《仕女簪花图》轴，清，金廷标绘，绢本，设色，纵223厘米，横130.5厘米。署款：“臣金廷标恭画。”钤印一方，模糊不辨。

　　图中精致的家具、富丽的陈设所构筑出的典雅高贵的环境，表明此图表现的是宫廷女子日常生活的景象。梳妆打扮是贵族妇女每日生活中的重要内容之一，对此，她们不敢有丝毫的怠慢。图绘晨起的女子对镜理妆的情景。她为了取得良好的照镜角度，不禁起身而立，双目注视着桌上的铜镜，同时，左手缓缓地往云鬓上插玉簪。情节生动，人物举止自然，显示出作者细致入微的观察力和准确传神的艺术表现力。

　　图中女子杏脸桃腮，皓齿朱唇，身段婀娜多姿，富于曲线变化，体虚力弱中显现出娇柔典雅的娟秀气，体现出清代仕女画清新俊秀的时代特征。人物衣纹用笔顿挫转折，线条遒劲刚健，与以界画方式表现的家具及室内装饰物所采用的守规守矩、见棱见角的线条相互呼应，笔墨格调于统一中显现出所绘物象不同的质感。此幅构图颇具机巧，近景为全身像的簮花女子，中景系若隐若现的理书侍女，远景是含烟带雾的翠竹一隅。繁复的画面，既未掩簪花的创作主题，又通过近、中、远三景的自然展现加强了画幅的立体、纵深效果，从而在有限的画面上扩展出无限的空间。

 

--------Introduction in English--------

 

Axis, Qing Dynasty, Jinting Painting, Silk Book, Coloring, 223 cm in length and 130.5 cm in transverse. Subscription: "Chen Jin Tingbiao Gong Painting." The stamp is indistinguishable.

The elegant and noble environment constructed by exquisite furniture and rich furnishings in the picture shows the daily life of court women. Dressing is an important part of noble women's daily life. They dare not neglect it at all. Picture a woman's makeup in the mirror in the morning. In order to get a good mirror angle, she could not help standing up and gazing at the bronze mirror on the table, while slowly inserting a hairpin into the clouds with her left hand. The vivid plot and natural behavior of the characters show the author's meticulous observation and accurate artistic expression.

In the picture, the woman's apricot face, peach cheeks, bright teeth and red lips, graceful figure, rich in curve changes, weak body shows a delicate and elegant graceful elegance, reflecting the Qing Dynasty lady painting fresh and handsome characteristics of the times. Character's clothing lines are strong and vigorous. They correspond to the rules and rules adopted by furniture and interior decorations in boundary paintings. The style of brush and ink shows different texture in the unification. The composition of this painting is quite ingenious. The close-range is a lady with a full body image. The middle-range is a looming Li Shu maid. The foreground is a corner of emerald bamboo with smoke and mist. Complex pictures not only do not hide the theme of hairpin flower creation, but also strengthen the three-dimensional and deep effect of the picture through the natural display of near, medium and long-term, thus expanding infinite space on the limited picture.