《山水图》扇页，明，黄媛介绘，金笺，墨笔，纵16.2cm，横50.5cm。

　　扇页有自题：“断檐偏趁日，高树不妨云。皆令画。”钤“媛介”白文印、“字皆令”朱文印。

　　图绘二株阔叶梧桐树相伴偎依，树下一座空房，杳无人迹，一块巨石，摇摇欲坠地位于房左侧。构图简略，险中寓稳，富有悬念。笔墨法董其昌，粗犷简率中不失古雅秀润。

　　明亡之际，黄媛介与其夫杨世功为躲避战乱不得不背井离乡，在江南的吴越间四处飘泊，颠沛流离的生活令黄氏居无定所，难得安逸。但是，这种生活也给其艺术的发展创造了难得的机会，无论是流徙途中的亲身经历，还是所见所闻的自然景观，都丰富了她的写作和画作的素材，使得她比一般女性有更多的机会云游自然山水，从中获得创作灵感，促使其山水画日臻成熟。

 

--------Introduction in English--------

 

"Landscape Map" Fan Page, Ming, Huang Yuanjie, Jinjian, ink, 16.2 cm in length, 50.5 cm in horizontal.

The fan page has its own title: "Broken eaves take advantage of the day, tall trees may be as good as clouds. All make paintings." Jun's "Yuanjie" printed in white and Zhu's "all words are ordered" printed in Zhu's.

The picture shows two broad-leaved Chinese parasol trees nestling together, an empty house under the tree, no one left, a huge rock, crashing on the left side of the house. The composition is simple, stable in danger and full of suspense. The brush and ink method Dong Qichang, rough and simple, without losing the elegance and elegance.

At the time of the Ming Dynasty's death, Huang Yuanjie and his husband Yang Shigong had to leave their homeland to escape the war. They wandered around Wuyue in the south of the Yangtze River. Their wandering life made Huang's family homeless and seldom comfortable. However, this kind of life has also created a rare opportunity for the development of her art. Whether her personal experience on the way of migration or the natural landscape she saw and heard enriches the material of her writing and painting, making her have more chances than ordinary women to travel around the natural landscape, get creative inspiration from it, and promote the maturity of her landscape painting.