四季山水楼观册
谢遂所绘的这一组四幅《四季山水楼观》册页在笔墨、技法、气韵、情趣上，以下几点独到之处值得有识者玩味：
1.以薄彩浅墨设色，色调清雅，构图简洁。笔墨洗练而精致，笔法从容中不失稳重，使每幅画面都洋溢出清新幽远的意境。通常的宫廷作品大多以严谨工整，鲜明艳丽的风格烘托出华丽高贵的皇家气象，乾隆一朝尤甚。但谢遂的这一组作品却以对宋代文人笔下山情水意的倾慕和追求，在华贵之上，皴擦点染出一缕优雅自在难能可贵的清贵之气。
2.借用透视线描的西画技法于中国的笔墨，使得山水景物观之有远近之分，亭台楼阁临之得纵深之妙，一石一树皆有阴阳相背，春花秋雁可辨明暗虚实。尤其是在山深林密之处，回廊屋檐之所，以水墨而为的上深下浅渲染之法更是提点接引出画面的层次之分，立体之感。在当时西风东渐的时代背景下，当属中国画家采用欧洲风景建筑画的渲染之法描绘中国山水景观的绝佳之作。
3.一亭清凉，两行秋雁，桃红柳绿，寒梅暖帘……无需大费笔墨周章，仅以看似不经意的寥寥数笔就提炼出了四季之别，能使春秋之妙油然而生，冷暖之情内敛于胸，这等的修养情趣，即便是与当时的文人画大师们相比也起码不落下风。
4.为了推动中法两国之间的文化交流，法国政府将2004年定为法国的中国文化年。期间两国政府部门和民间团体都举办了一系列各种形式的文化交流活动。其中一项活动由法国各大博物馆与图书出版机构发起，并经法国文化部推动的文物史料展览和图书出版项目被命名为“从凡尔赛到紫禁城”。其中，由法国国家图书馆根据馆藏数据编辑出版的一部名为《Chine l’Empire du trait》——Calligraphies et dessins du V au XIX siècle( 出版机构将书名译为“笔墨乾坤”)的大型精装本图书中，在第222-223页，刊印介绍了一套拼集而成的清宫山水楼阁八开册页藏品中的两幅经典作品。其中由谢遂所画的一幅山水楼阁，无论在笔墨、构图的风格上，款识、钤印的运用上，甚至在纸本和装裱的材料、尺寸以及画面的折痕、返铅漫漶痕迹上，都与这件拍品完全一致。（注：这本册页于1913年由比利时收藏家Auguste Lesouef在古城列日收藏，并曾著录于《Manuscrits orientaux Smith-Lesouef chinois》见51（1），51（3）。
来源：法国知名收藏及鉴赏家 Frantz FRAY 夫妇。

《楼阁图》册，清，谢遂绘，绢本，设色，纵33.5cm，横49cm。 本幅款署：“臣谢遂恭画。”首开钤“避暑山庄”一方，末开钤“乾隆御览之宝”一方。 此册共8开，描绘的是圆明园中各式楼阁。画家在技法上利用透视线描表现亭台楼阙的纵深，用淡墨渲染区分建筑的明暗面，屋檐、回廊、窗牖、涵洞之下以水墨作上深下浅的渲染，表现出这些部位在漫射光的作用下逐渐变暗的视觉效果，有效地强调了凹入的部分，增强了画面的立体感，是中国画家采用欧洲建筑渲染画法描绘中国古典建筑的佳作

国立故宫博物院典藏「职贡图」，乾隆年间谢遂绘制，共四卷，各卷纵约三三˙九公分，横约一四一0˙四公分至一八三六˙一公分不等。

第一卷共七十图，爲西洋、外藩及朝贡属邦图像；

第二卷共六十一图，爲东北、福建、湖南、广东、广西等省边疆民族图像；

第三卷共九十二图，爲甘肃、四川等省边疆民族图像；

第四卷共七十八图，爲云南、贵州等省边疆民族图像。

合计共三0一图，俱就沿边省分各督抚进呈图样，以地相次，分卷绘制增补而成，有汉、满文图说及题识。

[职贡图]是一套瑰丽的中外民俗画史，由于清朝政府积极促进边疆与内地的政治、经济、文化关系，各民族日益融合，奠定我国多民族的基础，「职贡图」的绘制充分反映了乾隆皇帝对东西洋各国、朝贡属邦的贸易政策，以及对边疆地区的民族政策。　此卷爲其所绘职贡图，分绘清朝统治下，本土以及四方藩属境内各民族，官吏、土司、酋长、人民、男、女、妇、孺之状貌。著色鲜丽，神情栩活。不惟令人欣赏其人物描绘之精工，尤堪供爲民族风俗服饰考证之史料。又同样题材，除此绘画外，尚有皇清职贡图刊本。

Xie Sui, the famous court painter Qianlong period (birth and death unknown, about activities in the mid-18th century) ancestral home in Sichuan, home Wuxian (now Jiangsu) people. Good character, landscaped pavilion, fine style, fine, vivid portrayal of characters. Landscape is known for elegant. In the middle of the reign of Emperor Qianlong, the artistic appreciation of the emperor had gradually been gradually refined from the narcissism of the martial arts to the pursuit of exquisite elegance. Xie Sui in many court painter just to work in the Northern Song Dynasty courtyard body landscape style is known, so it is natural to gradually appreciate the emperor's appreciation and attention, in addition to repeatedly called participated in the pacification of Taiwan plans and other major Historical works of the record-type creation, but also alone to complete the collection of the Forbidden City in Taipei, "the job for the map," collected in the Forbidden City in Beijing, "Hanlin Lou view", "imitation Songyuan Jinling map" , As well as spring in the spring of the company's auction of high-priced transactions in the "Song Xi Xian Yi map" and a number of important palace paintings.

