主观感情、意趣作为绘画的主要目的。

[宋]字石洪子专，成都郫（今四川郫县）人。性滑稽，有口辩。工画佛道人物，始师张南本，后笔画纵逸，不专规矩。乾德三年（九六五）孟蜀平，至宋都，被旨画相国寺壁。授以画院之职不就，坚请还蜀，许之。攻古体人物，学张南本笔法，虽豪贵相请，少有不足，图画之中必有讥讽。所作形相或丑怪奇崛，以示变。开宝八年（九七五）尝画相国寺壁。

 《益州名画录》

“石恪，字子专，成都人也。幼无羁束，长有声名，虽博综儒学，志唯好画。

攻古体人物，学张南本笔法。有田家社会图，鳖灵开峡图，夏禹治水图，新罗人

较力图，陈子昂、卢藏用、宋之问、高适、毕构、李白、孟浩然、王维、贺知章、

司马承祯仙宗十友图，严君平拔宅升仙图，五星图，南北斗图，寿星图，儒佛道

三教图，道门三官五帝图。虽豪贵相请，少有不足，图画之中，必有讥讽焉。城

中寺观壁画亦多，兵火后，余圣寿寺经阁院玄女堂六十甲子神、龙兴观仙游阁下

龙虎甘，并见存。”

《图画见闻志》

郭若虚说石恪：“笔墨纵逸，不专规矩。”

《宣和画谱》

“初师张南本，技进，益纵逸不守绳墨，气韵思致过南本远甚……好画古辟人物，诡形殊状，格虽高古，意务新奇，故不能不近乎谲怪。

《宋朝名画评·石恪传》

石恪，字子专，成都郫人。性轻率，尤好凌轹人物。尝为嘲谑之句，略协声韵，与俳优不甚异，有杂言，为世所行。初事张南本学画，才数年已出其右。多为古僻人物，诡形殊状，以蔑辱豪右，西州人患之。尝图画五丁开山、巨灵擘泰华图，其气韵刚峭，当时称之。今蜀会秦川至阙下尚多恪笔。

其他史料

《德隅斋画品》、《洞天清禄集》、《山尝肆考》《十国春秋》均对其有所记载。

石恪作品

 《二祖调心图》

纸本水墨，纵35.5厘米，横129厘米。日本东京国立博物馆藏

图中表现慧可、丰干二位禅宗祖师调心师禅时的景象。慧可为禅宗二祖。画卷中，双足交叉趺坐，以胳膊支肘托腮的便是慧可，另一幅画丰干坐于温驯如猫的老虎的背上。

其他作品

《帝仙对弈图》《寿星图》《五星图》《严君平拔宅升仙图》……

 Shi Ke, a painter in the late Five Dynasties and early Song Dynasty, was born and died in an unknown year. Zijie, a native of Pixian County, Chengdu (now Pixian County, Sichuan Province). He is eccentric, funny and cynical. He dares to break through the tradition and express his mind directly with strong and wild style, concise and exaggerated image. The main purpose of painting is to express subjective feelings and interests.

[Song] Zishi Hongzi, a native of Pixian, Chengdu. Sex is funny, and there's rhetoric. Zhang Nanben, the first master of Buddhist and Taoist figures in industrial painting, painted freely in his later strokes and did not specialize in rules. In the third year of Qian De (965), Meng Shuping, to the capital of Song Dynasty, was purported to paint the walls of Xiangguo Temple. If the post of painting academy is not fulfilled, please return it to Shu. Although Zhang Nan's brushwork is noble and inviting, there are few shortcomings, and there must be irony in his paintings. The appearance or ugliness of the act is a sign of change. In the eighth year of Kaibao (ninety-seventy-five), I tried to paint the walls of Xiangguo Temple.