《菊花图》扇页，清，钱楷绘，纸本，设色，纵18cm，横52.5cm。

　　扇页有自题：“白衣不至酒尊闲，掩卷高吟深闭关。独向篱边把秋色，谁知我意在南山。戊戌秋日仿南田草衣法。亦南楷。”钤“楷”白文印、“亦南”朱文印，吟首钤“游于艺”白文印。

　　“戊戌”是清乾隆四十三年（1778年），钱楷时年约18岁。

　　图绘紫、红、白诸色菊花争芳斗艳的秋景。冷暖色调相互映衬，画面鲜亮明快。菊花为双勾填色，在极工中求意趣。叶为没骨晕染，不用笔勾线，直接上色点染，具有典型的恽氏没骨画风。此图右侧书录的是恽寿平的七言诗，其字的结体完全学恽氏的笔法，即在宗法唐褚遂良书风的基础上，得纤疏清逸的意趣，从而与其高雅秀迈的画风相得益彰。由此图可见，钱楷早年时学仿恽寿平的书风和画法，已达到惟妙惟肖的地步，正如裱边惠孝同题：“此扇字画具仿南田，是能得瓯香二昧者。”

 

--------Introduction in English--------

 

"Chrysanthemum Diagram" Fan Page, Qing Dynasty, Qian Kai Painting, Paper, Colour Setting, Longitudinal 18cm, Transverse 52.5cm.

The fan page has its own title: "White clothes don't go to wine for leisure, cover up and chant deep closure. Who knows I'm aiming at Nanshan when autumn falls by the fence alone? In the autumn of 1898, the method of imitating Nantian straw clothing was adopted. Yi Nankai." Jun's "Kai Kai" and "Yi Nan" and Zhu's "Yin Shou Jun's"You Yi"printed in white.

"Wuxu" was the forty-third year (1778) of Qianlong in Qing Dynasty. Qian Kaishi was about 18 years old.

The picture shows the autumn scenery of purple, red and white chrysanthemums. Cold and warm tones contrast each other, and the picture is bright and bright. Chrysanthemum is a double-checked color, seeking interest in extreme work. Ye is boneless and dizzy. It does not need to draw lines with pens. It is directly stained with dots. It has a typical Yun's boneless painting style. On the right side of this picture is a seven-character poem written by Yun Shouping. The structure of his characters is entirely based on Yun's brushwork, that is, on the basis of the patriarchal style of Tang Zhusui's good calligraphy, they have a delicate and elegant interest, which complements his elegant and graceful style of painting. It can be seen from the picture that Qian Kai learned to imitate Yun Shouping's style of writing and painting in his early years, and reached a very vivid level, just as Huixiao Bian said, "This fan-shaped painting tool imitates Nantian, is the one who can get Ou-xiang and Er-yi."