Four Seasons landscape floor view book
Xie Sui painted this group of four "Four Seasons Landscape House" album in the ink, techniques, Qiyun, fun, the following unique points worthy of knowledge of interesting:
1. To light color ink color, elegant colors, simple composition. Ink refining and refined, smooth strokes calm yet, so that each picture is filled with fresh quiet Youyuan mood. Most of the court works are usually rigorous neat, bright and gorgeous style of contrast exaggerated noble royal weather, especially when Qianlong. But Xie Sui's works in this group but to the literati of the mountains of water and the meaning of the admiration and pursuit, on the luxury, Cun wiping points out of a ray of elegance and elegance of the precious Qingqi expensive gas.
2. Drawing on the perspective of Western painting line drawing techniques in China's ink, making landscape view of the near and far points, pavilions have the depth of the Pro, a stone of a tree are yin and yang opposite, Chunhua Qiuyan discernible dark reality . Especially in the deep forest dense place, the cloister eaves of the place, to the ink and the deep on the shallow rendering of the law is to point out the picture of the level of points, three-dimensional sense. At that time, the background of the time, the Chinese painter to use the European landscape architectural painting rendering of the Chinese landscape landscape of the excellent.
3. A kiosk cool, two rows of autumn geese, pink Liulv, Samuume warm curtain ... ... without the expense of pen and ink chapter, only seemingly inadvertently a few pen on the extraction of the four seasons, can make the spring and autumn oil Health, cold and warm feeling restrained in the chest, and so the cultivation of fun, even when compared with the literati painting masters are at least not downwind.
4. In order to promote cultural exchanges between China and France, the French government will be 2004 as the Chinese culture in France. During the two governments and civil society organizations have held a series of various forms of cultural exchange activities. One of the activities by the French major museums and book publishing agencies initiated by the French Ministry of Culture to promote cultural and historical materials exhibition and book publishing project was named "from Versailles to the Forbidden City." Among them, by the French National Library in accordance with the collection of data compiled and published a "Chine l'Empire du trait" - Calligraphies et dessins du V au XIX siècle (publishing agency will be translated into "pen and ink") large Hardcover book, in the first 222-223 pages, published a set of paintings from the piled Qinggong landscape pavilions eight album collections of two classic works. One of the landscape by Xie Sui painted a pavilion, both in the ink, composition style, knowledge, the use of seal, and even in the paper and mounting materials, size, and the screen crease, trace back to the traces of lead , Are fully consistent with this auction. (Note: This album was collected by the Belgian collector Auguste Lesouef in the ancient city of Liège in 1913 and was published in Manuscrits orientaux Smith-Lesouef chinois. 51 (1), 51 (3).
Source: French well-known collection and connoisseur Frantz FRAY couple.

"Pagoda" book, clear, Xie Sui painted, silk of this, color, vertical 33.5cm, horizontal 49cm. This section of the Department: "Xie Xie Sui painted." First opened the "Summer Resort" party, the end of Qian Qianlong "treasures" party. This book a total of 8 open, depicting the Yuanmingyuan in various types of pavilions. In the technique, the artist uses the line drawing to describe the depth of the pavilions, and uses the light ink to render the bright and dark sides, eaves, corridors, window lattices, and under the culverts of the buildings. The effect of diffuse light gradually dimmed visual effects, effectively stressed the concave part of the screen to enhance the three-dimensional sense of the Chinese painter using European architectural rendering painting depicting the Chinese classical architecture masterpiece

The National Palace Museum Collection "Gong Gong Tu", Qianlong years Xie Sui drawing, a total of four volumes, the volume of about thirty-three ˙ nine centimeters, about 140-140 centimeters to 1836 ˙ one centimeter.
The first volume of 70 maps, for the Western, foreign and tributary state image;
The second volume is a total of sixty - one map, for the northeast, Fujian, Hunan, Guangdong, Guangxi and other provinces border image;
The third volume of a total of 92 figure, Gansu, Sichuan and other provinces border image;
The fourth volume of a total of seventy-eight figure, for the Yunnan, Guizhou and other provinces border image.
A total of three 0 1 map, all along the edge of the provincial governors Fujin into a pattern, to the ground phase, sub-volume rendering from the supplement, Han, Man Tu said that the title and title.
As a result of the Qing government's active promotion of the political, economic and cultural relations between the frontier and the interior, the various ethnic groups have increasingly merged and laid the foundations of the multi-ethnic groups in China. Fully reflects the Qianlong emperor of the Western countries, the tributary of the state's trade policy, as well as the border areas of ethnic policy. This volume shows the state of the nation, the officials, the chieftain, the chiefs, the people, the men, the women, the women and the children, under the rule of the Qing Dynasty, the native land and the Quartet. Coloring bright, look Xu live. Not only to appreciate the depiction of its figures Seiko, especially for the national customs and clothing for the research of historical data. And the same theme, in addition to this painting, there are emperor Qing Zhi Gong Ben.