《荷花图》
款题“庚子桂月写，延州内史。”钤“吴氏应贞”、“一字含五”印。此图的表现技法是从清恽寿平的没骨花卉画脱变而出。花、叶的线条工细而不呆板，敷色艳丽而不浓腻，工致的晕染表现出花、叶含水带露的鲜活与生动，清逸秀爽之气荡于笔墨间。
        这是一幅表现池塘风和日丽景色的写实画。作者在图中没有刻意地描绘水，而是通过惬意于荷花丛中的鱼儿，将一池清水巧妙地暗示了出来。作者又通过鱼儿若聚若离、或远或近的交错游动，巧妙地扩展了画面的深远空间。图中所绘荷花绰然俏丽，花、叶敷色艳丽而不浓腻，工致的晕染，旨在追求花、叶含水带露的润泽、鲜灵与生动，清逸秀爽的笔墨则写出了“出淤泥而不染”的荷花品格。
English is introduced
Wu Yingzhen, birth and death unknown, with five words, Wujiang, Jiangsu, married with the town of Zhao. Painting and painting of flowers and birds, patriarchal Qing Yun Shou-ping's "no bone" style has been changed. "No bone" According to legend, the Southern Dynasties Liang Zhang Seng Yao first, by the Northern Song Xu Chongsi inherited, to color, ink cover to light ink Le fine lines. To the Qing Dynasty Yun Shouping, Tang Yu Guang it has been developed, that is completely without the outline of lines, but directly with color, ink stained image. Yun's style of direct dyed painting in the Qing Dynasty flower and bird painting on the great impact, it quickly became the Qing Dynasty female painter in the creation of the largest example of bird painting, in addition to Yun's family of female descendant painter Yun Bing, Yun Qing, Yun Huaiying, who inherited this law, the other female painters such as Wu Yingzhen, Li Jue, Mao Zhou, Wu Jiu also have no bone method to create.