《牡丹图》轴，清，华喦绘，纸本，设色，纵134cm，横53.8cm。

　　华喦长于花鸟画创作，尤重写生，所绘的形象生动多姿。其用枯笔干墨淡彩，敷色鲜嫩不腻，别树一帜，对清中叶以后的花鸟画影响甚大。此图工写结合，花叶俏丽多姿，以没骨法表现，构图新颖，设色活泼，于浓淡之间将色调和谐统一，极富笔墨情趣。

　　自题：“冒月全无色，临风自有香。戊辰春三月，新罗山人写并题”。钤“华喦”（白文方印）、“布衣生”（朱文圆印）、“离垢”（白文方印）。

　　鉴藏印：“馀斋”（朱文方印）、“馀庆堂印”（白文方印）。

 

--------Introduction in English--------

 

Peony Picture Axis, Qing Dynasty, Huaxian Painting, Paper, Colour Setting, 134 cm in length and 53.8 cm in transverse.

Huaxian is good at creating flower and bird paintings, especially in rewriting life. The images she paints are vivid and colorful. Its use of dry ink and light color, fresh and tender application of color, unique, after the middle of the Qing Dynasty flower and bird painting has a great impact. This combination of painting and writing, beautiful flowers and leaves, bone-free performance, novel composition, vivid color setting, between the shades of harmony and unity, rich in ink and brush interest.

Self-titled: "The moon is completely colorless, the wind has its own fragrance. In March of the Spring Festival, the people of Xinluoshan wrote the same title. Jun "Huabian" (Baiwen square seal), "Buyisheng" (Zhuwen round seal), "Dirt" (Baiwen square seal).

Collection Seal: "Yu Zhai" (Zhu Wen Fang Seal) and "Yu Qing Tang Seal" (Bai Wen Fang Seal).