他的第一个主人是皮埃尔·德尤林，但他的熟人和钦佩华托诱导他离开科特迪瓦尤林为吉洛特，其瞳孔华托过。LANCRET，谁从1712年至1713年仍吉洛特的学生，在很大程度上受到前辈画家，其典型的细长的数字可以在他的许多学生的年轻的作品中找到影响。通过LANCRET画和展出的两张照片此情此景了巨大的成功，从而奠定了他的财富的基础，而且，据说，疏远华托，谁被称赞作为其作者。1718年，他被收为院士，从其上成为一个非常受人尊敬的艺术家，尤其是鼓励华托的崇拜者。他完成的作品来装饰凡尔赛宫，而他的风格后来被证明很受腓特烈大帝。LANCRET的populairty被决定让他一个议员在Académie于1735年反映出来

LANCRET完成了众多的画作，一个显著比例，其中（八十）分别刻。虽然他完成了几个肖像和历史片他最喜欢的科目是球，集市，村婚礼等等。在这方面，他是典型的洛可可艺术家。有些人声称LANCRET的工作是显著不如华托的。在绘画和在画他的触摸通常被认为是聪明，但干燥; 艺术史学家迈克尔·利维表示，LANCRET是“没有诗人，一个迷人的散文家”。LANCRET的特点是可能由于这样的事实，他在训练中的雕刻下，已有一段时间。

人们普遍认为 ，艺术家制作了他最好的作品对他生命的末后，显示在一些艺术史学家的心目中，创造艺术与自然的和谐之感，随着越来越能力在Montreir德灯笼白茶，并愿意借给他，现在笨重，人物在他的作品更坚实的地方。这些变化显示后Watteaus像的影响L'Enseigne德Gersaint。LANCRET最后的绘画，家庭的花园，国家美术馆，是由利维认为是他的“杰作”。场景，描绘一个家族服用咖啡，有被认为是迷人幽默的亲密关系和提示。作品的线条流畅，色调柔和的色彩Rococoesque和谐，绘画风格和迷人的题材（的宽眼睛的小女孩，她的家庭幸福，自然包围，但非威胁性的设置，尝试了她的咖啡第一口味）被视为显示的活力和新鲜度的微妙感觉，既期待的作品托马斯·庚斯博罗和让-奥诺雷·弗拉戈纳尔。

在大英博物馆拥有由LANCRET在红粉笔和一个令人钦佩的一系列研究，伦敦国家画廊，显示四幅画-的（刻由Desplaces和L'Armessin）“人的四个时代”，由德Argenville引跻身LANCRET的主要工作。

His first owner is Pierre Dyulin, but his acquaintances and admire him to leave the Ivory Coast for Watteau induced uehling Gillot, the pupil Watteau. LANCRET, who from 1712 to 1713 is still Gillot students, artists are to a great extent, find the impact of the typical slender figures in many of his students young works. Through the LANCRET painting and exhibiting two photos of the scene was a huge success, which laid the foundation of his wealth, and said, who is estranged Watteau, praised as its author. In 1718, he was charged for academicians, from which became a very respected artist, especially encourage Watteau admirers. He finished the work to decorate Palace of Versailles, and his style was later proved to be greatly influenced by the great Frederick. LANCRET's populairty was decided to let him be a member of the Acad in 1735 to reflect Mie

LANCRET completed a large number of paintings, a significant proportion of which (eighty) were carved. Although he completed several portraits and historical films his favorite subjects were the ball, bazaar, village wedding, etc.. In this regard, he is a typical Rococo artist. Some claim that LANCRET's work is significant as watteau. In painting and painting in his touch is usually considered clever, but dry; art historian Michael Levy said, "LANCRET is not a poet, a charming essayist". LANCRET is probably due to the fact that he has been carving in the training for some time.
It is generally believed that the artist has made his best work in his life and show some art historians in the minds of artistic creation and the natural harmonious feeling, with more and more capacity in the Montreir lantern white tea, and are willing to lend to him, now heavy, people in his work more solid place. These changes show the effects of Watteaus like L'Enseigne de Gersaint. LANCRET the last painting, the family garden, The National Gallery, is considered by Levi as his masterpiece". Scene, depicting a family taking coffee, there is a close relationship that is thought to be charming humor and tips. The work line is smooth, soft colors Rococoesque color harmony, painting style and charming themes (wide eyed little girl, her family happiness, surrounded by natural, but non threatening setting, try her first taste of coffee) is regarded as a display of vigor and freshness of delicate feeling, both looking forward to the the works of Thomas Gensboro and Jean Honore Fragonard.
A series of studies by LANCRET in red chalk and admire a person in British Museum, National Gallery, London, four - (picture engraved by Desplaces and L'Armessin) "four times", the main work by de Argenville cited among LANCRET.