《月中桂兔图》轴，清乾隆，蒋溥绘，纸本，设色，纵99.3cm，横43.5cm。
本幅自识：“臣蒋溥恭绘。”下钤：“臣”、“溥”朱文方印。下裱工钤有古物陈列所藏印：“宝蕴楼书画续录”朱文方印。按乾隆皇帝御题可知，该作品绘于乾隆二十三年（1758年）中秋。上、下诗堂有乾隆皇帝、刘统勋、董邦达、刘纶、介福五家题诗，以及蒋溥自题诗。
蒋溥自题：“宸襟拈句发清芳，惭愧濡毫数点黄。恰遇山庄开寿宴，兔轮初上碧天凉。臣蒋溥恭和。”下钤：“臣”、“溥”朱文方印。
乾隆皇帝御题：“秋暖无端迟桂芳，缀枝初折几苞黄。玉㕙静守冰轮朗，画出人间满意凉。戊寅中秋御题。”下钤“乾”朱文方印、“隆”白文方印。
刘统勋题：“蕊珠颗颗领秋芳，风露连宵色染黄。驻景不烦寻玉杵，冰轮影现永清凉。臣刘统勋恭和。”下钤“歌咏太平”白文长方印。
董邦达题：“广寒高处落秾芳，颖暎金枝浥露黄。正是敷天开寿域，重轮无际一天凉。臣董邦达恭和。”下钤“邦”白文方印、“达”朱文方印。
刘纶题：“一株玉宇领巌芳，顾腹祥占抱珥黄。天咏题成广寒谱，云璈合与奏新凉。臣刘纶恭和。”下钤“臣”、“纶”白文方印。
介福题：“玉兔爰爰守桂芳，金波湛湛着花黄。普天恰祝如恒寿，风露先披上苑凉。臣介福恭和。”下钤“介福”白文方印。
此图以墨笔绘圆月，月中玉兔以干笔写皮毛，焦墨点睛，形象生动可爱。桂树以墨笔绘枝、叶，笔法细腻老道。桂花以桔黄色点染，其温暖的色调为冷月寒宫增添了几许暖意。全图布局紧凑，色墨运用巧妙，极富情趣。画作题诗中“冰轮”、“兔轮”、“广寒”、“重轮”等语，皆为月亮与玉兔的隐喻，以诗歌的形式烘托画面主题，从而巧妙的将诗、书、画三者紧密结合，把月中玉兔、桂树的优美传说演绎的美轮美奂，实为一件精美的风俗画作品。此幅上除了蒋溥的画及自题诗外，还有乾隆皇帝的御制诗和刘统勋、董邦达等大臣的应和诗，从中可见乾隆皇帝对汉民族传统习俗的承袭，和他与臣僚之间以诗画共度中秋的雅集场景。
--------Introduction in English--------
Axis, Qianlong of Qing Dynasty, Jiang Pupu-tu, paper book, color design, vertical 99.3 cm, horizontal 43.5 cm.
This self-awareness: "Minister Jiang Pugong painted." Xiajun: "minister" and "Pu" Zhu Wenfang seal. There is a seal on the display of antiquities in Xiajian Gongjun: "Continuation of Baoyun Building Calligraphy and Painting" in Zhu Wenfang Seal. According to the imperial title of Emperor Qianlong, this work was painted in the Mid-Autumn Festival in 1758. There are five poems inscribed by Emperor Qianlong, Liu Tongxun, Dong Bangda, Liu Lun, Jiefu and Jiang Puzi in the upper and lower poems halls.
Jiang Pu's self-titled: "Chen Yin's lines are clear and fragrant, ashamed and immersed in a few yellows. Just in time for the birthday banquet at the Villa, the rabbit wheel started to cool in the blue sky. Chen Jiang Pugonghe." Xiajun: "minister" and "Pu" Zhu Wenfang seal.
Emperor Qianlong's imperial title: "Autumn is warm and unprovoked, late Guifang, the first few bracts broken. Jade Gong keeps the ice Lang quietly, and paints the world's satisfaction and coolness. Wuyin Mid-Autumn Royal Theme." Xiajun "Qian" Zhu Wenfang Seal and "Long" Bai Wenfang Seal.
Liu Tongxun's title: "Pearls of pistils lead the autumn fragrance, and the wind and dew turn yellow at night. Staying in the view is not bothered to look for jade pestles, ice wheel shadow is always cool. Minister Liu Tongxun Gonghe." Xiajun "Singing Peace" in Baiwen Changfang Seal.
Dong Bangda Title: "In the cold and high places, there is a luxurious fragrance, and the golden branches show yellow. It is the application of heaven and the opening of life, the heavy wheels endless cold day. The minister, Dong Bang Dagonghe. Xiajun "Bang" white square seals and "Da" Zhu square seals.
Liu Lun Title: "A Yuyu collar silk fragrance, Gu Weixiang embraces the yellow. Tianyong inscribes the broad spectrum of cold, and Yunzhang combines with playing the new cool. Chen Liu Longonghe." Xiajun "minister" and "lun" in Chinese square seals.
Jiefu Title: "The Jade Rabbit keeps Guifang, and Jin Bozhan is yellow. Putian wishes you a longevity, and the wind first wears the garden cool. Minister Kai-fu Gonghe." Xiajun "Jiefu" white square seal.
This picture depicts the full moon in ink. In the middle of the month, Yutu writes fur with dry pen, focusing on ink and dotting the eyes. The image is vivid and lovely. Guishu draws branches and leaves in ink, with exquisite and sophisticated brushwork. Osmanthus fragrans is dotted with orange, and its warm tone adds a little warmth to the cold palace of the cold moon. The layout of the whole picture is compact, the use of color and ink is ingenious and interesting. The words "Ice Wheel", "Rabbit Wheel", "Guanghan" and "Heavy Wheel" in the poems are all metaphors of the moon and the Jade Rabbit. They set off the theme of the picture in the form of poems, so as to skillfully combine the poems, books and paintings, and interpret the beautiful legends of the Jade Rabbit and Osmanthus in the middle of the moon. They are really beautiful folk paintings. In addition to Jiang Pu's paintings and self-titled poems, there are the imperial poems of Emperor Qianlong and the corresponding poems of Ministers such as Liu Tongxun and Dong Bangda, from which we can see the inheritance of the traditional customs of the Han nationality by Emperor Qianlong and the elegant scenes of the Mid-Autumn Festival with poems and paintings between him and his officials.