《踏雪寻梅图》轴，明，王谔绘，绢本，设色，纵106.7cm，横61.8cm。

　　款署：“臣王谔写”。钤“御府图绘之记”朱文印。画面另钤有“弘治”、“广运之宝”、“陈履平印”、“东林清荫”等鉴藏印多方。

　　踏雪寻梅是历代文人士大夫的雅事，亦为画家常用的题材。此图表现一主三仆于雪天往深山寻梅的情景。王谔被明代皇帝称为“今之马远”，此图的画风即验证了这一说法。画中山石棱角方硬，树干虬曲苍劲，山体、坡石多用大斧劈皴，构图上也接近马远的“马一角”特征。

 

--------Introduction in English--------

 

The axis of "Tapping Snow to Seek Plum" is Ming Dynasty, Wang Jie Painting, silk, color, 106.7cm in length and 61.8cm in transverse.

Securities Department: "Official Wang Bian write". Zhu Wenyin, Jun's "Records of Imperial Palace Mapping". The other pictures are "Hongzhi", "Guangyun Zhibao", "Chen Lu Ping Yin", "Donglin Qingyin" and so on.

Ta Xue Xun Mei is an elegant affair of literati and doctors in past dynasties, and is also a common theme for painters. This chart shows the situation of one master and three servants searching for plum in the snow. Wang Jie was called "the horse of today" by the emperor of Ming Dynasty. The painting style of this picture proves this statement. The stone edges and corners of Zhongshan are hard, the trunks are winding and vigorous, and the hills and slopes are mostly chopped with big axes. The composition is also close to the "horse's corner" feature of Ma Yuan.